Sing, Baby, Sing

1936 "A Mad, Merry, Musical Delight!"
5.8| 1h30m| NR| en
Details

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Moustroll Good movie but grossly overrated
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
rhoda-9 The rest of the movie is pleasant/mediocre, but Adolphe Menjou's parody of John Barrymore is fantastic. As daring as it is accurate, it makes one feel almost guilty at enjoying it so much (the movie was kicking a man when he was down in lampooning Barrymore's drunken antics and publicly disintegrating marriage). Menjou doesn't just copy Barrymore's mannerisms but has conveyed his essential noble but impish spirit, and the fun he is having is contagious--the scene in the hotel room ends on a moment of inspired hilarity, as truthful as it is loony. This inspired impersonation had an ironic sequel: Four years later, Menjou played the Barrymore role in a remake (why?) of A Bill of Divorcement. That time he was not able to channel, in a serious way, the personality he had assumed so well in this film; it was a terrible performance.
JohnHowardReid Although this movie could be rated as a pleasant musical comedy, it's a bit disappointing – particularly for Alice Faye fans. She's in good voice and looks great, but unfortunately, 20th Century Fox insist on surrounding her – and at times obliterating her altogether – with lesser talents, including the atrocious Ritz Brothers (here making their feature film debut and hogging every aggressively going-on- forever second of it), Adolphe Menjou, Patsy Kelly, Gregory Ratoff, and Ted Healy. Sidney Lanfield is not a strong director and it says much for the aggressive Brothers, plus Kelly and Ratoff, that they succeed in almost obliterating Healy. Ted was no slouch when it came to hogging a scene, but here he's reduced to fourth banana at best. Considering his co-star billing, Menjou's role is actually rather small. His material is no world-beater either. All told, the movie is watchable, but we expect better – much better! – from producer Buddy DeSylva!
Kalaman "Sing, Baby, Sing" is a passable, sometimes alluring lightweight Fox musical starring Alice Faye, Gregory Ratoff, Patsy Kelly, Adolph Menjou, and introducing The Ritz Brothers. Faye is an aspiring singer/actress who becomes involved with a drunken Shakespearean actor Bruce Farraday(Menjou). Farraday becomes infatuated with Joan after seeing her one night in a nightclub. Joan's agent(Ratoff) sees this occasion as a way of advancing her showbiz career. Patsy Kelly provides good supporting role as Fiz, Joan's friend. The Ritz Brothers perform their often hilarious, often annoying shenanigans, interrupting the story for their routine comic acts. As the other user-comment has said, "Sing,Baby,Sing" is mainly for fans of Alice Faye. It is a good early role for Faye to shine and sparkle, but it is way below her best, most spirited musicals at Fox.
msladysoul This movie is for fans of Alice Faye and Patsy Kelly, and probably film collectors. The movie isn't the greatest, but every studio now and then makes films so actors and actresses have something to do. This movie is what you call a "B" movie. The singing of Alice Faye keeps you watching, the music and dancing is a most, especially if you wanna see how nightclubs, songs, dancing, and life was like in the mid-1930s. Patsy Kelly a great, forgotten comic, keeps you smiling and laughing with her quick one-liners and wisecracks. Patsy Kelly was a skilled, natural comic, she could give Lucille Ball, Martha Raye, Jean Arthur, June Allyson, Ann Sothern, and Carole Lombard a run for their money. All of them were great, but Patsy Kelly had a style of their own. She could also sing and dance. Their were many great female comics, more then men in the 1920s, 1930s, and 1940s. Patsy Kelly is a treat.But, some of the forgotten men were The Ritz Brothers are a funny, dancing team, their what you call musical comedy. When Daryll Zanuck saw them in a nightclub he signed them quickly. Basically the movie is about Joan Warren-Alice Faye, who wants to make it, but she doesn't want to be something she's not to make it, but her agent will do anything, anything for her to make it, and while he's doing it they run into all kinds of "drama" but through it all the songs, music, dancing prevail. Great movie if you can catch it on tv.