Colibel Terrible acting, screenplay and direction.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

mark.waltz Having been made famously as a silent film that won Janet Gaynor the first ever Best Actress Oscar (along with several other films made around the same time), this remake is beautifully remade, but in many ways, appears to have been meant to be silent. The era of World War I Paris is the setting for this romance of two outsiders: a sewer worker (James Stewart) who wants to work above ground, and a cabaret "hostess" (Simone Simon) whose cruel sister (Gale Sondergaard at her most sinister) passes her off to male clients as if she was a pair of old shoes. Tired of her sister's cruelty, Simon longs to get away, and thanks to Stewart who catches Sondergaard beating her, she does, threatening to dump her into the sewer if she doesn't stay away from her sister. Determined to protect the innocent young Simon, Stewart claims to be married to her, and moves her into his apartment building where their romance expands into love. But with the onslaught of World War I and Stewart's sudden draft, that leaves Simon open to the machinations of the vengeful Sondergaard, and tragedy rears its ugly head as Simon gains the strength to stand up for herself and find her own inner heaven.This has some fantastic moments throughout, from the beautiful but dangerous setting to the sequence where Stewart nearly dumps Sondergaard into the abyss of the Paris underground, to those small romantic moments between Simon and Stewart, and then Simon's response to Sondergaard's return and the tragic situation of Stewart being off at war and believed to be dead. Simon's girlish performance makes her seem weak at first, but even in a dooey eyed doe is a mama lioness in the making, and her roar is unforgettable in a triumphant scene that will have you cheering her on. Jean Hersholt is memorable as a local priest who questions Stewart on his atheism, and Sig Ruman is hilariously piggish as a customer of Sondergaard's who takes his date with Simon too far. Other memorable cast members include Gregory Ratoff as a local rebel, Rafaela Ottiano as a nosy neighbor of Stewart's, and Mady Christians as a motherly woman in Stewart's building who becomes Simon's protector, for as long as she needs one. For all of the silent elements transferred over with the use of dialog, this is still a very memorable melodrama that will leave you touched, right up to the inspiring fadeout.

utgard14 Talkie remake of the silent classic about the romance between a sewer worker and an abused woman in WWI-era Paris. The original is one of my favorite silent films, with beautiful performances by Janet Gaynor and Charles Farrell, and excellent direction by Frank Borzage. This one is good on its own but it's lacking the magic the first film had.Some are going to balk at Stewart playing a Frenchman but it was common for American actors back then not to attempt accents when playing foreign parts. It doesn't bother me. I never really get that criticism anyway. How is using an accent but speaking English instead of French any better or more authentic? Stewart does a fine job. Not one of his best performances but nothing to be embarrassed about. Simone Simon is one of the most beautiful women to ever appear on film. The camera is absolutely in love with her. She's also great in this role, bringing sensitivity and gentleness to the part like few other actresses of the time could have done. Jimmy and Simone, while individually appealing, don't have much romantic chemistry. Still, I defy anyone's heart not to melt when Simone gets the soft light treatment & begs Jimmy to say sweet things to her. The supporting cast is good. Gale Sondergaard, Jean Hersholt, Gregory Ratoff, J. Edward Bromberg, John Qualen, and Sig Ruman are among the top-notch actors in this.It's an entertaining movie with a lot to like about it. It probably helps if you haven't seen the original, which is just perfect. Still, I adore any movie with Simone Simon so I definitely recommend you check this out for her, if nothing else.

bkoganbing James Stewart's first film assignment for 1937 was a loan out from MGM to 20th Century Fox for a remake of their silent classic Seventh Heaven that starred Charles Farrell and Janet Gaynor and won for Gaynor the first Best Actress Oscar. Based on a play by Austin Strong that ran for 704 performances on Broadway during the 1922-24 season, the silent film also boasted the classic film theme Diane which was one of the biggest selling instrumental recordings during the Twenties.The Diane theme was retained for the sound version, the movie-going public would have not paid a nickel to see this film if it were otherwise. In keeping with the French location of the film, French import Simone Simon took Janet Gaynor's place and gave a luminescent performance. But why Darryl F. Zanuck couldn't get Charles Boyer for the male lead is beyond me. If I had been Zanuck I'd have waited until Boyer was available. He would have been perfect for the role. The very American James Stewart, try though he does, just doesn't cut it as the French sewer worker Chico. Even Zanuck's two best male contract players, Don Ameche and Tyrone Power, would also have been better than Stewart.The plot is essentially the same with sewer worker Chico rescuing Diane after she's been thrown out of a brothel managed by her sister Gale Sondergaard. Simone's heart just is not in the job of sex worker. Sondergaard gives one her patented bad girl performances, she really has some bite in her role. Also to be noted is Jean Hersholt in the role of sympathetic priest.The sound version of Seventh Heaven might have been a classic had a player who was French or one who was cast as foreign types been in the lead. Jimmy must have wondered what he was doing in this film.

louis-king Watching this movie, I can't understand why Simone Simon didn't become a great star. In this movie she's luminous on a level with Ingrid Bergman & Audrey Hepburn. Watch the scene where Jimmy Stewart really look at her for the first time as she turns her face to his with the melody of 'Diane' playing softly; movie magic!She made two other well-known movies: Cat People & Curse of the Cat People, then her career dwindled into nothingness. Perhaps if she'd had more charismatic co-stars like James Stewart to play off against. She should have been James Cagney's unrequited love in "The Roaring Twenties" instead of that insipid Priscilla Lane (or was it Rosemary Lane?)James Stewart is superb as Chico. He's awkward, gruff, reluctant to get involved with other people yet his core decency compels him prevent Diane's mistreatment and stop her suicide attempt. Stewart was probably that way in real life. I don't agree that he's miscast or that he should have a French accent. There are people like that in all countries. It's not about France or French people. Any urban setting like London, Rome, New York etc. would have done equally well.I found the character played by J. Edward Bromberg rather disturbing. He kept showing up to rain on Diane's parade with those strange eyes. I kept hoping Diane would give him a beating like she did to Gale Sonergaard.