Actuakers One of my all time favorites.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

AlanSKaufman O. Henry was a late 19th and early 20th century short story writer. He was best admired for his twist endings. O. Henry's Full House selected five of his tales to dramatize.As a kid I watched the film on television, sitting on the couch with my beloved dachshund sleeping in my lap. "The Last Leaf" starring Anne Baxter was absorbing my attention. Tossed into a New York City blizzard by her rejecting lover, she despairingly makes her way to her sister's apartment building in front of which she passes out. How curious that in real life, Baxter would decades later collapse on a city sidewalk and die.Baxter is helped inside by her sister and a doctor makes a house call. Diagnosing her with pneumonia, he naively believes that due to her young age she will survive. However, the sister knows about the affair yet cannot convince Baxter to forget it. Lying in bed looking through the picture window, noting the leaves dropping from the vines, she declares that when the last leaf has fallen, she will die.That night the sister and we see two remaining leaves. One blows away and the other is beginning to break off. We all fear the leaf will fall by morning. When dawn comes, there is sunlight behind the curtains, and Baxter demands her sister pull them open. In horrific anticipation, I found myself squirming, startling my poor doggy. To avoid spoiling the scene, I won't reveal what next transpires, but take my word that O. Henry's twists could be quite complex - what you think you see, might not be what really is there.The last movie segment was based on his most popular "The Gift of the Magi", wherein newlyweds experience their first Christmas Eve together. Even in 1905 there was commercialism demanding that people spend rather than focus on their love for each other. We witness the wife in tears as she sells a precious possession to buy a gift for her beloved. When he comes home he is shocked at what she sold. Then she and we experience shock discovering what he in fact sold to afford his present. Fortunately the pair laugh at what they've done, celebrating the true meaning of the season.They've learned the priceless lesson that this feature reminds us of - count your blessings.

dougdoepke Given the amount of talent the results are disappointing. Actually, the amount may be the problem since no one need feel responsible for the overall result. The episodes themselves remind me of tepid half-hours of early TV. Like any anthology, some are better than others, but none are memorable, though each has a mildly O Henry twist ending. Trouble is each is overridden by a prevailing sentimentality, with the possible exception of Clarion Call. But even that cop-gangster episode is compromised by Widmark's delirious parody of Kiss of Death('s) psychotic Tommy Udo. I do confess a soft spot for The Last Leaf, maybe because the usually over-emoting Ann Baxter gives an affecting performance. Red Chief, however, may be one of the worst acted narratives I've seen. Hard to believe Howard Hawks had something to do with it. In fact, the episode bears none of his trademark stamps, which suggests the entire 120-minute production was under the careful control of studio higher-ups. That wouldn't be surprising since the anthology format was new and therefore a financial risk. Note, for example, how the flat visual style doesn't vary from one entry to the next, which suggests the directors were limited in their individual approaches. I hope they were paid well for lending their names if not their well-known artistry.Anyway, I'm not surprised the format failed to catch on. Then too, TV was beginning to offer for free what this movie did not. Still, it is a chance to see and hear one of our great novelists of then and now, John Steinbeck.

Terrell-4 'Tis the season to become tired of endless showings of It's a Wonderful Life. One antidote is to watch O. Henry's Full House. Twentieth Century Fox took five stories by O. Henry, gave each to a different director and screenwriter and assigned a number of Fox's top stars to the project. The result? A movie made up of five charming, sometimes sentimental tales stuffed with turn-of-the-century Americana and gentle irony. We learn about human nature, good intentions, humor in adversity, hope, a bit of despair, and love that's far more important than money. We're left smiling and contented, with happy endings all around. Not bad at all. John Steinbeck gives the bridging on-screen narrative. "The Cop and the Anthem" is directed by Henry Koster and features Charles Laughton, Marilyn Monroe and David Wayne. A down-on-his luck, sly and verbose old tramp is determined to be arrested so he can spend the wintery Christmas season in jail where it's warm and he'll be fed. His stratagems backfire, but kindness and his good intentions result in... "The Clarion Call" is directed by Henry Hathaway and features Dale Robertson and Richard Widmark (doing his Tommy Udo shtick). A police detective and a crazed killer, acquaintances once, find out just who the smarter one is when it comes to repaying a... "The Last Leaf" is directed by Jean Negulesco and features Anne Baxter, Jean Peters and Gregory Ratoff. A young woman who no longer wants to live believes she will die when the last leaf from a vine outside her bedroom window falls to the ground. A poor painter, ahead of his time, intervenes when he... "The Ransom of Red Chief" is directed Howard Hawks and features Fred Allen and Oscar Levant. When two hapless confidence men decide to kidnap a young boy for ransom, they can't understand why the parents seem happy to let them keep the kid. Then they learn what they have on their hands and realize there's only one solution... "The Gift of the Magi" is directed by Henry King and features Jeanne Crain and Farley Granger. This young couple are as poor as mice and love each other with joy. When they each make a sacrifice to ensure that the other will have a Christmas present, the irony is sweet and loving... Sure, the movie is sentimental, but in a very nice way. One of the pleasures of O. Henry's Full House is a chance to be reminded of Fred Allen. He's largely ancient history now, if he's remembered at all. In the Thirties and through the mid- Forties, he was one of the very best and most successful radio comedians America ever produced. Unlike Bob Hope and Jack Benny, his wit and his personality never made the bridge to movie or television success. Allen eventually was done in when radio discovered game shows after WWII and his audience migrated to a low common denominator. Allen was acerbic, inventive, very funny...and, week after week he wrote most of his own material. If you've ever heard his slightly nasal, questioning delivery you won't forget it. His autobiography, Treadmill to Oblivion, concentrates on his years in radio and what it was like grinding out wit every week and dealing with pigmy executives and humorless network censors. Fred Allen's Letters gives us a large sample of his witty, literate correspondence with all sorts of people. O. Henry's Full House was Twentieth Century Fox's answer to Britain's three movies featuring stories by Somerset Maugham, Quartet in 1948, Trio in 1950 and Encore in 1951...all fine movies and worth watching.

jotix100 O'Henry's short stories are a joy to read. This master of the genre left behind a number of small gems that never seem to go out of style, as they are timeless. The author had an incredible eye to spot situations in which human beings are shown at a moment of crisis only to have fate intervene with ironic twists."O'Henry's Full House" offers five of his best works directed by five distinguished directors. Howard Hawks, Henry Hathaway, Henry Koster, Henry King and Jean Negulesco do an excellent job in bringing the five stories to the screen adapted by some of Hollywood's best writers of the time in which they were filmed. John Steinbeck does the introductions.The first story, "The Cop and the Anthem" presents us with Soapy, brilliantly played by Charles Laughton, as a poor homeless person in the middle of a crude winter in New York who wants to be taken to jail in the worst way. He goes to extremes to have him sent to prison, without much luck. David Wayne plays his pal Horace and Marilyn Monroe is seen briefly at the end.The second installment, "The Clarion Call" shows a police detective, Barney, and his adversary, Johnny, a man to whom he is tied by a loan that stands between them. Dale Robertson is Barney and an annoying Richard Widmark plays the bad guy. Unfortunaly, Mr. Widmark's performance full of silly laughter and tics ruined the story for this viewer.The third tale is "The Last Leaf". We have two sisters in the middle of a blizzard in Manhattan. Joanna, played by the fine Anne Baxter, who we see after an apparent breakup with her boyfriend, gets pneumonia as a result of her exposure to the elements. Her good sister Susan goes crazy trying to nurse Joanna to health. Enter the painter Behrman, who is the upstairs neighbor to the rescue. Behrman sells his painting in order to buy medicine and when Joanna in her feverish state believes the tree across the street full of dry leaves is an omen, because as the leaves keep falling, so are the chances for her to get well. Thanks to the caring painter, Joanna survives. Jean Peters plays the kind sister and the wonderful Ratoff is the painter.The fourth segment is the weakest. "The Ransosm of Red Chief" presents us two con men in Alabama kidnapping a young boy who is wiser and acts much older than what the two con men thought. Fred Allen and Oscar Levant play the kidnappers.The last, and perhaps the best realized story of the O'Henry's stories is the unforgettable "The Gift of the Magi", which is the equivalent to Dickens' "A Christmas Carol". As directed by Henry King and played wonderfully by a beautiful Jeanne Crain and the handsome Farley Granger, this is a story about love and sacrifice under the worst possible circumstances. Della and Jim, with their youth, are penniless, yet, they sacrifice whatever little each one has in order to give the other partner a small token as proof of their love.This is an immensely endearing film thanks to the legacy of O'Henry.