Week-End in Havana

1941 "The Gayest...Fastest...FOUR STAR MUSICAL OF 1941!"
6.5| 1h21m| en
Details

A ship company employee, Jay Williams, is sent to Florida where one of the company cruise ships is stuck on a reef off of the coast. He obtains waivers from all of the passengers with the exception of Nan Spencer, a department store salesgirl who wants her vacation now, not later. Jay is instructed to take Nan to Havana, set her up in the best hotel, and keep her entertained. She visits a nightclub where the star attraction is Rosita Rivas and meets Rosita's worthless manager, Monte Blanca, who makes a play for her. Trouble also comes in the form of Jay's fiancée, Terry McCracken, when a romance develops between Nan and Jay.

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Reviews

BlazeLime Strong and Moving!
Nonureva Really Surprised!
NekoHomey Purely Joyful Movie!
Mjeteconer Just perfect...
TheLittleSongbird 'Week-End in Havana' couldn't be missed due to the anticipation of seeing Alice Faye, Carmen Miranda, Cesar Romero and John Payne in the same film and being a fan of musicals. It didn't disappoint me at all, getting more or less what was expected and wanted, and anybody who likes films of this type or musicals from this era are likely to find it very difficult to resist.Pretty much the only not so good thing about 'Week-End in Havana' is the story, which is as thin, predictable and nonsensical as one would expect from particularly a WW2-era musical. Also wouldn't have said no to Alice Faye having more to do than she did, and even the presence of Charlotte Greenwood, Edward Everett Horton or both may have enlivened things even more.However, as far as escapist entertainment goes and for anybody wanting a fun, delightful hour and a half diversion to blow any troubles away, 'Week-End in Havana' regardless of any reservations with the story delivers one hundred percent. The film looks gorgeous, with lavish set and costume design, big, bold, rich colours that leap out at the screen that always dazzle rather than nauseate and photographed in a way that shows a lot of love and care.The music is both infectious and beautiful, Carmen Miranda's numbers "Rebola a Bola" and "When I Love I Love" are uproarious, "Tropical Magic" is melodious magic beautifully sung in all its reprises (especially with Faye and Payne) and "Romance and Rhumba" benefits from particularly clever and nostalgic choreography in a film full of it.Furthermore the script is filled with snappy lines that crackle in energy and wit, the whole film is breezily directed with a clear love for the content and while a long way from perfect the story is never dull and has its charms.Miranda comes very close often to stealing the show in a hilarious performance, while Romero is the epitome of confident charisma and suavity and Faye is charmingly luminous and sings with beauty and heartfelt emotion. Payne is more at ease than he can be and is a suitably attractive leading man. Billy Gilbert, Georges Barbier and Leonid Kinskey are fun in supporting roles.All in all, one fun, delightful weekend indeed. 8/10 Bethany Cox
jzeltzer-dc I really enjoyed this musical. Carmen Miranda and Ceasr Romero are especially charming and at the top of their game. The songs and dancing routines are first class, a little "Hermes Pan" influence. I am also a fan of John Payne. His understated and often over looked skills as an actor are on display as be brings a light touch to this enjoyable romp. I thought Alice Faye was wonderful but would like to have seen her do a couple of more musical numbers like she has done in her other projects. No one can introduce a song during the era of the 30s and 40s like Alice. The colors are big, bright and beautiful and makes for a wonderful watch. I may be old fashioned but this is a film i could watch with the grand children and laugh out loud with them.
Neil Doyle Fox makes ample use of their stock company players--ALICE FAYE, JOHN PAYNE, CARMEN MIRANDA, CESAR ROMERO, as well as a bevy of dependable supporting actors to make sure that their technicolor investment in WEEKEND IN HAVANA pays off. Unfortunately, it's a routine assignment for all concerned. The script is light, even for a Fox musical.Faye had better musicals at the studio and is saddled with playing a rather pushy department store clerk who expects to get the royal treatment in Havana after her cruise is interrupted by a shipwreck. Naturally, a handsome corporate man (Payne) is assigned to take care of her "vacation" in Havana, and therein lies the nub of the plot. Everything that follows is quite predictable, including misunderstood romantic complications, but the end result is nevertheless entertaining.Both Alice and Carmen Miranda have opportunities to demonstrate their prowess with a song and John Payne makes an attractive partner for Faye. Cesar Romero plays a Latin charmer with his usual confident air. It's all very pretty in Fox's typically garish technicolor but fails to stay in the memory as some of Faye's other films do since there's nothing especially memorable about either the plot or the music.
jotix100 The production team behind this film would have benefited if they had done research for the movie by taking a real weekend in Havana. It appears the studio executives flew down to Rio instead. How else did they come up with music and costumes that are more Brazilian than Cuban?Maybe the studio thought of this as a vehicle for Carmen Miranda, the charismatic Brazilian star. Otherwise, it doesn't make sense at all to have turned everything into a samba flavored musical that is completely out of character with its setting of the romantic allure Havana of the 40s.The music is mildly entertaining. We know what will happen and how it will end, yet, we stay with a movie that has been done better before. Walter Lang directed on auto pilot because there is nothing in the film that shows anything new that we haven't seen before.Alice Faye plays a Macy's sales lady on a Caribbean cruise. Ms. Faye is a charming presence in the film. John Payne is the man who is sent to deal with the possible problem caused by the accident of the ship and ends up falling madly in love with the sales woman. Cesar Romero is suave as the gambler that tries to endear himself to the woman he thinks is an heiress. Carmen Miranda is the singing sensation at the Casino Madrileno. "Weekend in Havana" is an inoffensive way to spend a little more than an hour and a half with these characters.