Solemplex To me, this movie is perfection.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Mandeep Tyson The acting in this movie is really good.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

bkoganbing Harry Cohn decided to splurge a little by doing this modest B western on location. Some nice desert vistas and a decent plot characterize Relentless done by Columbia. Relentless has Robert Young determined to clear his name after being accused of murdering a pair of old prospectors for their gold claim. It was Barton MacLane who did it and it's MacLane that's Young is after. Cutting themselves in is gambler Akim Tamiroff and his associate Mike Mazurki. After Young is the law represented by Willard Parker who would later star in Tales Of The Texas Rangers on television. Helping Young is itinerant peddler Marguerite Chapman.There's also a bit more plot to this one than in a normal B western. Young who was primarily a light leading man who never got in the way of MGM's female stars could also turn in a serious performance when he would get the role. Young ran the gamut of emotions here, tender when taking a bullet out of a burro and almost sadistic in a shootout with Barton MacLane.No traditional western stars so to speak, but western fans will definitely like Relentless.

dougdoepke When you think westerns, Robert Young seldom comes to mind. As an actor, he was more at home in TV's white-collar world of suburbia or a doctor's office. At the same time, he knew his limitations and never tried to be the swaggering tough guy. Here, he low-keys his role perfectly. With the help of a girl drummer, a foal, and a burro, he's tracking a guy across the desert who can clear him of a murder charge. Chapman does well as the stand-up girl, while she and Young manage several charming scenes together.All in all, it's a rather affecting little outdoor western, made at a time when horses and dogs were popular movie fare. Here, the two critters are blended nicely into the main plot, and I like the way the foal disappoints expectations by growing into a rather homely, undersized adult. That seems to say, a critter doesn't have to be big and beautiful—as in most movies-- to be worthy of affection. Note too, how Nick (Young) challenges convention by talking up women's equality at a time when Westerns-- more than most genres-- held women to domestic roles.Also, there's an absolutely stunning Technicolor sunset about two-thirds of the way through that's the equal of any postcard framing I've seen. Plus, take a gander at all the movie's crusty old coots, Wright, Bevans, Patterson, et al., which seems to be missing only Gabby Hayes in its Hollywood lineup. Not everything however is roses. I could have done without the rather clumsy Tamiroff-Mazurki subplot, while the logic of some events does remain a stretch. Nonetheless, this handsome Columbia programmer remains good family fare, even 60-years later.

rogercg1 This is a well made western that star Robert Young also produced. It includes three solid performances by Young, Marguerite Chapman and Barton MacLane. There is also a fun and somewhat poignant subplot involving a burro and a colt that is most unique. The title comes from the fact that Young's character never gives up in his pursuit of finding a killer. Chapman is highly engaging and real as she stands by her man (Young)with evidence to the contrary. Highly recommended. (Oh, watch for the appearance by Willard Parker as the sheriff. In a scene, towards the end, his physique and attitude remind you that he would have made a pretty good Lone Ranger if the commanding Clayton Moore hadn't been around.)

chipe I was really geared up to enjoy this Western. It was high-class and adult in just about every way -- the acting, dialog, photography, scenery, cast, etc. Everything that is except the story. It soon became very boring; I couldn't wait for the movie to end. I fast-forwarded through some scenes. One thing that got on my nerves was the way in the wide open spaces of the desert West, the hero continually came across his lady friend and the bad guys by chance and how the characters could follow and track other characters so easily in the wide open spaces. Even the bad guy confessed on cue at the end by chance and coincidence. Even the evidence against the hero was rather flimsy. Too bad, for it was well-intentioned with good production values.