Sexyloutak Absolutely the worst movie.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Portia Hilton Blistering performances.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Oslo Jargo (Bartok Kinski) *** This review may contain spoilers *** *Plot and ending analyzed*Apache Drums (1951) is a tedious Western. Take an interesting theme like the Apache Indians, throw in enough filler to completely denude that, and then stage an absurd defensive sequence in a church, whereby the inept White townsfolk defeat the Apache Indians, who, for some reason, don't just go away, and that is what you have.Most of the time of the film involves the constant bickering between two men (Stephen McNally as Sam Leeds and Willard Parker as Mayor Joe Madden). A lot of talk as well is stuffed into the film, as the townsfolk sit in their houses doing nothing. Why the Apaches don't attack is unknown.There's also a highly annoying character, Arthur Shields as Rev. Griffin, whose bigotry and asinine comments minimizing the Apaches begins to wear thin. Stephen McNally as Sam Leeds and Arthur Shields as Rev. Griffin hold off an Apache attack in an unbelievable sequence.The Apache attack sequence in the church, although exceedingly ludicrous, is well lighted with Apache raiders colored in bright red or orange, which lends the scene to the unusual.None of the actors are particularly likable, since they both hate each other and really, I didn't care much. I just wanted to see a decent Western, but it's not here.

alexandre michel liberman (tmwest) Val Lewton and Hugo Fregonese, that's quite a pair and this film makes justice to it. Fregonese directed some solid westerns like "The Raid", Blowing Wild" and "Saddle Tramp". It is hard to find a western that did not age and when looking for some aspect of it that will be cheesy, naive, improbable, deja vu,etc you will not find it. This is just the case. Stephen McNally is Sam Leeds, a gambler who loses his credibility to the town people, so when he tries to warn them about an incoming attack by the Apaches, they don't believe him. Coleen Gray is Sally, the woman he loves, but does not trust him and Willard Parker is Madden, his rival the local mayor. From the moment Leeds realizes there is going to be an attack, the film has a tense ambiance which keeps getting worse as people start dying in the church. Good cinematography by Charles P. Boyle who also did some remarkable westerns like "The Cimarron Kid" and "Horizons West".

Marlburian This is an enjoyable Western that moves along well enough, with three "suspenseful" sequences: Sam's unarmed ride through the desert, the townsmen's mission for water, and the church siege.Stephen McNally does fine in the lead, but another underrated actor, James Griffith, seemed miscast as the army officer - he was more suited to enigmatic or semi-sinister roles. Armando Silvestre makes an impressive and dignified Indian scout.The version I saw on British TV seemed to have been edited, because the "Variety" review mentions Sam distracting the frightened children with sleight-of-hand, and the kids singing "Oranges and Lemons"; had these scenes been included in the version I saw, I suspect I might have winced at their sentimentality but they would have added depth to Sam's character.The saloon girls evicted from Spanish Boot were the usual highly- glamourised girls that Hollywood used to depict in preference to the drabs they must have been to have worked in what looked quite a dump of a town.And there was a new take on my usual query about what happens to the bodies of felled Indians that mysteriously disappear between charges that follow closely on one another in attacks on forts and wagon trains. The defenders must have killed a dozen Indians jumping through the church windows (conveniently announcing their presence by screaming), and if the siege had gone on much longer their out-of-sight corpses would have begun to smell.Another commentator has referred to the concluding "cutesy shot of a little donkey trotting up to its mother. It's so weirdly sudden after all the long drawn out, moody, tense, heightened tension that preceded it that it completely whips the metaphorical carpet out from underneath you." In fact I saw this as a symbol of regeneration, that the town would be rebuilt and grow up, as Mayor Maddden indicated it would when the Apaches were burning the buildings.

junk-monkey There are moments of genius in this movie, though, as the other reviewer says, it is let down by a talky script - and the lamest "the cavalry arrives and that's the end of the movie" in B western history - because that's what happens; after a long drawn out, interestingly shot siege in the church, the cavalry arrives and the movie ends. Just like that. No denouement. The movie just ends. Everyone leaves the church without a backward glance for all the dead and dying loved ones within and there's a cutesy shot of a little donkey trotting up to its mother. It's so weirdly sudden after all the long drawn out, moody, tense, heightened tension that preceded it that it completely whips the metaphorical carpet out from underneath you.The moments of genius though, make what is, after all, a pretty short film worth watching. And a textbook example, like all Lewton's movies, on how less is more, and how to make a small budget go a long way. The scene in the desert where the gun-less anti-hero is riding on to (as he thinks) safety after promising to warn the town is nicely edgy and unsettling. And the low angle shot in the church where the town is burnt casting beams of brilliant red light across the ceiling was great. That one shot was worth the admission price for me.The lighting is terrific, the direction, art direction, and cinematography great - but it's a pity about the script. With a better script - there are no sub-plots or parallel action in the movie - this would have been a classic up there with the likes of Shane, High Noon, and 3:10 to Yuma.Interesting.