ThiefHott Too much of everything

SunnyHello Nice effects though.

Teringer An Exercise In Nonsense

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

TheLittleSongbird Saw 'Home', being fond of horror regardless of budget (even if not my favourite genre) and being intrigued by the idea which was reasonably different when it comes to recent viewings of horror. Being behind on my film watching and reviewing, with a long to watch and review list that keeps getting longer, it took me a while to get round to watching and reviewing it.Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally. Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.Overall, better than expected but didn't blow me away. 5/10 Bethany Cox

TdSmth5 A young couple visits the guy's uncle. He's got $500 if the girl plays a game. She picks a happy face pin from a box and has to guess under which of the cups it'll be after the creepy old man spins the cups around. She guesses right 3 times and the third time the pin has an ash cross over it. The uncle tells her she's been chosen and to go to a crossroad and say her name so "he" will know who she is and then gives her the $500.Back at home the girl hears something and she's lifted in the air and thrown around. She tries to bury the money, then burn it but it keeps appearing in her drawer.Next we meet a pretty real estate agent. She has a sister who's an artist and is about to do an exhibition. The agent visits an empty house she's going to sell. There she sees the girl from the intro. She tells the owners who think it may their missing daughter who ran away with her boyfriend. But then it turns out the daughter is found. The agent discovers that the girl she's seeing is someone else who committed suicide. But then, the unseen force kills her.Now her sister, the artist, picks things up. She interviews one of the suicide's friends who tells her all sorts of info on the girl. Then the artist is attacked by the force and ends up in the hospital. When she wakes up from a coma she's told that she's pregnant. During the ultrasound she sees an evil face on the screen and demands the doctors take out the kid. Several years later she visits her creepy-looking daughter.I had high hopes for At the Devil's Door. I enjoyed the writer/director's previous effort The Pact, although he's yet another male who insists on making movies without any significant male characters. Is that what it takes these days to make it in Hollywood? Unfortunately this movie is a step in the wrong direction. The strongest female, Ashley Rickards, gets only the secondary role of the intro girl, while the weakest actress get the more significant role. The main problem though is the nonsensical story. A movie about a demon looking to procreate should make for a good horror movie actually. But here it's told in too roundabout a way. You can't really care about most of the characters including the main character, which is a terrible flaw. Like most movies, this one, too, goes eventually on mute with no one saying much of anything, certainly the demon doesn't say a whole lot, he doesn't even make a sound.That said, Nicholas McCarthy is a good director, perhaps not so much when it comes to telling a story, but definitely when it comes to shooting a movie. And he goes for subtlety instead of hyper explicitness--always a good idea in horror. So when we see the demon, it's usually at a distance, unfocused in the background, or in a mirror reflection. That does make the demon less menacing, which is why he should have been given more of a voice. At the Devil's Door is a movie that had potential but most if it was unrealized.

safepethaven Not one thing to benefit by trying to watch this attempt at a horror movie. Oh, it's a horror alright, but not as a genre. It's just a horrible attempt at entertainment and misses in every aspect. What a waste.Filming in the dark for such creep movies is formulaic but does not help when all the characters are filmed in the dark, have identical features, the dialogue (this poor attempt barely has any dialogue to critique) is minimal, and there are so many convoluted flashbacks -- if indeed that's what they were -- that nothing makes any sense.Perhaps the writer had several beginning attempts at a few scripts, none completed, then just tossed them up into the air & submitted the way the pages fell on the floor to the film company. That could be the only explanation for how this film rates as a zero in every category.

Peter Pluymers When you expect a kind of "The Exorcist" variant with a person possessed by a demon, ranting and raving while being chained to a bed, vomiting green slime, reciting incoherent fragments of text in a foreign language that he/she doesn't master and spinning his/her head around in a supernatural way, then you're wasting your time with "At the Devil's door", because this is not that type of film. But if you are a lover of the more subtle horror genre with a nasty undertone and a sinister, menacing atmosphere created by the use of shadows, moving objects and a constant palpable threat, then this is a must see.Of course there will be grumbling about the lack of depth of the characters and of real scares. Firstly, I think a horror isn't always successful by using irritating artificial frights (as in "The Quite Ones" where they used deafening sound effects) or by excessive use of gore elements. To me a horror is brilliant when, even if these elements are applied to the minimum, and it still has a nasty and devilish atmosphere. And you don't need profundity to create that. I suggest you watch a Shakespearean drama when you're into that. You also don't expect scary moments while watching a romcom.It all starts with a teenage girl called Hannah (Ashley Rickards) who makes the mistake to accept the invitation of her boyfriend to play an innocent game and as a reward gets 500 $ for doing that. In a ramshackle caravan somewhere in the middle of a desert, an eccentric, horrid guy plays a cup game with her and comes to the conclusion that she is "chosen" and she should go to a particular intersection and speak out her name so that "he" will know her when the time is right to call her ... Years later we meet the real estate agent Leigh (Catalina Sandino Moreno) who's going to sell an abandoned house which later appears to have been the parental home of Hannah. Together with her sister Vera (Naya Rivera), she is sucked into a demonic game where evil is trying to nest in human society."At the devil's door" basically covers the same theme as told in Goethe's work "Faust" : the closing of a pact with the devil and giving your soul in exchange. In this case it's not really voluntary, but it's kind of the same idea. The scene in Hannah's bedroom suggests that it will turn out to be a typical horror about possession and that an accumulation of clichés will be the result. Nothing could be further from the truth. The story very slowly unravels a sinister plot while using the principle of "less is more". This paranormal horror, in which a mix of "The Exorcist" and "Rosemary's Baby" is interwoven with a little family drama, makes sure you haven't got a clue where it's leading too. In addition, there are some surprising twists in the story which sufficiently compensates the lack of some decent frights. There are some extremely strong fragments in it. Like Hannah's bedroom scene, the "Little Red Riding Hood" type of girl who turns a babysitters night into a hysterical experience for the concerned parents, Leigh's confrontation with evil and the ultrasound ("The Possession" flashed through my head for a second). Simple and unspectacular portrayed. Subtle and exciting at the same time.The two main players Catalina Sandino Moreno and Naya Rivera are two outstanding actresses and beautiful at the same time. For once they aren't like most girls in a horror film, run around screeching and being slaughtered by some demonic power. They are intelligent go-getters who defend themselves. They both have a very different role in this film and divide the whole into two additional episodes. And the little girl Ava Acres who played "the girl" at the end, had such a minimal role but played it in such terrifying way. Most will call the end weak and disappointing. Personally I thought it fitted the entire movie and made it pretty open-ended so a sequel isn't unthinkable. All praise to Nicholas McCarthy who tried to create some new enthusiasm in the horror genre.More reviews at http://opinion-as-a-moviefreak.blogspot.be