5 to 7

2014 "Loving someone... at the right time."
7.1| 1h38m| R| en
Details

A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.

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Reviews

Exoticalot People are voting emotionally.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
stills-6 You expect a romance movie to have something to say about romance, the idea of romance or love. And while this movie has a lot of cheesy dialogue that would point in that direction, it ultimately has nothing to say. And when a romance movie has nothing to say about romance, you would typically expect to see a kind of chemistry that draws you in. And while the female lead attempts to portray this pretty well, the male lead appears to have no idea that his character is in a romance, let alone is in love. And when a movie like this has nothing to say about romance, and has precious little chemistry between the leads, you would at least expect it to have a smart script. Alas, the dialogue leads from one laughably clichéd line to another. The weirdly pointless bench taglines portrayed as "the best writing in NYC" should give us a clue about where the script is going and how the narrative will play out.Not to say this movie isn't worthwhile in other ways. The character of Jane, the editor, may be the only 3-dimensional one here, and she completely takes over many of the scenes -- of the precious few she's in. Her absence is sorely noticeable when she's not there. The male lead's parents, while not quite as fleshed out as we'd like, are nevertheless extremely enjoyable. The story itself is nothing special -- it plays out as melodrama (stock characters in a situation that forces them to act in stock ways) which isn't necessarily bad if it's well done, but it just isn't.Something else to mention about the story: The universe in which this story exists is one that rewards and ultimately revolves around complete sincerity. This is intensely aggravating, not just because it makes the whole thing unrealistic, but also as it implies that the people here have no interior lives. That the only thing that matters is what they have chosen to do in a completely sincere manner. That is, the important thing is not who they are, but what they do. For a purportedly delicate character study, this is a weird narrative choice.There is one piece of irony that is probably not intentional, but which completely destroys any integrity this movie may have had at one point, and the following isn't a spoiler. The line "What would you do for love?" is intended to apply only to the woman and her life decisions, but it ultimately applies to the man as well. Because his own implicit answer to this question is what leads this movie to go into the depths of self-indulgent pretension. All of which could be forgiven if any of the other faults mentioned above were also addressed.
Prismark10 5 to 7 although set in America is a continental European inspired love story. Brian (Anton Yelchin) a 24 years old would be writer in New York reliant on his parents for financial help falls for Arielle (Berenice Marlohe) an older, beautiful and sophisticated Frenchwoman married to an even older French diplomat. She is also a mother of two children.Obviously as Arielle and Valery are French, they take a broad approach to extramarital sex. Valery himself has a girlfriend and actually invites Brian to dinner where they all meet each other and tells him that he is prepared to put up with Brian as long as they have sex between 5.00 pm to 7.00 pm.Of course young Brian falls in love with Arielle but the struggling would be writer has nothing to offer her. Valery has money and status.If this was shot in France and made in French, this would had been a hit. It does have an understated, sophisticated sensibility and maybe a younger Woody Allen directing could had pulled it off. There is a comedic spark provided by Glenn Close and Frank Langella that the rest of the cast cannot match.
Shades I gave this movie a ten for the simple fact if a movie I go into knowing nothing about and not having high expectations leaves me with a tear in my eye at the end then it deserves the rating. It was filmed beautifully, the characters were amazing the relationship between anton and Bérénice I found mesmerizing, the fact that she at the time of the films release was 35 and anton 25 a ten year age difference and on screen you could see she was slightly more of an older woman than him with his young boyish looks anyway but I think it made the film for me a 30 year old exciting. I mean who wouldn't want a beautiful woman like that loving you in such a way as was shown in this great movie. I loved the ending I loved the last 10 min build up to the ending. I love it was based around this boys dream of being a writer I loved the Concept shown near the end when he is reading the letter it shows you Bérénice noticing anton first in the steet really changes the way I saw the movie as the beginning you are led to believe that he spotted her first when that wasn't the case and I think this was shown in a brilliant way at the very right time in the movie, she had already seen him and was daydreaming about him just before he saw her and daydreamed about her before approaching and I just that a touching moment in this movie . The dad of anton played his part great as did the wife but he added something a tad more special to his role for me . It had touches of the movie before sunrise in their for me not the same movie but certain elements. Anyway if you like a different kind of basic love story and one with fantastic acting on both the main characters parts then this is an absolute must . Rip to the late anton yelchin.
lu9603 This is overall a pleasant, and well-made film.Yet some of the changes in the character Brian are a bit sudden and dramatic, especially in his "conservative" attitudes and "ethics".It took Brian three weeks to overcome his "ethics" dilemma and start an affair with Arielle. Later, $6,000 gave him the "courage" to make a decision that would end Arielle's marriage, and destroy the home of her two kids. I assume that, by then, "ethics" is somehow, miraculously not an issue any more?! I wonder which was actually the "solution" to the "ethics issue", love or lust?Other than this small debacle though, Brian has the good fortune of living among decent people (I mean, all of them), even though some are mildly annoying (e.g., his parents). In real-life though, when finding out the son's girlfriend is a married French woman with two kids, some parents may start yelling, or at least stand up and leave. Admittedly, the noticeable absence of jerks does make this movie a more pleasant experience, but it is also a reminder of how different the real world is.