Karry Best movie of this year hands down!

RyothChatty ridiculous rating

Sexyloutak Absolutely the worst movie.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

malmborgimplano-92-599820 Fine acting, good production values and a butt-stupid script characterize this series, which follows the same hoary old formula as any number of women's fictions from the past hundred years or so, notably "Gone With The Wind" and "Forever Amber." The beautiful, free-spirited, lusty heroine plunges recklessly from adventure to adventure and man to man, running smack into famous historical characters at every turn. Please note that the title at the beginning of each episode claiming that this is a true story is a lie. There was never any such person as Angelica Fanshawe, though there actually was a guy named Edward Sexby. It's too bad no one had the idea of eliminating the character of Angelica altogether and just making the series "Sexby" instead.Capaldi doesn't have a whole lot of screen time as Charles I and nothing approaching a coherent character to play, but he pulls it all together nevertheless and creates a memorable figure of quiet authority not that unlike his Cardinal Richelieu in "The Musketeers." His performance makes the execution scene absolutely riveting, despite the thoroughly stupid decision to intercut it with the execution of the fictional Angelica, who's hanged but gets better after Sexby gives her CPR. Did I actually give this thing a 6? I went and changed it to a 5. 5 for Capaldi and others like Andrea Riseborough, John Simm and Dominic West who gave their considerable talents to making this silly spleeb.

freemantle_uk The English Civil War has often been over looked as a subject for drama, with most films being very inaccurate. The Civil War was a important watershed moment in English history, showing a king can be overthrown, strengthen Parliament, reformed the English army and in the end limits power the power of kings and a tyrant. The Devil's Whore is also a new step for Channel Four, because they don't normally make costume dramas (BBC normally makes them). Channel Four focus has often been documentaries, buying good American programmes, and make comedy series like Peep Show and the Inbetweeners.The Devil's Whore has a similar approach to Rome, focusing on a fictional character who becomes involved in historical events and meets famous historical people.The focus of the programme is on Angelica Fanshawe (Andrea Riseborough), an aristocratic woman from a Catholic background. She has rejected God and sees the Devil because her mother ran off to become a nun. The show starts off with Angelica being a member of the Queen's household just before the English Civil War. But as the Civil War starts and Angelica is forced out King Charles I's camp she allies her herself with political radicals like the Levellers. She also falls in love with soldier and political radical Edward Sexby (John Sims). Angelica also gets very close to honest John Lilburne (Tom Goodman-Hill), a popular political radical, and she acts as his champion to Charles I (Peter Capaldi) and Oliver Cromwell (Dominic West).If you are excepting an action-packed war drama, you will be disappointed because they are few battle scenes. But there is some good sword fights which are more realistic then others in visual media. The strength of the show is the character drama, about Angelica and her struggles. The other main strength is the political background, from Charles I's struggles to Parliament, to Oliver Cromwell becoming no more then a military dictator. The history is actuate for the most part, for example, in English culture some people like to idealise Oliver Cromwell as a great liberator: in real life he took over through a military coup, oppressed dissenting voices and enforced his puritan views on the nation, as well being a butcher to Irish Catholics in Drogheda and Wexford.They is a excellent cast, having talented actors like John Sim, Dominic West, Michael Fassbender and Peter Capaldi (who I was particularly impressed with). Anglea Riseborough is a strong newcomer, who is able to hold her own with all these talented people. She turns her character from a lost young woman to a powerful voice of dissent. John Sim, Dominic West, Tom Goodman-Hill and Maxine Peake are also very good in their roles. The production values were excellent, and with a budget of £7 Million, it was put to good use. The set designer and historical scenes were created really well, showing that towns, cities and even important building like Parliament were not very grant. They was an earthy feel to show. Marc Munden was a good director, able to combine all the elements together. He gets the best out of his actors and does some good scenes. He makes the violence realistic and characters like Sexby were heavily scared.This show was not perfect, they were some problems. Some of the subplots did not lead anywhere, the surreal elements did not work for me, especially because of the realistic sitting, and there were historical inaccuracies, such as the omissions of characters like John Pym and Sir Thomas Fairfax. But the programme does show the complex political background with the different schools of thought during the mid-17th century.It is worthy viewing.

paul2001sw-1 Peter Flannery wrote one of the finest dramatic accounts of recent history, the epic television series 'Our Friends in the North', but sadly, his attempt to write about the English Civil War is a far inferior affair. To me, the essence of good historical drama is that it distances us from our own times, and allows us to see how others could have held positions that seem to us indefensible; but 'The Devil's Whore' invents a fictitious female heroine, beautiful and anachronistically feisty (and involved in a story line that could have been borrowed from 'Thelma and Lousie'!) who seems to exist for the sole purpose of allowing us to judge the past through a modern pair of eyes. The writer also clearly wanted a share of the market for posh-frock romances, and the possibility of a happy end, while also putting this unlikely figure on the "right" side of the conflict - hence, wholly implausibly, our heroine is rendered as an aristocratic Leveller. The drama's general sympathy for the Levellers (and associated proto-socialist movements) is also overdone, in that the characters with attractive politics are consistently shows to be morally superior, and more likable, than those without. Against, the contrast with 'Our Friends', whose general sympathies for the Labour cause did not reduce the story to a black and white tale, is clear. The only really interesting character in this story is the Charles I, knowledge of whose execution perhaps invokes a certain involuntary sympathy on the part of the viewer, and who is suavely played by Peter Capaldi. But overall, 'The Devils Whore' is part Hollywood narrative , part Jane Austen and a sprinkling of socialism: an odd combination, and a disappointment compared with Flannery's best.

Zagreb-1 An extremely-engaging and well-acted drama about the period 1642-1660 covering the English Civil War and the subsequent execution of King Charles I and his replacement with England's only republican government. Whilst the history has been simplified with many important characters left-out, this nonetheless sticks to the history quite well. As with HBO's "Rome" fictional characters are invented and their own stories are told alongside those based on historical fact; some historical incidents are also embellished or altered slightly to make them more dramatic.Screenwriter Peter Flannery focuses on the politics of the wars for much of the time and helps scotch the myth deliberately built-up in the aftermath of the 1660 restoration that what happened in England was not a revolution but instead a temporary falling-out leading to an "interregnum". It's true that many of the parliamentary forces were never interested in overthrowing the monarchy but events overtook them and they found themselves embroiled in civil strife as radical forces such as the Levellers and the Diggers threatened to overwhelm not just the monarchy but the Parlimentary landed aristocracy. Whilst England was a republic following the King's execution it was no democracy and the conditions that lead to the betrayal of Cromwell's allies and his own rise of near unassailable-power are simplistically but dramatically detailed.The acting was, in general, of a very high quality with the best performances coming from Peter Capaldi as Charles I and Dominic West as Cromwell. Both managed to portray these deeply-flawed men as more than the monstrous caricatures history can present them as. Tellingly, two of the most emotionally engaging moments in the series for me were King Charles, sentenced to death and stripped of his arrogant autocracy, saying goodbye to his children and Cromwell preparing to be installed as Lord Protector talking to his old comrades in arms who had become his honour guard and reflecting on the fact he had betrayed his own revolution.For me, there were only a few flaws with this series. Edward Saxby, whilst well-played by John Simm, often felt like too much of a "modern" man with his tendency to attack what we can now see as inconsistencies on the Cromwellian side. Similarly, Angelica appeared too much of a modern woman and the scene where she addressed a church and told them there was no heaven and hell (something that would probably have seen her attacked by a mob in the 1650s) was slightly farcical. I also felt that the ending was too optimistic. Yes, Angelica had defeated her personal demons but all that her loved ones had fought for remained in tatters with the restoration simply turning the clock back and I felt that this should have been reflecting in a more sombre conclusion.Overall, though, this is a highly-enjoyable piece of historical drama and an excellent introduction to an important and much-misrepresented period of English history.