Contentar Best movie of this year hands down!

Ceticultsot Beautiful, moving film.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

gridoon2018 After about 50 minutes of talk and boredom, "Wonder Women" aka "The Deadly And The Beautiful" boasts some amateurish yet energetic action scenes. Nobody seems to have any idea what they're doing in their fight scenes, but it looks like they had fun trying. The film by no means lives up to its title(s), but it's not a total washout, either. ** out of 4.

BA_Harrison After the mysterious disappearance of one of the biggest names in Jai alai (a variation of the sport pelota), insurance investigator Mike Harber (Ross Hagen) is hired to try and find the missing sportsman. Mike's search leads him to the heavily guarded island fortress of Dr. Tsu (Nancy Kwan), where the unscrupulous surgeon has been harvesting the bodies of athletes abducted by her all-female army and using their limbs and organs in illegal transplant operations for the super-rich.Opening with a scene in which several topless female swimmers are abducted by Dr. Tsu's sexy hench-women, this early 70s USA/Philippines production starts as it means to go on by being unashamedly exploitative trash. As his film unfolds, director Robert Vincent O'Neill (who also gave us the equally exploitative Angel and Avenging Angel) piles on the outlandishness, delivering a prolonged chase scene through the streets of Manila (which involves some particularly perilous looking stunts), some really bad fight scenes (his actresses clearly total strangers to the martial arts), lots of leggy babes in revealing outfits, and a very silly finale that sees a bunch of Dr. Tsu's failed experiments running amok on the island (the daft creatures including a half man/half ape and a guy who sports a glass cranium with an orange beacon inside). All of this is accompanied by a cool funky '70s soundtrack.The movie's kitschy style also adds immensely to the fun factor: there are go-go boots and hot-pants aplenty, Dr. Tsu's operating theatre boasts cutting-edge psychedelic coloured lighting and swirly hypno-discs (while her PVC operating gown is the height of '70s surgical fashion), and Mike samples the delights of 'brain sex' via a silly high-tech headband covered with diodes.Add supporting roles for cult favourites Vic Dias and Sid Haig, and what you have is a delightfully daft piece of nonsense—not great film-making by any stretch of the imagination—but highly entertaining nonetheless.

Woodyanders Rugged insurance investigator Mike Harber (a charismatic and engaging performance by Ross Hagen, who also produced this film) gets an assignment investigating the mysterious disappearances of popular athletes in the Philippines. Harber stumbles across a remote island fortress run by the evil Dr. Tsu (well played with deliciously wicked relish by Nancy Kwan) and squares off against her lethal army of sexy distaff kung-fu killers. Director Robert Vincent O'Neil, who also co-wrote the compact and eventful script with Lou Whitehill, relates the hugely entertaining story at a swift pace, presents some funky local Manila color (yep, there's a cockfight at one point), handles the outrageous plot in a winning tongue-in-cheek manner, and stages the exciting action set pieces with rip-snorting brio (a lengthy car chase rates as the definite stirring highlight). This picture further benefits from a bevy of stunning exploitation cinema beauties: Ravishing redhead Maria De Aragon, fetching brunette Claire Polan (Hagen's real-life wife), foxy blonde Roberta Collins, black knockout Shirley Washington, and even the always sumptuous Marilyn Joi in an uncredited small part. Better yet, there are spot-on spirited turns by cult favorites Sid Haig as Tsu's suavely slimy business partner Gregorious and Vic Diaz as jolly cab driver Lapu-Lapu. Carson Whitsett's funky-throbbing score does the get-down groovy trick. Ricardo M. David's sunny cinematography provides an attractive bright look. A total grindhouse delight.

bensonmum2 Dr. Tsu (Nancy Kwan) has set up a secret research facility on an island where she has mastered various transplant techniques. She boasts she can transplant any part of the body – yes, that's right, ANY part. For a hefty sum of money, she offers the wealthy a chance for immortality by placing their brains into the body of a young, virile athlete. Her island fortress is guarded by an army of beautiful, but deadly women who also work to procure the doctor her healthy subjects. Her latest acquisition, a local jai-alai player, unwittingly draws the interest of an insurance investigator from Lloyd's of London who had a policy on the young man. In turn, he hires former CIA agent Mike Harber (Ross Hagen) to investigate. Before you can say "Ross Hagen produced this thing so you know he's going to come out looking good in the end", Harber is taken prisoner by Dr. Tsu and given the long, overly drawn out explanation of her work and her plans. In the end, Harber's powers of seduction have been enough to turn one of the women against Dr. Tsu and he escapes with the jai-alai player. The end.What a wild piece of 70s trash! While not good in any traditional sense, that's never stopped me from enjoying a movie. There are, however, three things you ought to know before watching The Deadly and the Beautiful (or Wonder Women as it's sometimes known): it's a cheaply made Filipino film, it's got a gaggle of scantily clad beauties, and it was produced by and stars Ross Hagen. The cheap/Filipino thing doesn't really bother me. It's probably part of what makes the movie so unique. And you've just got to love the 70s porn-inspired soundtrack. Too funny. The gaggle of scantily clad beauties – I'm not going to complain about that either. Though I must admit I did laugh out loud watching the army of women with every weapon imaginable set out into the jungle wearing what amounted to the most inappropriately imaginable short chiffon mini-nightgowns. I don't think nighties are standard issue for any other army in the world. And their style of hand-to-hand combat must be seen to be believed. I've heard of all sorts of styles or martial arts fighting, but nothing quite describes the gyrations performed by Roberta Collins. Finally, I'm left with Ross Hagen. The man just has a way of turning my stomach. He reminds me a bit of a B-movie version of Chad Everett with none of the acting ability. He spends the entire movie either looking half-asleep and disinterested or ogling the women he's supposed to be fighting. There is one brief scene with Hagen that's an absolute scream. He's following the Dr. Tsu down a staircase in what can only be described as full-on flounce mode. You know, ridiculous expression on his face, arms bent at the elbow and wrist, and legs doing sort of a trot – looks a bit like he's auditioning for a part in the Village People. Too funny. And then there's the scene where Ross gets to do something called "brain sex" with Nancy Kwan. Just about lost my lunch watching Ross' faux-orgasmic squirm on that vinyl seat. Yuck! Oh yes, as for the movie – it is what it is – a cheap piece of 70s exploitation junk that's worth a watch if you're into that sort of thing. For me, I had a great time with it. It was also cool to see Sid Haig in a different sort of role (I just realized that I have no idea what happened to his character). For all the wrong reasons, I'll give The Deadly and the Beautiful a 7/10.