The Cremators

1972 "From the sun come the Fire-People to incinerate all mankind! Great Balls of Fire: Scorching! Ravaging! Engulfing!"
2.6| 1h12m| PG| en
Details

An alien life form, resembling glowing rocks, summons forth a huge, rolling ball of fire, whenever threatened, that incinerates people.

Director

Producted By

Arista Productions Inc.

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Trailers & Clips

Also starring Maria De Aragon

Also starring Marvin Howard

Reviews

Vashirdfel Simply A Masterpiece
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Woodyanders An evil lethal bright orange yellow fireball comes to earth and goes on a rampage in a remote lakeside area; the flaming thing rolls over various hapless folks and reduces them to ashes. It's up to nerdy scientist Dr. Iane Thorne (blandly played by Marvin Howard) to figure out a way to stop it before it's too late. Writer/director Harry Essex, who also wrote the scripts for the classic 50's fright features "It Came from Outer Space" and "The Creature from the Black Lagoon," pukes forth a 50's style micro-budget clunker that boasts all the necessary bad movie vices to qualify as a real four-star stinker: the flat acting from a lame no-name cast (flash-in-the-pan 70's drive-in flick starlet Maria De Aragon in particular just takes up space as fetching love interest heroine Jeanne), sluggish pacing, ragged editing, rough, grainy cinematography by Robert Caramico, meandering narrative, a roaring, overwrought score by Robert Freeman, several ludicrous touches (the fireball stalks people before it kills them!), and a hackneyed "it ain't over yet!" ending all combine together to create one laughably lousy and leaden lump of a total stiff. Only Doug Deswick's surprisingly nifty special effects manage to impress. A shamefully unsung crud anti-classic.