VividSimon Simply Perfect

SpuffyWeb Sadly Over-hyped

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

JasparLamarCrabb A classy but not entirely successful crime thriller from director Claude Lelouch. Jean-Louis Trintignant stars as career criminal who, after being busted for kidnapping a child, escapes from jail and is bent on getting revenge on one of his turncoat cohorts (to say anymore would spoil things). Trintignant is dynamite as a seedy, amoral louse who'll stop at nothing as he arrogantly eludes police capture. He's supported by the likes of Daniele Delorme (whose case of Stockholm syndrome hits very quickly), Christine Lelouch, Charles Gérard and Amidou as a not-so- trustful gun salesman. Best of all is Charles Denner as the very nervous father of the kidnap victim. There's some pretty hyperactive music by Francis Lai that really can't mask the fact that not much is happening during the film's first half. The plot kicks in and the film's second half is very enjoyable. Lelouch did the cinematography as well...as he's done for a number of his films.

kenjha A man escapes from prison and seeks the loot he had stashed away five years earlier. The middling narrative moves in fits and starts, with scenes unfolding at a leisurely pace. In particular, there's an elaborate kidnapping scene that plays out in such minute detail that it loses all momentum. The presentation is rather confusing. In fact, the flashback to the events of five years earlier is so clumsily handled that it takes a while for it to become clear that earlier events are being recounted. It opens with an extended prologue, a movie within the movie, that overstays its welcome. The same could be said of the film, which runs out of steam long before the end.

ch4151 Thanks to other reviewers on IMDb. I picked up this pleasant surprise. The opening musical had me worried a little. But soon the clever plot revealed itself. This movie is witty and funny, several steps above a lot of Hollywood movies in the same genre today. It still looks incredibly fresh today.The flashback is so seamlessly inserted that I watched the movie again just to find out exactly where it begins. There are moments that make you smile or laugh out loud: the movie-in-movie poking fun at the genre, the mentioning of LeLouch's another film – "un home et une femme", the kidnapping plot, the little details about the characters,etc. LeLouch's direction is fluid and stylish. The naturalistic acting is great and spot-on from the top down. I didn't know that Trintignant could be funny!!! In this movie, he is charismatic, charming, and ruthless all at once and never once goes over the top or shows any movie star self-awareness we usually see today.This is a fantastic movie that can be watched again and again.

Chrisva This is a brilliant, charming film. To the poster wanting "Merci Simca" to become a common well-known phrase- I totally agree. This movie has it all- wit, charm, great acting, clever script, great use of flashbacks, inventive crimes, great car chase thru the 70's streets of Paris- an almost perfect film. This movie is easily the equal of other classic French crime films of the time- it's a shame it is so little known. You may be thrown a bit (as was I) when characters are doing things out of character, not realizing it's a flashback, but that only adds to the experience- I'd rather be confused for a few minutes than have some obvious corny announcement that a flashback is coming, like squiggly dream lines appearing on screen. I had heard nothing of this film and had no expectations, and was blown away. This film was 25 years ahead of its time, it's kind of a forerunner to comedy/crime films such as Pulp Fiction, True Lies, Go, etc., but superior to all those.