Unlimitedia Sick Product of a Sick System

Claysaba Excellent, Without a doubt!!

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Vihren Mitev Often it goes like this - big love come into existence and it is unshared. Often it goes also like this - the feelings between (at least) two lovers are not the same and start at a different point.People say that is harder for the man to live through separation rather than a woman. He felt it in the beginning weakly but with time the lack becomes a pain and the pain - in crisis. It was absolutely opposite for the woman. In the beginning she felt awfully but with time compared to man she got on her feet in searching another rogue.For good or for bad this movie makes this stereotype in pieces by showing the more realistic variant of a such possible experience. Was it because of the refinement of a cinema woman and (surprisingly) of a race driver or it was because of the soberness of the producer - this is what I do not know - but the movie was very real, charming, romantic till its end. Was it because of the samba of Vinicius or because the love of a blond - this is what I do not know.Both protagonists, step back in front of the ambition to take main role in life, find equal language which lead them to the natural end of such adventure. But right then, the feelings which run through us, guiding us as we are their marionettes take part; the feelings of which we are slaves. With them the expected end becomes hard to be predicted.What about twenty years later? Who knows? Who knows where will lead us our life path. Will it make clear our desires or will present to us new ones. In every case such a try to predict this end grows pale in front of the present intensity of sensual forgetfulness and dottiness but stays very good model of thinking plots, real or not.http://vihrenmitevmovies.blogspot.com/

writers_reign Actually, along with several others, I went to watch the original Un Homme et une femme from 1966 - which explained why the cinema was three quarters full on one of the hottest days of the year. It was a one-off screening past of the 'Sunday French Classics' series but somehow what we got was A Man And A Woman 20 Years After, possibly the renters shipped the wrong title. It was certainly not something I would have turned out for even on a much cooler day but as long as I was there I figured I'd enjoy looking at Anouk Aimee and anything else would be a bonus. Lelouch is far from the most stable of filmmakers at anytime, as a director he reminds one of Michael Caine as an actor - both are so prolific that every eight or nine films they turn up with something worth seeing. Alas, this was somewhere between one and seven which means that the best things in it were the clips from the original.

michelerealini Sometimes Claude Lelouch makes good films or masterpieces, sometimes not at all.This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.

gridoon The movie begins badly, with some racing scenes that go on for so long you may start thinking you're watching a James Bond flick. Then it wastes some more time by following the characters in their everyday activities, which are of little interest. But when the couple from "A Man And A Woman' is finally reunited, Lelouch shows that he still hasn't lost his touch when it comes to quiet dialogue scenes, in which expressions speak as loudly as words. And the idea of filming a movie ABOUT the story we saw in the first movie makes for an intriguing re-examination of the original from an unusual perspective - the perspective of the fictional character who starred in it. But Lelouch still can't stay concentrated on the things that really matter, and even when he later introduces a new, completely unexpected story thread (the "adventure" in the desert), he keeps intercutting it with another film-within-a-film, which is boring and pointless. The final impression is that of a film with many good things in it, but also a whole lot of flaws. (**1/2)