Platicsco Good story, Not enough for a whole film

Listonixio Fresh and Exciting

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

The Movie Diorama Psychologically stimulating throughout, Verhoeven portrays a different response to the invasive penetration of rape. One I haven't seen before, and considering the event in question immediately takes place as the film commences, the originality of this perspective bursts through the screen. A businesswoman, leading a video game company, is raped in her own home but decides not to report it due to past incidents with the police. Two vital elements of this production elevate it above the endless stream of psychological thrillers. Verhoeven's astute direction and Huppert's electrifying central performance. She, somehow, maintains a role that demands physical prowess and emotional damage. Her character's work life is so important and hectic, that she has no choice but to continue on despite the horrific crime that took place. Huppert magnificently conveyed rigidity, she was a strong character that you subconsciously admire her, even if her moral compass is slightly skewed. The psychological aspects remained refreshing as Verhoeven slowly peels away the complex layers that shroud this thriller. Plenty of backstory, substantial character development and an array of suspicious individuals, each carrying immorality. Some of the scenes, particularly the sexual encounters, felt reminiscent to 90s erotic thrillers due to the musical score. Old fashioned, yet nostalgically innovative. The problem, and it comes down to personal taste, was with a specific plot point that left the entire third act rather unfocused. Once the culprit is identified, Huppert's character seemingly continues sexual activities and it came across as hyperbolically forced, just to further illustrate her dementedness. It didn't work for me and released the grip that this thriller had on me. Also the relentless wave of unlikable characters really hindered the emotional response the story was trying to achieve. A decent thriller, one that is produced to the highest quality possible, but crumbles far too quickly towards its conclusion.

fpdl All characters are abnormal, is a sick movie. Which makes me think director and writer are also. It is a shame to award this movie. It is a shame to waste actors talent. It is a waste of time for those who watch it.

katvyhh I feel like I swallowed a cockroach after watching this. Boring, unbelievable, endless, inconsistent, cringeworthly acted sickening sexual scenes - and no sense or story. Critics are clearly out of their minds. A complete waste of time and mindspace.

ershkia It is often unhelpful to try to squeeze a film into a single main idea and that is even more true if the film is a good one. But I am going to break my own rule here to talk about the latest film by Paul Verhoeven. Not that I think Elle lacks nuance, but without seeing the thread that binds this film together, the intentionally provocative tone of the film can detract from its merits and push the film into lazy pigeonholes: misogynistic, exploitative, incoherent and if you are looking for a longer list of pejorative adjectives, Richard Brody's review in the New Yorker is an excellent thesaurus.Elle starts with a rape scene and what follows is how the main character, Michèle, deals with this presumably traumatic experience. I say presumably because her reaction to this incident throughout the film defies all expectations of how anyone might react to an assault. After the intruder leaves her house, she gets up, with some difficulty of course, sweeps the broken plates off the floor, takes a bath and orders takeout for dinner. And when she finally realizes that the rapist after all was her neighbour, someone whom she happened to have a crush on, the viewer is confronted with another what-the-heck moment when she, this time willingly, gets herself beaten down again. Let's start with the easiest hypothesis to refute. This film is plainly not about the damage rape can do to the victims, the film doesn't even try to make the protagonist likable enough to get the viewer's sympathy. A revenge thriller with a strong female cast? Surely there is an element of revenge in the film but it is hard to reduce it to a revenge story when the protagonist is drawn to her rapist. A misogynist story, disguising itself behind a criticism of conventional morality to show rape as a common fantasy and not all that terrible in reality? If she, a woman with a strong and dominant personality throughout the film, subconsciously yearns submission, why does she have to ruin her dream came true by taking her revenge at the end? And here is why I think a single main force behind Michèle's actions can save us from this confusion, and that force is not morality, or a sense of justice or shame or anger, or the society's pressure, but the agency to do what she desires to do in spite of all that. What the film is doing here is highlighting agency by taking the notion to its unnerving and sometimes darkly comical extreme. After the assault happens, she is physically hurt but mentally settled enough to order a takeout. She doesn't call the cops not because she is embarrassed or afraid of telling people what happened, she tells her ex-husband and friends about the story in the restaurant scene after all, but why bother with the cops if she can take matters in her own hand? Her reaction is no different every time someone reminds her of her mass murderer father out of spite, she keeps calm and carries on. But why does she willingly fall prey to the neighbour's sadistic behaviour? Is she a masochist? Well, the last thing she probably cares about is we pondering what she is or she is not.This is not to say that Elle should be seen as a manual on how to handle sexual assault, or as a realistic character study of Michèle and her motives. What the film does though, so effectively and so outlandishly, is bring to life not perhaps the most lovable but a memorably strong character that leads her life with the ultimate agency.