Scanialara
You won't be disappointed!
GrimPrecise
I'll tell you why so serious
Janis
One of the most extraordinary films you will see this year. Take that as you want.
paulwaidelich
In thoughtful movies that rely on dialog and story rather than CGI, sex and violence, there's an opportunity to craft meaningful character studies. The Better Angels forgoes the flash, even filming in black and white. The problem is, they didn't develop any characters. Particularly young Lincoln. Nothing happens. No one changes, except maybe Lincoln's father a little. The viewer slogs through the boredom of frontier life without any insight into young Lincoln. I don't need to see people shot, stabbed and punched. I don't need to see gratuitous sex or colorful explosions, flashy costumes or lively music. But if you're going to make a movie about an historical character, there has to be a story told that shapes the boy into a man. This movie is little more than a black and white home movie where NOTHING happens. Four stars is probably generous.
Tricia Snyder
****Warning - May contain spoilers****Then watch it for what Tom Lincoln says to young Abe toward the very end of the film. It is worth the entire rental. There is not much I can add, since so many people have beautifully reviewed this movie. But, I will say that few movies have taught me the value of stopping to really invest the time in my son's emotional and mental well-being in the far future as much as this movie. It is a lesson that is, perhaps, born out of the simpler and harsher way of life. But it is a lesson that parents of Millennials desperately need to cherish. It is a stark but beautiful movie. Very well done. The cinematography is stunningly gorgeous. Every word of dialogue is so purposeful that even the silence has meaning. It is not a movie to be watched for a history lesson on Abraham Lincoln. It is to be watched for a lesson on life.
tainadurden
The Better Angels, a 2014 Lincoln drama directed by AJ Edwards followed Abraham Lincoln as a boy (played by Brayden Denney) and his experiences living from the land. We see Lincoln going through the trials of his youth alongside his dad, Tom Lincoln (played by Jason Clarke) and siblings. Considering how tragic Lincoln's youth was, the film did not make me feel much for any of the characters. By the end of the movie I felt as if I could have been watching any boy from that time period. But speaking of time period, it is one thing I loved about the film. The time and place (Indiana, 1817) felt authentic and I liked that I was able to observe what life was like back then. The crude and realistic production design and the plain costume design were both fitting to the time. The black and white color palette also helped to convey the simplicity of the period. To characterize the boy as Lincoln, there were lines about him reading books, and scenes of him wrestling, but the core of his childhood was his relationship with his mother and step-mother which I felt were underdeveloped in the film or did not feel as essential as they were in real life. I did enjoy watching the father-son relationship in the film. There was tension between the two in real life, as Tom Lincoln seemed more fond of his step son than his real son. But, as the movie went forward, there was a warm side of Tom Lincoln on display which I enjoyed. Specifically, when he tells Abraham that he'll be twice the man he was, it was heartwarming and revealed a less one sided approach to their relationship. The cinematography was not bad by any means but I do wish that the cinematographer would have calmed down a bit. Almost every scene had continuous camera movement that didn't always seem motivated by anything and it drew attention to itself. This over complication of movement seemed to be an overcompensation for the slow pace and lack of substance throughout the film. Overall, The Better Angels had some beautiful shots and started to peel away at Lincoln's childhood. However, it was overly pretentious and unfocused, which led to it feeling more like a seedling of a movie than the fully developed, blossomed film it could have been.
danielmizzlemoss
What is so immediately intoxicating about this film is the cinematography. From the first frame you are pulled into the experience as viscerally as moving image can manage. Albeit this is not, per se, immediate. The film actually begins with an extended introduction to the score or, more specifically, the leitmotif that will accompany you throughout much of the trajectory. This brings me to the main idea: this piece is ahistorical in many ways. Rather than a score befitting the time period, you make your acquaintance with a modern sounding slightly more minimal arc of sounds which speak more to the mood of the film than to anything aimed at a period drama. A fortiori, the decision to begin the film with this extended immersion into music—a medium beautifully unconstrained by the more limited potential of physical form is a titillating foreshadowing of what the director is after here. This movie intends to touch only on themes that span the course of human history (and perhaps transcend it entirely given the religious connotations often present (similar to The Tree of Life in that regard)) through the presentation of mood, love, loss, family, discipline, isolation, friendship, freedom etc. What makes this so successful is not the scope alone. Any film can be ambitious and fall flat but this endeavor found it's successful portrayal of the universal through specific attention to the particular (much as poetry does (and much as The Tree of Life did)). There is great attention to detail in this film and all of the powerful themes conveyed here are tightly woven into the fabric of a very historically particular life and time. This is what is so magical about The Better Angels. It is ambitiously universal in everything it intends to convey and it does so through a radical focus on the absolutely particular. This is a film about Abraham Lincoln's childhood and that is what you see... But!– You never even hear his name. To an outsider, uninitiated into American Culture and History, it would be the same experience. The detail is so zoomed in that only the most fundamental elements of the life and character portrayed here can be seen. The details that one speaks of in a history class are nowhere to be found. This film pulls you to two opposite ends of an essential spectrum of human knowledge. On one end: abstraction to the universal and on the other: absolute particularity. It is the way that the former permeates the latter that makes this film an exceptional work of cinema. Roger Ebert correctly daubed it: "a genuine American art film", and it is indeed that and yet more. This more, on it's own, however is insufficient. Being a genuine American film alone is insufficient. Combining the two such that the universal emerges from the details and routines of an American woodland childhood is what strikes gold. The message and medium chosen were paired together exquisitely and make for an immersive experience of cinematic poetry and thematic meditation. The Better Angels is indeed utterly American, and yet wholly universal all at once. I hope this enhances your experiences of it.Thanks. -DMp.s. I wrote this in an inspired frenzy so please excuse any potential iPhone typos and read my roving ramblings charitably. Cheers! p.p.s. It's quite beautiful that this is a film which defies typical cinematic structure so thoroughly that I am at a loss for how one could even potentially construct a description capable of containing spoilers. I don't think it can be done.
