MoPoshy Absolutely brilliant

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

escalad89 I give this movie a 9 out of 10 for accuracy. The movie was not accurate but it was an awesome entertainment film. If you watch this movie like a movie and not a biography you'll love it. If you watch it the other way around you'll hate it. It was nothing more than a fictional story that had great romance, death defying escapes and personal screw ups with his brother, mother, and wife that ended terrificly. I would encourage anybody that likes magic, escape acts, and romance in a movie to watch it. Houdinit is a movie that I have watched several time and would watch again. I love the song "Rosebell" that happens to play all throughout the movie.

Tressa Breen This is a TV movie covering the career, life and afterlife of the illusionist Harry Houdini. It is a romanticized skeletal treatment, covering the basics of the man (raised in poverty, self taught magician, life long mother issues, medium debunker) without any real depth or showing anything new. It is a well done enough production, recreating some of Houdini's daring feats, and the acting is decent (and Jonathon Schaech certainly looks fit enough to pull off Houdini's escapes and high tolerance for pain) but ultimately it is a frame without a portrait, non revealing of the Ehrich Weiss behind the Harry Houdini. Favorite Line: "I fell in love with Ehrich Weiss; I put up with Harry Houdini."Worth a rent if you have a mildly curious about Houdini itch to scratch and an hour and a half free.

Rosabel This film did a good job creating the atmosphere of the turn-of-the-century show business world Houdini moved in when getting his start. I had high hopes at the beginning, which covers his early career performing with his brother, then later with his young wife, Bess, as they go from one fleabag music hall to another looking for their big break. Jonathan Schaech is very convincing in his portrayal of Houdini as a consummate professional and egoist, driven to succeed and be the very best at what he does. The movie starts to lose focus at the moment Houdini's career takes off; from this point on, it takes on a soap-operaish tone as it turns its attention away from his performing and towards his private life. The Great Mystifier turns into a slightly pathetic character, torn between his inflexible mother and his grouchy wife, and his fascinating career recedes into the background, where it serves as a mere backdrop to the story of his troubled relationship with Bess. Not only do the filmmakers ignore Houdini's unique position in the world of the theatre in favour of a rather hackneyed romantic drama, they go on to change the facts to fit their theme. Bess was not a perpetual wet blanket on Houdini's career; she was a theatre performer herself, and she often worked as his assistant. Though she must have been anxious for his success and safety in his work, it is inaccurate to portray her as frequently on her knees in a Catholic church, like the wife of a mafia don, imploring divine intercession to help an unendurable situation. By all accounts theirs was a generally happy marriage. Nor was Houdini's brother the incompetent and failure he is portrayed as here; as Hardeen, he was himself a successful magician, though never as celebrated as his older brother.But these failures are as nothing compared with the ending, which completely turns on its head everything we know about Houdini, and depicts a seance succeeding in bringing back his spirit after death. It is well known that seances conducted for several years after his death were a complete failure, and Houdini himself had only scorn for the spiritualistic frauds who preyed upon the public. It is even more confusing to have the seance succeed, when at the same moment it is being proved that the medium in charge is a phony. I think that, in the end, the film makers simply did not know what really to make of Houdini, and threw everything they could lay their hands on at him, hoping that something would stick. A film with lots of opportunities, most of them missed.

Erewhon When Tony Curtis played Harry Houdini in the 1953 George Pal movie, the fact that it wasn't historically accurate wasn't of serious concern, and the movie is entertaining for what it is.The TV movie THE GREAT HOUDINIS was a hasty little film of no particular interest; it's hardly memorable. But by the time 1998 rolled around, the opportunity existed to tell an accurate version of Houdini's life -- and Pen Densham not only wildly blows this, he made a movie that's actually insulting to Houdini's memory, which wasn't true of the earlier versions.The movie falsifies every relationship it depicts; Houdini's brother wasn't a whining ingrate, Houdini's wife Bess was steadfast and loyal, Houdini knew Sir Arthur Conan Doyle for many years, not for the single lunchtime meeting shown in the movie.But the insulting aspect is the element of spiritualism; Houdini spent years debunking it, and NOT just because mediums couldn't put him in touch with his mother. For the movie to show that survival after death is REAL is a betrayal of one of the main aspects of Houdini's life.And they also treat his career all wrong. Where was the Handcuff King? Where was the magician who created gigantic illusions, like walking through a wall or making an elephant disappear? Like the George Pal version, this one also invents a lot of malarkey involving the Chinese Water Torture.Houdini was a very interesting and colorful performer, and he deserves a reasonably accurate biography instead of more claptrap like this.