GamerTab That was an excellent one.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Portia Hilton Blistering performances.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

jean_luc_picard_3000 From everything that I heard about the original script (which was "obtained" under mysterious circumstances and leaked to the world before shooting started), I was expecting this movie to be really, really awful. I was pleasantly surprised to see that either Miramax, the writers, and/or the producers took some of the hacker community's complaints seriously, and adjusted the script accordingly. The final script that was filmed is certainly more even-handed and fair to Kevin Mitnick than Shimomura and Markoff's horrible book "Takedown" was (for a much better treatment of the Kevin Mitnick story, read Jonathan Littman's 1996 book "The Fugitive Game"), and we should be grateful that this film didn't end up being the hatchet-job on Kevin that we all thought it was going to be.I was glad to see that the "trashcan cover scene", for example, didn't make the final cut, but a little disappointed that we weren't shown how large of a role that John Markoff played during Shimo's "manhunt" for Kevin, and then afterward; according to their own book, Markoff was present for many of the events that took place in North Carolina, and should have at least been shown in the scenes at the cell site alongside Shimo, Julia and the FBI agents.They also could have done more with the "Lance" character, who represented a real hacker calling himself "Agent Steal" that was working for the FBI, and who figured prominently in the arrest and conviction of another hacker named Kevin Poulsen. (Poulsen's story, done properly, would make for a great movie too, but I digress..) Another no-brainer, slam-dunk scene that should have been in the movie, but wasn't for some reason, was Kevin and Shimo's one and only face to face meeting, in a North Carolina courtroom shortly after his arrest, where Kevin uttered his now famous line "I respect your skills" to Shimo.I mean, it's no "Saving Private Ryan" or "Godfather Part II", but it isn't bad, either; in fact, it is a much more realistic and enjoyable movie than "Hackers" or "Sneakers" (to its credit, "Hackers" did have the lovely Angelina Jolie going for it), though not as much fun as "War Games", which is truly the "Citizen Kane" of hacker movies, or "Pump Up The Volume", which was more of a hacker movie than people realize, even though the "hacking" is done with a pirate radio station instead of a computer.As others have already recommended here, go find a copy of "Freedom Downtime", the excellent documentary about Kevin that was produced by Emmanuel Goldstein and the staff of 2600 Magazine, you won't be disappointed.

sourcec To be honest I watched this film purely for the fact that I am very interested in Hacker Culture/History.. and to my dismay, this film is far from the truth. However it does have its good sides.. it's portrayal of hacking itself and of people with an over-enthusiastic interest in computing for one. Where other hacker-orientated Hollywood movies show flashy tron-like graphics to depict gaining root on a system, Takedown shows you how it is. And the other good thing about this movie is just that... its a movie. If you ignore the fact that the majority of its plot is based on biased views from people who either disliked Kevin, or never even knew him, it's watchable. It contains all the aspects of a Hollywood movie that grab the viewer.. an original topic, a fast moving storyline, a so-called criminal that you really feel sorry for, an unjust American legal system, and a so-called victim who is just as bad as the depicted criminal. If you can easily switch off, this film is for you, but if you care about freedom of information, moral values and the fact that everyone has the right to a fair trial... go watch Freedom Downtime.

trgusa Not arguing technical details or realism, I feel what is presented in this movie is an all-too black and white picture of hackers, or "Crackers", as the hero refers to them. Great pains are taken to portray Kevin Mitnick as a temper-prone, reactionary, asocial neurotic, with nuances of sexual dysfunctionality thrown in as well. Whereas, the hero (Tsutomu Shimomura)comes off as being the shiniest star in the sky.I would say this general portrayal is unfair, and nearly propagandistic in its intent. The movie really becomes a base for expounding the moral issues of hacking and 'freedom of information' in a society that survives on security. It is a clear warning, and it does NOT favor hacking or hackers.I am appalled by that, because a more open picture of both sides might have been painted. "Hackers" brought the world to the standards of today, and daily test the security and limits of it... likewise, "programmers" continue to strive for safety, but also encrypt for greed, control, power, and politics. It is not all back and white.Either a hacker OR a programmer are capable of accidentally, or intentionally creating havoc in a real world of banking, traffic lights, airports, and defense systems, although the chances seem less with programmers (unless you know about "The Singularity").All I am saying is that this movie is VERY biased against hackers, it allows them NO redeemable social attributes, and it radically stereotypes them. It is intended to PERSUADE you. THAT, I regard as a THREAT to my own individual freedom of thought, and when you cross that line... alarms go off.BEWARE of this if you haven't seen this movie yet.Did "Big Brother" produce this film? ("Big Brother" is a reference to George Orwell's novel "1984") Regardless, the movie has good detail within a fast-moving and captivating plot.Lastly, NO, I am NOT pro-hacker oriented. Mitnick is clearly a criminal with a long record of convictions dating all the way back to 1981... but, I don't like being told what, or how, to think about a whole class of people.

dima-12 Joe Chapelle`s TAKEDOWN is avery important film. sadly it was shelved and molested prior to unfair and unlimited release. The importance of this film lies within its` simplicity. Chapelle made a conservative Hollywood film that is just a story about people doing this and that. And there`s nothing nmore about it. There are no power struggles within it, no demographic scanning, no product placement. Just a true story about the demise of America`s notorious hacker Kevin Mitnick. It`s as simple as that. And TAKEDOWN takes us confidently down that route. Chapelle`s film isn`t perfect but it feels like a well-done solid and compelling story that tries to serve the plot and characters first aned never looks for any other kind of gratification. Simply put, TAKEDOWN is just a movie with no other non cinematic ambitions. And that`s a whole lotta quality in age when movies are supposed to be more than a theatrical event, when tie-ins and power shifts swallowed the very essence of filmmaking. Well, TAKEDOWN hits back big time, reminding us how movies are supposed to feel.