ThiefHott Too much of everything

SunnyHello Nice effects though.

Claysaba Excellent, Without a doubt!!

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Dave from Ottawa The box copy for this movie suggests some kind of mystery, but don't be mislead. This is a morality drama about Hollywood deal-making at its most soulless and cynical. Peter Weller gives an unflinching performance as a high-powered star who steamrolls people, talking over them, repeating himself just in case the message didn't penetrate the first several times, making no effort to listen, and occasionally trying to justify his actions but never apologizing for his arrogance or boorishness. Danny Huston plays his agent with a painted on smile, trying to make everybody happy to get The Deal to come together, and greasing the wheels with cocaine and vodka. Huston is dying, but he puts on a happy front for the sake of the picture and knowing that the heartless, selfish people around him wouldn't care anyway. His death leads to professional complications for his agency, but little actual mourning. Indeed, it is a moment of supreme irony when his sister takes the large turnout at his funeral to be a sign of how well loved he was, while egos clash in the back of the church! The film is shot in a very documentary fashion: tight camera placements, roving camera, swish pans from one character to another. It plays like an episode of COPS, but with Hollywood power brokers at its center rather than deputies, and the look and the details of life at a big shot talent agency makes the movie seem convincing on a superficial level, but not particularly compelling dramatically. There are few original characters or situations here. The movie is good enough for its type but there is little here that seems fresh or even all that interesting.

TheLastMan81 I liked the storyline when a saw this movie at the bottom shelves, a behind-the-scenes look at the life in Hollywood, based on an old Tolstoy novel. But this must be one of the most crappy movies ever made, with it´s pretentious tone but total lack of talent. It tries to be ultra-realistic but fails totally on this point. If you want to make a movie as realistic and documentary-looking as possible, you should´nt use softening lenses and overdramatic music. It fails to be consistent and therefore it looks more like a porno flick then a serious drama. Speaking of porn, the acting is awful. The only one who really pulls through is Danny Huston as Ivan who really puts his soul out there. That´s about the only positive thing there is to say about this mess because the dialogue is terrible and the cinematography does´nt even exist. My hope in finding a brilliant exception at the bottom shelves in the videostore has been demolished.

mach1ne This film is amazing. It begins by introducing a whole bunch of characters, including Danny Huston, none of whom have any redeeming features - scenes are frequently uncomfortable to the point of being cringe-inducing. It's when you realise that what everyone in the film is talking about is absolutely nothing or incredibly superficial to say the least is when you realise that what you're feeling is that there ARE no characters as such - they may as well be dead. They have nothing to say and when they do it's absolute worthless tosh. They are essentially characterless "characters". It's therefore impossible to feel any affinity, compassion or even empathy with anyone in the film - hence one's discomfort during viewing. And it's from this point of utter lifelessness that the film grows into one the most truly and deeply ALIVE films I've ever seen. Like one of those moments when you realise what you are when the clouds around your soul have been stripped off and you get a glimpse of your self. And it's pretty hard to put into words, but just like the guy from London who wrote the first review, my girlfriend and I were so stunned and emotionally moved into silence we didn't speak or rather just couldn't find WORDS that could justify what we'd just seen. I came out, sat in the foyer, said "what the f**k happened there?" and proceeded to smoke a cigarette knowing fine well I couldn't smoke there. (In light of the film, I think I just thought that stupid little humans' rules were often so pathetically insignificant they were laughable!) We were both absolutely amazed. But my advice is, of course, to see it yourself. Because after all, these are just words too.

theultimatehuman This is really one of the most honest, most genuinely unnerving films I have ever seen (and I have seen a lot, by any standards). My lady and i didn't speak the whole hour driving home, just sat in stunned contemplation of this stunning film. As we drove, I could almost not believe just how superb this film was.Huston is an absolute revelation as Ivan, a once-in-a-lifetime performance that seems to have sprung into life fully formed and whole. His is one of the greatest faces cinema has offered, full of humanity and pathos, at once a recognisable everyman and a unique and extraordinary figure.The narrative's initially gimmicky flashback structure become essential as we are allowed to see the fundamental pointlessness of the feckless Ivan's life even before we meet him.Flashing back, we then see the last few weeks of Ivan's life as he finds he has terminal cancer and slowly wastes away, surrounded by the most tacky/glamourous trappings of Hollywood life.From the early realisation of Ivan's insignificance, we are drawn to see him as fully alive and utterly human.This is the triumph of the director's intensely humanist vision, a moving testament to the individual worth and humanity of each of us, even the most lost and dissolute amongst us.Equally rich are the surrounding performances, the whole cast working tiny wonders, but special mention certainly belongs to Huston and also Peter Weller, the latter giving what I think must be his strongest ever role. His sleazy big-shot actor is an instant classic, utterly true and blackly comic.I lived and worked in the industry in Hollywood and I recognised many of the characters and situations. In the whole film, not one false note was struck. The locations expertly chosen, from the Sky bar to the winding backroads around Mulholland and Hollywood Blvd at dawn, the feel of Ivan's Hollywood was exactly right.I recommend this film to anyone looking for difficult but richly rewarding, thought-provoking cinema. It is not entertainment, but it performs the quiet miracles that few film-makers even attempt, let alone achieve with these devastating results. A triumph, a truly visionary work and clearly a labour of love for all involved, Ivan's xtc is simply astounding, quite the equal to the early works of Ingmar Bergman and I can think of no higher praise than that.