Razor Blade Smile

1998 "Part Seductress. Part Assassin. All Vampire."
4.6| 1h42m| en
Details

A 19th century woman, who has become one of the undead, acts as a hired killer in modern times. When she starts knocking off part of the elite businessmen, "The Illuminati", who secretly are taking over business and the government, she becomes the target of a hired Scotland Yard detective. Of course, the head of "The Illuminati" is the vampire who first gave her immortality

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Reviews

Moustroll Good movie but grossly overrated
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Mandeep Tyson The acting in this movie is really good.
Dana An old-fashioned movie made with new-fashioned finesse.
alexsafc123 Just as the whole cast and crew knows f*** all about film making.This film concerns the adventures and predicaments of a modern day cockney vampire assassin, and an age old spat with her seemingly jaded vampire lover. That plot in itself reeks of clichés and promises of boredom when on as small a scale a film as this, and that's exactly what you get.First off let me say that I by no means dismiss films because they are B movies, in fact some of my favourite films are B movies such as Jesus Christ: Vampire Hunter, but this one misses the mark by a mile.Anyone with any knowledge of small budget films will know that the acting is rarely gripping and emotional, but Razor Blade Smile creates a whole new dimension of hamming it up on screen. Some of the so called acting is just indescribably bad, with characters spewing cheesy one liners that fall flat, and discourse expressing about as much emotion and conviction as the terminator after a couple of horse tranquillisers.A vast portion of the film is also taken up by the vampiric characters, the protagonist in particular, unnecessarily flapping their mouths, showing off their ridiculously large vampire teeth and exhaling very loudly. It literally must happen in almost every scene at least once, and quickly became annoying and pointless, as if that many looks of slack jawed supposedly scary vampire faces were used to merely fill a little bit of time and pad out the rest of this turd sandwich of a film.Contrary to what some of the other reviewers believe on here, I feel this film (the director in particular) is really trying to take this film seriously in many parts. The sheer number of overly dramatic action shots and extreme close-ups seems to indicate to me that the director really wanted people to feel this film and make it legitimate to its genre and not spoof it, and he fails miserably. The attempts at supposedly tasteful sex scenes come out as comic and silly and the action sequences are sometimes just plain stupid.Also the ending of this film was one of the weakest and most pathetic conclusions I have seen to a film, B movie or not. When films such as this force you to sit through hours of themselves only to be rewarded with a "oh it was all a game" ending it is actually sickening. It the conclusion to the "plot" feels like an afterthought of the director that he figured out on the last day of shooting because they had run to the end of their shoestring budget.But I have not rated this film as one star despite the overwhelming crappiness, and this is because of the only plus point I can really give this film. Intentionally or not, it was funny. I am fairly sure the parts I found humorous were not intended to be, and I found most of the efforts at genuine gags to be fruitless, but when watched with friends it is a good film to take the mickey out of.
Jean Stark This is a very cheap movie, the actors are never going to make movie stars, but this is normal for this genre. Fortunately it has a good story,and Elieen Daly looks very sexy, the montage is good and it has some nice shots.It is different to see England make this kind of movie, which are normally made in the USA, so it looks different to usual modern vampire movies.I have not seen any other film from Jake West but I will be interested to see what happen when he has more money.I gave this 6/10 and think it is a good movie for if you like sexy vampires and can see passed the limits of the money.
hfheller Yes, the acting is broad (I think this is deliberate), and not all the characters act logically, but it was fun. Gorgeous women (I really can't judge as to the men in this film), blood and guts, sex and kink, interesting art direction, plot twists, and the good time enjoyed by the cast transmitted into my living room.I have always thought that Bram Stoker was a shill for the "real" vampires, providing false information about their abilities, weaknesses, and what would be fatal to them. This movie gives a much better story for these things, although there are a few analogies to other movies and TV shows which shall here remain nameless. If/when I write a vampire or werewolf story this film will be an inspiration to me.I love the locations, too, especially the manor for the beginning and ending, and the rock formations for the hostage resolution. And London, of course, is London.Overall I enjoyed this; if you have a sense of irony you will too.
MARIO GAUCI I was all ready to hate this but it turned out to be surprisingly tolerable - though the MTV-style of film-making (shot on DV, to boot) is quite an eye-sore! I liked the script's self-mocking style, as well as its central idea of having the female vampire lead doubling as a contract killer. As to the cast, Eileen Daly (best known as the 'star' of those horrid "Redemption" intros) has an undeniable screen presence - and is quite sensual, despite her age; however, Christopher Adamson's hammy chief villain is obnoxious. David Warbeck has a brief role as a doctor (dubbed "The Horror-Movie Man"!) who conducts the autopsy on one of the vampire's victims; the film seems to have taken quite a long time to shoot as Warbeck died in 1997! There's plenty of nudity and violence on hand, but not much sense alas (especially since its subplot involving a secret society of vampires infiltrating the power structures is barely developed); the film is also overlong for its purpose, and eventually slips into tedium during the last half-hour.