SoTrumpBelieve Must See Movie...

SincereFinest disgusting, overrated, pointless

Monkeywess This is an astonishing documentary that will wring your heart while it bends your mind

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

zackerywest Where to begin? This was one of those unintentionally hilarious documentaries, like 'Kurt 'n Courtney', or 'American Movie', that no writer is creative enough to concoct. As Kubrick said, "Reality is more inventive than human beings." This truth is continually demonstrated here.The premise is a perfect set-up for continued conflict to see a formerly-rich, conservative Islamic kid flown to the Czech Republic to help liberal Hollywood Jews (not that there's anything wrong with that) to assist with a real Hollywood film.I have a special distaste for Hollywood politics, and evidently, this guy was very comfortable biting the hand that fed him. Apart from the significant cultural divide between he and his benefactors, he was a fan of the Iraq war, for one. Um, he doesn't believe in kissing ass. He's not some poor, unsophisticated brown guy who's happy to take orders and perpetually 'play the game' to get into Hollywood.And there's something truly awesome about that.I write my own independent films, and good writing isn't easy. Getting exposure to inspired storytelling is great, but sometimes only a documentary can capture the richest poetry in life, because it's real. This documentary is a great example of that.The subject - whose name I didn't bother to look up - does have a certain charisma, a certain dignity and honesty. And yet, he squanders opportunities (whether you believe in sucking up to effete, phony Hollywood people or not), has no sense to prepare for the future, and even goes so far as to ask the star of a film he's PA'ing on (The Rock) for money for film school. He seems highly adept at humiliating himself.I don't know how much of his due to his young age, or cultural differences, or subconscious fears of failure, or because he just doesn't see the shame in that, but, miraculously, he continues to reap windfalls by virtue of having escaped the Iraq War.The film does resolve itself, which is great. It meanders a bit, but in the end, the guy has this amazing sort of confessional, which indicates he knows more than we might suspect. He's a dreamer. He doesn't believe in sucking up. He will 'make it' because he's 'true'.What's amazing about this film is: everybody at age 22 believed these things. And often they get thumped pretty good by life for such naivete. In this film, we see an honest dreamer amid phonies, suck-ups, people fearful of being real, incapable of confrontation (a producer at one point walks off, and then returns to confront him about some pretty plain wrongdoings), and really messing them up.They can't seem to understand why he isn't more grateful to them.In this way, it's a whole lot like the Iraq War. What's that they say about 'the road to hell being paved with the good intentions'?

l_whitmore I felt this film was a study of ulterior motives; and after watching it, it left me focusing on the behaviour of the members of the film crew rather than Muthana's deeds. Muthana's journey out of Iraq is presented as an altruistic experiment; but, much like the invasion, the ramifications are ill-thought and the gesture is meek.It seems that much of US politics focuses on character, so I can see why a person might judge this film on the personality of it's main-player; but I think that it would be an error to summarise 'Operation Filmmaker' based on a reflection of Muthana.In my opinion, it's unfortunate that the previous poster has overlooked the fact that Muthana was engaged in a project that seemed more focused on professional vanity, than genuine support.Part way through the film, some members of the crew express their displeasure that he wasn't more humble and willing to chip-in, but I'm left thinking that this may have been because he didn't meet the specific narrative objectives that they had imagined he'd fulfil. The decision to document the project from the very beginning, in some way seemed testament to this.I came away thinking about how the war in Iraq has affected Iraq's society in complex ways. We're often informed of what the 'Iraqi citizen' thinks – but we're rarely exposed to the idea that there is no general consensus. The society of Iraq is often trivialised and compacted into a monoculture – it's strange and bizarre that we're able to accept this.The film is interesting on many levels and it feels like the result wasn't expected by those involved in the project – which makes the journey all the more engaging. Mostly it reminded me of the importance of conviction – and the folly involved in trying to absolve guilt using superficial means.

paul2001sw-1 When an American actor spotted a short MTV film about a bombed Iraqi film school, he arranged for one of the students to work as an intern on 'Everything is Illuminated', the movie has was about to direct. Unfortuantly, Muthana turned out to be spoilt, proud and unable to enjoy the unglamourous chores that comprise an intern's lot. But immaturity is not a crime, and it's understandable when Muthana tries to plan a permanent escape from Iraq, given the terrible situation at home. But his attempts to wheedle money and favours from those who have helped him are embarrassing: he is the sort of person who, through claiming not to care about money, always needs others to give it to him. But Nina Davenport's documentary about Muthana is arguably a film that shouldn't have been released. The story she might have hoped to make, that of a fairytale, never comes true. Moreover, as she continues to film in spite of the absence of narrative, Muthana identifies her as the most useful person he can tap for money and contacts (and makes the fair point that she is aiming to make money out of filming him). The film ends on an unhappy note all round - Nina is feeding Muthana (with money, and assistance on foreign visas) and is feeling trapped; Muthana (as a flat-mate succinctly puts it) believes himself to be the only person in the world with problems, and the integrity of this documentary has been compromised, as Muthana's relationship with the film-maker becomes the film's own subject. Some of the most riveting documentaries I've seen feature a film-maker who inadvertently becomes part of the story; sometimes a director goes on camera because of their ego; in Nina's case, the motivation appears to be simple: she doesn't have anything else to film. And one sad story amidst a greater tragedy plays out worse than it needed to because of it.

aramgutang In this unique documentary, an Iraqi teenager named Muthana is flown from Baghdad to Prague to participate in the filming of "Everything is Illuminated", a film directed by Liev Schreiber. Muthana had been showcased on MTV as an aspiring filmmaker, and Schreiber saw an opportunity to help him out by allowing him to participate in the film-making process, hoping that Muthana would pick up the skills that would help him realise his ambition. Documentary filmmaker Nina Davenport was there to film his experience, probably hoping to capture an inspiring story of the dreams of a disadvantaged youth coming to life. What in fact happened in front of the cameras was a fascinating tale of shattered expectations, disillusionment, cultural divide, pride, denial, bureaucracy and incredible generosity that can only be described as "real life". One of the subjects of the film sums it up best in saying "what the f**k did you think was going to happen?".As you may have guessed, Muthana didn't fit the producers' idealised image of a boy with a dream and the perseverance and ambition to achieve it when given the chance. It's not that he was, for lack of a better word, bad; he wasn't violent, unsociable, or hateful; he was just an average somewhat apathetic teenager, with the typical misconceptions about how the world works. However, he was facing the inordinate dilemma of whether or not he should return to Baghdad. His father was shown on video categorically telling him not to return, as he was given the chance to start a better life. However, staying in the Czech Republic was not a viable option either, as renewing his visa was becoming increasingly problematic, and he didn't speak the local language. Davenport followed Muthana with her camera long after shooting wrapped on "Everything is Illuminated", chronicling his work as a production assistant for "Doom", which was also filmed in Prague, during which Dwayne "The Rock" Johnson becomes an integral part of the documentary. She continues filming him through his attempts to emigrate to the US and the UK, becoming increasingly less of an observer, and more of a subject of the documentary herself.I won't reveal any more of Muthana's fascinating story, which remains unsettlingly real despite growing increasingly farcical throughout the film. Many moments are quite comical, with the audience oftentimes laughing at the characters, rather than with them. At times it even borders on being exploitative, but it's difficult to call it that given the generosity of Davenport toward Muthana.The film provokes a number of questions from the audience, especially regarding Muthana. Was he too proud? Plain lazy? Not as passionate about film-making as people thought? Or was the cultural barrier just too big? Did they just pick the wrong kid? Are those of us in developed countries too presumptuous, ignorant, or disillusioned about the youth in third-world countries? Are they any different from the youth in developed countries, all negative aspects included? Furthermore, the war in Iraq plays a crucial role, with news broadcasts on the war along with footage filmed by Muthana's friends in Baghdad interspersed throughout the film. While it may seem that Davenport was trying to make a statement on the war, the footage is quite pertinent to Muthana's story, and serves primarily as a commentary on how the war is perceived by the different characters. Some of the comments on the war made by Muthana and other Iraqis affected by it are particularly fascinating.Overall I was very impressed by the film, and I was lucky enough to see it during the 2007 Sydney Film Festival. Though as a disclaimer, I must say that I found it much more easy to relate to than most people would, having grown up as a third-culture kid, living in Prague for over 7 years when I was a teenager, and experiencing first-hand the difficulties of the immigration process in numerous countries. But on the other hand, I think anyone will find a lot they can relate to in this wonderful documentary.