Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

catmmo It might have been nice if this had been a romantic comedy, but it wasn't funny at all, and pretty much just lame - Jamie Gertz/Toby is basically this stalker that goes after Sal/Dylan McDermont. The wholemovie leads you to believe that anyone that lives in Jersey is just anobody that needs a man to make life better while working dead-end jobsand not being able to make anything of themselves. This movie may have been made in 1993, but the girls in it all dress like the 80s with crazy bangles and big hair, and Jamie Gertz's accent made me want to slap someone. The only thing memorable about this movie is that it made me not want to remember it at all - I wish I could take back the amount of time I spent watching it and go watch something else ...

wmass-1 The Jersey Girl of 1992 (not to be confused with the Jersey Girl of 2004 — I have seen both) gets kudos for being a warm, funny, and entertaining romantic comedy. As a native New Jerseyan of Italian ancestry who spent the first ten years of his life in Hackensack, however, I had mixed feelings about the film's portrayal of middle class New Jersey culture.Sometimes they hit the nail on the head and I smiled with nostalgic recognition, as when Toby comes home with a grocery bag with a loaf of Italian bread sticking out of it — that's an everyday Jersey occurrence. Ditto for her apartment above Foschini's bakery and a storefront Italian shop that sold ravioli and Italian sausage. Even the Bendix Diner evoked some nostalgia, but the producers may not have realized it is an anachronism. Most Jersey Diners no longer fit the 1950s stainless steel model — most now have been expanded into Mediterranean-styled restaurants that basically look like Denny's but still have traditional diner food like Taylor Pork Roll sandwiches and home fries.Most disturbing, though, was the portrayal of working class Jersey females as dumb bimbos who talk like grammar school dropouts and dress like prostitutes. Sure, I saw a few of those types from cities like Newark and Jersey City back in the '60s, but they are a thing of the past. Even urban areas of New Jersey like Hoboken and Jersey City have become too gentrified to reinforce a culture of gum chewing, slutty dressing bimbos. And Hackensack, where the story takes place, has become more affluent in recent years than it was when I grew up there in the 50s. My second grade teacher in Hackensack taught us how to pronounce words correctly, not like the girls in the movie who sound more like they're from Brooklyn.And where on earth did the writers get the idea that people in New Jersey humbly look to New Yorkers as something to emulate? Most people I grew up with in Bergen County, looked DOWN on New Yorkers, especially the people from "the Boroughs." Maybe the writers should have read the demographics showing New Jersey is perennially tied with Connecticut as number one (or two) in the U.S. in per capita income.These things didn't affect my enjoyment of the movie. They just made me think that the production staff was composed of typically ignorant and arrogant New Yorkers. You know, those jerks who come over to Jersey and drive below the speed limit in the left lane and refuse to move over as NJ law requires!

BreakingDaylight OK, so I sort of wondered at the title before the movie started, i mean, what, i never new Jersey was considered something like the country, but, go figure. It's the classic boy meets girl, girl wrecks boy's car, boy hates girl, girl falls in love with boy, boy falls in love with girl, girl hates boy, girl falls back in love with boy, and they all live happily ever after, well, we would assume. Overall, it was quite entertaining, i mean, it's not a totally original master piece or anything, but quite entertaining. I liked the fact that Toby (Gertz character)in th end, did not change her whole existent just to be someone she's not,was her own person, and had her own beliefs and the fact that she's not just some girl who went around and changed her whole life for a guy, no matter how rich, handsome or successful he was. And McDermott's character was...really complex, but I guess in a way, they made a cute couple, though the ending with water sprinkling down at them and the sloppy kiss, yeah, maybe they should have cut that scene. But overall, not too bad, a fairly entertaining film.

Karen Green (klg19) Here's the odd thing about this quirky little film -- its "happy ending" completely undercuts the happy ending the heroine is looking for.Toby (Gertz) is a Jersey Girl looking for a GQ kind of guy -- a non-Guido with money, nice clothes and good manners who will take her away from it all. Sal (McDermott) is a Queens Guy who's made it big in Manhattan and is dating Social Register material. Toby wants Sal, Sal wants Society, but in the end Toby and Sal get each other. But what happens in order for this to occur? Sal trashes his well-paying career, is humiliated by his girlfriend, intentionally wrecks the Mercedes that first caught Toby's eye,and probably won't long be hanging on to that nice apartment overlooking Central Park. He rejects what it takes to be Manhattan material in order to be with his Jersey Girl -- he re-embraces his Queens roots.So how does this make him different than the Guidos Toby has been fleeing in the first place? Are we supposed to believe that they're what she really wanted all along, now that she's ended up with one?The toughest thing about this for me was the endless cliche about what Jersey Girls are like in the first place. I defy anyone to find a 20-something in, say, Short Hills NJ who would dress, act, talk, think like the stereotypes depicted in the film. It's a movie about Jersey Girls with a kind of Philip Roth-like self-hatred about being from Jersey. Toby isn't smarter or more stylish than her friends -- she just wants someone with money. That is supposed to ennoble her? In the end, she doesn't get the guy with the money anyway -- perhaps as fitting punishment for her greediness? If so, then who's the heroine of this movie, anyway?