Vashirdfel Simply A Masterpiece

Grimerlana Plenty to Like, Plenty to Dislike

Rijndri Load of rubbish!!

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

merelyaninnuendo Match PointThe first half is spent on setting the obvious plot, twisted characters and dark tone of the feature and takes its time to kick in but when it does its enthralling, electrifying and brutal in its last hour. Woddy Allen's smart and finely detailed script is the real game changer in here along with his brilliant execution that makes you think twice. On performance level, the objective seems unsatisfied as the lead characters i.e. Scarlett Johansson and Jonathan Meyers and Emily Mortimer aren't as convincing as they should have been. Match Point seems like a normal rom-com with a predictable twist until its last act hits on screen that may shake the audience dreadfully for despite of its genre it goes into places where Woody Allen has never been.

khalood_1010 By exactly the 115 minute of this film's runtime I already made up my mind this film was a four as I saw how boringly obvious the end was going to, but exactly two minutes before the end the FOUR turned to an EIGHT just suddenly! As simple as the end was, it also was a mind flipping! WATCH IT, Scarlet looked fantastic too ;)

alexdeleonfilm Woody Allen's "Match Point" at 53rd San Sebastian in 20052EE648C9-20F9-4C8F-8452-7DC284AC5808The dominant theme at the festival this year was Hitchcock with Hitchcock imagery everywhere celebrating the hundredth anniversary of the birth of Master of Suspense. Though there actually are no films by Hitchcock on view, several films are in a way a homage to the master. "Match Point", the latest from Woody Allen is a vast departure from his usual form and is, in effect, a Hitchcockian suspense thriller filmed in London no less, with an entirely English cast except for a smashingly sexy Scarlett Johansson in a most uncharacteristic vamp role, as the sole American presence – (and what a presence she is!). Young Scarlett really sets the celluloid aflame in this stylish shot out of Mr. Konigsberg's Twilight Zone, with savvy support from Jonathan Rhys Meyers as the freaked-out lover-killer who in the end will go unpunished.... No sidewalks of New York, no neurotic Jews, no sly jokes and one liners, just a straightforward English psychodrama made with such aplomb you would never guess it was a Woody Allen film if you missed the opening credits. In a way it does hark back to Woody's Crimes and Misdemeanors, but only because of the theme of getting away with murder. Rhys is a professional but impoverished tennis instructor and bald faced social climber with clients in high society. His character marries into a wealthy family, but his social position is threatened by a steamy extra-marital affair with his new brother-in-law's girlfriend, played by Johansson. When Johansson claims to be pregnant and insists that he leave his wife for her -- which would bring down the whole world he has strived so hard to attain - she signs her death warrant. Rhys goes to her apartment, shoots her to death (in a shocking sequence) and makes it look like a robbery to obtain drugs. The rest is a cat and mouse interrogation by a Scotland yard detective with echoes of Dostoyevsky's Crime and Punishment. His skin is saved by a twist of fate similar to a tennis ball suspended momentarily on the net which could fall either way. This is, of course, the Match Point of the title. Instead of a tennis ball we have an incriminating ring from the scene of the crime which accidentally gets dumped onto the ground after teetering on a rail by the river where Rhys is disposing of other evidence from the scene of the crime. We find out that the ring was picked up by a junkie who got killed but now appears to be the indisputable culprit who killed Johansson. Case closed. Our anti-hero gets away with murder. Everything handled just right by Allen to produce a tight thriller with the kinds of twists and turns that mirror Hitchcock to a tee. Not only is this a. "return to form" for Woody, but a venture into fresh new territory -- straight drama with not a single laugh --and done like an expert born to the cloth. Most enjoyable film with an entirely new Scarlett Jo! as an astonishingly sexy femme fatale.

MortalKombatFan1 Match Point isn't a wholly original Woody Allen movie, building on similar ground covered in Crimes and Misdemeanors (just without the comedy subplot and Bergmanesque philosophizing), but it's definitely one of Woody's better films in his recent output, and certainly the best of his European movies. The chemistry between Scarlett Johansson and Jonathan Rhys Meyers is excellent, as is rest of the acting. The themes of luck, infidelity and morality are well implemented into the plot here and aren't as forced as some of Allen's other dramas.My only complaint is that some of the dialog feels very expository and just for the sake of forwarding the plot and setting up the next scene, whereas other Woody Allen movies hide this better behind witty, conversational dialog.But it's good to see a seasoned Director do something different, and succeed in most regards.