Demetrius and the Gladiators

1954
6.6| 1h41m| en
Details

The story picks up at the point where "The Robe" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.

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TinsHeadline Touches You
WasAnnon Slow pace in the most part of the movie.
Unlimitedia Sick Product of a Sick System
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
JohnHowardReid NOTES: A sequel to "The Robe", this movie was nowhere near as successful at the box-office with a domestic rentals gross of just over $4 million compared to the previous picture's $17½ million. In Australia, the movie came in 18th at the ticket-windows, which is probably its position in the U.K. and North America as well. Certainly it took good money, but considerably less than its predecessor.REVIEW: Competition is the key word here. The movie is competing with "The Robe". It fails of course. And the players are competing with each other as to who can give the most over-the-top performance. Robinson wins easily, though he has the advantage of all the best lines. Mature's hamminess in fact seems often embarrassing, but at least he's a trier. Michael Rennie is a dead loss. So is Barry Jones. And naturally, Richard Egan. I don't even remember Anne Bancroft. But good to see Ernest Borgnine in a villainous role.The budget is not as full-blown as "The Robe", though good use is made of standing sets. Daves' direction appears stolidly routine. And photographically the film shows up early CinemaScope's defects (fuzziness, distortion, blurring) even more than "The Robe" Obviously, less care was taken as the movie was hurried into release.
William Giesin "Demetrius and the Gladiators" succeeds as a worthy sequel to "The Robe". Both films are historically flawed but provide ample cinematic excitement in their religious story telling. Victor Mature, who plays the lead role in this film, appeared in three box office champion films in the 1950's; #1 "Samson and Delilah"(1950), #1 "The Robe" (1953), and #6 The Egyptian" (1954). "Demetrius and the Gladiators" was made in the same year that "The Egyptian" was made and it did not make the top ten Box Office Champion listing. The battle in the arena between Glycon (William Marshall) and Demetrius (Victor Mature) is reminiscent of the battle between Kirk Douglas and Woody Strode as gladiators in "Spartacus" six years later. The most exciting scene in the film is Demetrius battling four tigers in the arena. One can only wonder how the stunt man pulled this scene off considering the setting and the time that this film was shot as computer graphics were not available. Susan Hayward is a welcomed addition to the magnificent sets and costumes. It is my understanding that there was some film left over from "The Robe" and that is why this film was made. One scene I thought was particularly awkward when Saint Peter (Michael Rennie) has a cup of wine thrown on him by Messalina (Hayward) when he tries to convince Mature to return as a Christian. Mature then offers him some wine.... and Rennie awkwardly replies that he "already has had some." The ending when St. Peter (Rennie), Demetrius (Mature) and Glycon (Marshall) march away after Caligula's (Robinson) demise is hysterically funny. I thought the emperor according to religious history had St. Peter crucified upside down. Anyway if your not looking for historical accuracy, and are looking for some exciting entertainment .... you may find this film of some interest.
Spikeopath Demetrius and the Gladiators is a sequel to The Robe. It's directed by Delmer Daves and stars Victor Mature as Demetrius, a Christian slave made to fight in the Roman arena as a gladiator ( and ultimately entering into a bigger fight, that of faith), and Susan Hayward as Messalina. Filling out the support cast are Ernest Borgnine, William Marshall, Michael Rennie, and Jay Robinson as the maniacal emperor Caligula. The screenplay is from Philip Dunne (How Green Was My Valley/ The Agony and the Ecstasy} and cinematography comes courtesy of Milton R. Krasner (Academy Award winner Best Color Cinematography for Three Coins in the Fountain 1955).Following straight on from The Robe, Demetrius and the Gladiators is a safe and enjoyable Biblical picture that doesn't outstay its welcome. Running at just over 100 minutes, the film is far from being epic in its telling. However, and without cramming in, it does contain all the necessary ingredients to make up a sweaty sword and sandals pie. Filmed in CinemaScope, persecuted hero, bonkers villain, sexy babe, huge sets, colourful costumes, and fights, lots of fights. Thankfully the serious dialogue is mostly kept brief, there a few things worse in this genre of film than bloated discourse on religious beliefs and political dalliances. Get in there, let us know what is going on, and move on to the next chapter of the story. This is something that Daves' film does real well, it has an eagerness to entertain with dots of gusto and sexual swagger. The acting is mixed, Mature is solid without ever really convincing as the heroic figure of Demetrius, Hayward and Robinson are camping it up and thus entertain royally, while Borgnine and Rennie earn there pay.Very much like another Phillip Dunne screenplay genre piece, David And Bathsheba, this one is often overlooked or forgotten in discussion about the sword & sandals genre. That both film's are not in the same league as the likes of Ben-Hur and Spartacus is a given, but both have much to offer the discerning cinephile. Recommended Sunday afternoon fare with a flagon of claret and a roast ox dinner. 7/10
dbdumonteil You do not change a winning team.Unfortunately the two stars of "the robe" (Burton and Simmons )died in the first episode.Three of its characters are featured:Demetrius (Victor Mature),Saint Peter (Michael Rennie)and Caligula (Jay Robinson ).There are two extracts from "the robe" :the first one has additional shots of Susan Hayward (Messaline)who was not present when the two Christians were sent "to their kingdom".Demetrius becomes the center of the plot.A Christian ,his belief will be put to the test.They make him a gladiator against his will and he knows he shall not kill his brothers.There is a very good depiction of the gladiators'life ,even if history is given a rough ride:it was Nero before the Christians were really persecuted,as former classics such as "sign of the cross" (1932) or "quo vadis"(1950) testify .Susan Hayward plays a bitchy Messaline,even if her wish to " loyally assist" her dear husband Claudius (who was just pretending he was a moron to fool Caligula)is rather laughable.Best performance comes from Robinson's "Caligula" .The actor is given more time to display his madness and he really does:the scene when he "tests" "the robe "is really spooky.This is an entertaining sword and sandal by Delmer Daves,known for his remarkable westerns such as "broken arrow".