SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

blanche-2 From 1967, "Hotel" is based on the book by Arthur Hailey, who wrote the original "Airport" and more importantly, "Zero Hour," the inspiration for "Airplane!" "Hotel" concerns the last day of the elegant St. Gregory Hotel in New Orleans. Some years later, Hailey's work would be credited for several episodes on the TV series "Hotel," also about the St. Gregory, this time in San Francisco.The film boasts a top cast, starring Rod Taylor, Melvyn Douglas, Merle Oberon, Karl Malden, Kevin McCarthy, Richard Conte, Camilla Sparv, Carmen McRae, and Michael Rennie. Each character deals with a life-changing moment: the manager, McDermott (Taylor) and the owner Trent (Douglas) face the end of an era, while McDermott falls for the girlfriend (Sparv) of a man with a chain of hotels who wants the St. Gregory (McCarthy); Karl Malden is a thief working the hotel; Oberon and Rennie fled the scene of an auto accident and Oberon now wants the telltale car removed by Conte. Carmen McRae plays the lounge singer."Hotel" is entertaining and the performances are decent, with the possible exception of Camilla Sparv, who in the '60s was touted as a great beauty and is treated as such in the film. She is pretty boring, and as far as I'm concerned, can't hold a candle to the stunning Oberon. Fifty-six at the time of the film's release, Oberon was one of the first actresses to address aging in films and was quite open about efforts to keep her looks. She was successful. Rennie as her husband is very handsome, though he doesn't have a lot to do.Entertaining.

edwagreen Crisp dialogue adds to a memorable film regarding the life of a hotel on the chopping block.Melvyn Douglas, as crusty at his best, plays the old fashioned owner who knows that the time is drawing near to sell the grand old place so rich in history and memory.Rod Taylor is his able manager who started as a bell boy but rose through the ranks by hard work and slick talking.The movie details one day in the life of the hotel with Michael Rennie and Merle Oberon as aristocratic guests. Rennie has a problem as a hit and run driver. Further tragedy strikes when he is found out as the culprit.Karl Malden says little but his turn as the thief with the key is terrific given his timely expressions as he pulls off heists and avoids capture.Roy Roberts, as the man at the front desk, plays a role similar to what he did in "Gentleman's Agreement" in 1947. In that one, he denied a room to Gregory Peck when the latter said he was Jewish. In this one, Roberts is there to deny a room to a black couple. Of course, the couple has been sent by the NAACP to foment trouble.A very good film. Check in and see for yourself what is going on.

davidshort10 I find Hotel strangely compelling and have watched it countless times on cable TV. In fact, it is playing right now as I write. I remain fascinated by the fact that the hotel thief (Karl Malden) leaves his own room unlocked. Perhaps he knows there's only ever one thief in any hotel. I like the scene when the hotel security and manager describe the thief as wearing a grey suit. They too, all three of them, are wearing grey suits, like just about every other male in the hotel! At least Malden has a hat on (at about two in the morning) to distinguish him from every other male (now how dumb is that?). Plus I can never figure out why Malden, once he has the briefcase stuffed with money from the Duke, doesn't simply check out right away and go retire (to some hotel or another...). I agree with other contributors that the jazz riff in the background, especially signalling the activities of Malden is really annoying and it serves to date the movie too much.

ecarle I love this movie, a smooth 1967 throwback to the "Grand Hotel" tradition of interweaving stories, stylishly directed by Richard Quine ("Bell, Book, and Candle.") Johnny Keating's lush score shifts easily from sad melancholy (for the grand lost past of this grand hotel) to sexy jazz (in accord with the film's New Orleans setting.) Three main stories interact: the business battle to takeover the hotel; cover-up and blackmail attendant to a hit-and-run by a regal guest; the comedy relief antics of hotel thief Keycase Milne as he tries to make a big score. It all comes together in an elevator cliffhanger. Favorite bits: the surrogate father-son relationship between hotel owner Melvyn Douglas and his ace manager Rod Taylor; the antics of Karl Malden as Keycase (in one of Malden's personal favorite roles); and the tough intelligence of the three-way battle to take over the hotel. The characters are smart, witty, and gracious (even the villains), the mood slightly mournful for the good old days. I hated checking out of "Hotel."