Scanialara You won't be disappointed!

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

JRogers714 This is a great movie. Now I am not saying that it is perfect but quite enjoyable. Its got great stars and the scenery makes you want to get on a plane for the Caribean. It is clear that the character of Carl Stegner is based to a certain degree on Howard Hughes. Billionaire, reclusive industrialist who has not been seen in years. Traveling at the center of a large entourage, that was Hughes in the 70's. James Coburn is fantastic in this role. He never fails to make the character of Jerry Fannon believable. O.J. Simpson is pretty good too only lapsing unbelievable when waxing nostalgic on the boat with Coburn and Sophia Loren. If anyone is off the mark in this one its Loren. She is great in spots but dos'nt seem to interested at other times. Tony Franciosa brings his usual blow torch intensity to the role. To enjoy Firepower you cannot take it too seriously. Enjoy it for what it is. Great cast full of recognizable faces, beautiful scenery and a fairly good plot. What else does one need?

paul_johnr Firepower's history is more interesting than the film itself, since it was originally intended for Clint Eastwood and its production nearly junked by Sir Lew Grade. This ITC actioner began as one of numerous 'Dirty Harry' scripts rejected by Eastwood and was later adjusted to the temperament of Charles Bronson, who backed out during pre-production. Having lost a major box office draw, Grade nearly called things off before he sensed a public relations disaster in the British tabloids and insisted that his film be made. Bronson's role as a top-shelf assassin went to James Coburn, who delivers in this frenetic story co-rewritten and directed by Michael Winner. The physically imposing Coburn joins Sophia Loren, O.J. Simpson, Eli Wallach, and Anthony Franciosa in a top cast who frolic amidst death and destruction in the Caribbean.The plot of 'Firepower' is too complicated to explain here, with many twists and turns that become secondary to its large-scale action. To make a long story short, Coburn plays Jerry Fanon, a former assassin who is called out of retirement by mob boss Sal Hyman (Wallach). Hyman has worked out a deal with U.S. authorities to hire Fanon in exchange for waving his criminal charges. Fanon's job is to capture drug company magnate Karl Stegner (Franciosa), who arranged the murder of a physician after exposing his line of bad pharmaceuticals. Stegner is hiding on the small island of Antigua, living a reclusive life amidst security cameras, attack dogs, bodyguards, and informants. Behind the entire story is Adele Tasca (Loren), the doctor's widow and past lover of Fanon.'Firepower' is not a film that will change your life, but it's one of the most purely entertaining titles I've recently seen. While this film is slow to develop, it takes off after the first 20 minutes with rapidly-paced action sets. The action is chuck-full of explosions, gunfire, and hand-to-hand combat. Coburn, teaming with O.J. Simpson (as fellow hit-man Catlett), uses a level-headedness and physical stature that are ideal for his role. Simpson is also physically and dramatically satisfying in a limited part. While on 'exhibit' for much of the film, Sophia Loren looks as beautiful as ever and keeps a wry sense of humor. Other familiar names make an appearance, including Vincent Gardenia ('Death Wish'), Victor Mature, and middleweight boxing champion Jake LaMotta.This is certainly one of the best films that Michael Winner has made, yet it lacks his unique style. While his cheekiness is felt in the most violent situations, little is seen of the zooms, odd camera angles, and wobbles that are constant in his other movies. Winner is at his best in the action scenes, which are edited by the director under his pen name of Arnold Crust. The storyline eventually plays second fiddle to the action, but this film never loses its edge - like a pulp novel in overdrive.The special effects by Al Griswold ('F/X,' 'Entrapment') and Paul Stewart ('Predator') are antique by today's standards, but were top-of-the line for the late 1970s and much more engaging then the CFI we're nowadays offered. The same outdatedness is found in Gato Barbieri's saxophone-laden score, although his opening theme sets the high-crime mood nicely and is never more conspicuous than it needs to be. Robert Paynter's cinematography appears to be right for the lush scenes in Antigua and Curaçao; it would look even better if not for the most recent VHS release.For fans of James Coburn and Sophia Loren (who isn't?), 'Firepower' is a decent hour and 40 minutes of viewing time and worth a couple of dollars if VHS tapes are lying around on the Internet or at garage sales. 'Firepower' is not currently available in DVD format, which is a shame considering the excellent cast and exotic locations. CBS/FOX Video issued an American VHS release in 1983, an absolute massacre of the original studio print. Besides the usual full screen presentation, there is grain and faded colors that are usually found on cheap TV broadcasts. Daytime scenes have washed-out visuals, evening scenes are so dark that one can barely see what's going on. Much of this is owed to the videotape's age, but also the knockoff quality of reproduction by CBS/FOX. Considering that several of Michael Winner's films are now available on DVD, 'Firepower' is long overdue for an update.*** out of 4

nraok This bomb shows that no number of recognizable stars or presumed acting talents can salvage a film constructed with a laughable script, grade- school directing, second-rate sound effects, and a plot with no credibility whatsoever. Spoiler - the last scene with an over-the-hill Victor Mature looking as greasy as ever in a ten second cameo no doubt had every unfortunate viewer reaching for the sickness bag.

Penfold-13 Michael Winner's films aren't complete without a lot of blood, and this one has enough to fill a bucket or two.James Coburn is the retired hitman who comes back in to kidnap a certain Karl Stegner, a mysterious and very wealthy man wanted by the IRS and various other federal agencies.Coburn teams up mainly with OJ Simpson, with some dubious assistance from Sophia Loren, and we have a 70s high-tech sort of caper. Lots of gadgetry, most of it explosive, large quantities of double-crossing and shooting, plenty of pretty shots of the Caribbean from floating gin palaces, and a plot of such ludicrous over-complexity that it's silly.It was obviously immense fun to make: several very large houses get burned down, bulldozed and otherwise trashed. As do various means of transportation. With lots of explosions and shooting.It's implausible and it's almost impossible to understand why anyone would do what these people do, but apparently this is what they do. Bullets fly and things blow up.There is an awful lot of frenetic activity, constantly accompanied by the sound of gunfire with regular scenes of conflagration.Did I mention that there's a lot of shooting and explosions in this? In case I didn't, there is, as well as a very confusing plot.It's not a very good movie.