Artivels Undescribable Perfection

UnowPriceless hyped garbage

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

JohnHowardReid Copyright 1961. A Metro-Goldwyn-Mayer picture. New York opening at the Capitol: 25 August 1961. U.K. release: floating from October 1961. Australian release: October 1961. 9,730 feet; 108 minutes. SYNOPSIS: While campaigning for the governorship of a southern state, Bo Gillis, a folksy politician, falls in love with and marries, Ada, a reformed prostitute, whose dubious background alarms both Bo's press agent, Steve Jackson, and his political adviser, Sylvester Marin. COMMENT: Despite its name cast, this movie seems to be totally forgotten today. True, it's a curate's egg of a picture, and not one that's likely to send Dean's fans into raptures. He sings a snatch of a song right at the beginning and that's it as far as Dino's harmonizing is concerned. His performance is great, but halfway through he drops out of the action for quite a spell while Susan Hayward takes control.And what a naïve perspective the scriptwriters have of legislature procedure as Susan is sworn in as lieutenant-governor! And director Daniel Man's relentless use of Hayward close-ups (even in tracking shots) doesn't help either.Nonetheless, Wilfrid Hyde White has a field day. Admittedly, his dialogue is the sharpest and most interesting in the picture. Maybe he brought his own writer along to the set. Maybe he wrote it himself. In a lesser role, Ralph Meeker's fascinating performance as a slimy police chief also deserves watching.As said above, Ruttenberg's superb cinematography is often wasted on ineffective close-ups, but CinemaScope does come to the fore in some of the location set-ups in what certainly look like real government buildings and legislative chambers. These scenes, plus the cab trip and our first exposure to the executive office, give the film much- needed dramatic effectiveness plus an engrossing yet taut political atmosphere. What a shame, it's so often undermined!

jacobs-greenwood This above average political (campaign) drama by Daniel Mann, features Susan Hayward, whom he'd earlier directed in the Lillian Roth biography I'll Cry Tomorrow (1955), in the title role. The film also stars Dean Martin, Wilfrid Hyde-White, in a very non-Colonel Pickering role four years before My Fair Lady (1964), Martin Balsam, and Ralph Meeker, among others.Martin plays a political novice, whose only qualifications are his looks and easy going nature which makes him good with people, that's elected Governor of a Southern state with the assistance of power broker Hyde-White, who pulls all the strings until Hayward, as Martin's newlywed "trollop" wife, intervenes. Balsam plays Martin's speech-writer, who shares the same humble beginnings, and Meeker plays a lecherous cop, who does Hyde-White's dirty work.The first 30 minutes or so introduces us to the characters: Bo Gillis (Martin) is a guitar playing, twice elected Sheriff of a small town (in an unnamed Southern state, probably Mississippi or Louisiana) who's running for Governor. We learn later that he was plucked out of a bar by Sylvester Marin (Hyde-White), an insider who controls the state legislature, to be the Reform party candidate running against the incumbent(s). Tabs are kept on Bo by Steve Jackson (Balsam), the now grown-up "smart kid" from his neighborhood who now acts as his speech-writer.After one rally, Alice Sweet (Connie Sawyer) provides a call girl for Bo's entertainment, who accepts against Steve's protestations. Actually, it's not made too clear whether Bo realizes that Ada (Hayward) had been "bought and paid for" him or not; Martin plays it as if he lured her with his own charm. In any case, on the lonely campaign trail, Ada is a breath of free air, and after three weeks, three weeks before the election as well, they elope.By now, Bo knows of her humble beginnings as the daughter of a sharecropper, and her struggles to get out of Alabama by being a friend to men for money. But, he doesn't care, and he genuinely seems to love her. It appears that she loves him too, that she's not just a gold digger looking for a leg up. However, that "fact" is called into question, at least by Bo, as events unfold. We meet Sylvester, who successfully hides Ada's background from the press while exposing the opposition candidate's wife as a drug addict, thanks to police Colonel Yancey (Meeker). Of course, Bo is elected.The rest of the film is about Bo as Governor, and the power struggles that ensue when Ada tells him that it is HE, and not Sylvester Marin, who was elected. It seems that being Governor isn't all that it's cracked up to be, to Bo. Everyone bypasses his office on the way to Sylvester's, who asks Bo to sign his name to dozens of pieces of paper each day, none of which Bo reads.It isn't until Ronnie Hallerton (Frank Maxwell), also from Bo's hometown and now Lieutenant Governor thanks to Sylvester, brings a "park bill" to Bo's attention that he thinks there is anything wrong. Bo learns that, thanks to his own signature, the State is going to pay large sums of money to Sylvester's friends, who invested in Bo's campaign, to build parks, the need for which is nebulous. The State, of course, will have to raise taxes to buy the land.Meanwhile, Ada has been propositioned by Yancey, who is now head of security for the Governor, and gotten Steve to get her invited to an "old money" tea party. In a scene that may have been done better, Hayward plays Ada as a woman who realizes the power of her newly elected husband, and demonstrates a desire to wield it as her own. She effectively "takes names" of the stuffy women obsessed with their own blue blood backgrounds, and later gets an opportunity to deliver their comeuppance.When Sylvester learns that it was Ronnie who woke up Bo as to what he'd been signing, he forces Hallerton to resign. Bo tells Ada about the whole goings on and she manipulates Sylvester into having her sworn in as Lieutenant Governor. Bo is not sure whether Ada is his partner or Sylvester's, but suspects the worse. His suspicions are confirmed, at least to him, when he is injured by a car bomb, allowing Ada to be sworn in as acting Governor while he recovers.When Sylvester learns that Ada is not his ally, but is Bo's instead, he uses Yancey, who uses Alice, to get what he needs to discredit Ada. Fortunately, there are some honest men (played by Larry Gates & Bill Zuckert, maybe Charles Watts) in the legislature who are willing to help Ada and stand up to Sylvester, "his" Speaker (Ford Rainey) and another "bought" Senator (Robert Simon). The final "showdown" scenes in the Capitol Building are surprisingly good and well choreographed.A few recognizable character actors appear uncredited: Emory Parnell plays the security guard at the Governor's office when Bo and Ada first see it; Mary Treen plays a woman that offers Ada pie at a rally before the election; Bill Walker plays the servant at the Governor's mansion.

edwagreen Move over Hilary Clinton and Condi Rice. You had Ada to contend with before your true political aspirations become known.Bo Gillis is running for governor. He is introduced to trollop Ada, and after a whirlwind romance, they wed. Ada is played by Susan Hayward, always at the top of her game. Even with her red hair ablaze, Hayward looked haggard and not in the best of health when she made this flick.Of course, Bo, (Dean Martin) is a fool duped to run for governor by political boss Sylvester, (a not so charming Wilfrid Hyde-White,) who does quit well in his part of a vicious back-room character who controls the state of business and will go as far as murder to make sure that he rules.Bo quickly realizes that something is wrong when a governor is just called upon to sign bills. The Lt. Governor tells him all about the Parks legislation. Sylvester makes sure that the Lt.Governor resigns. Suddenly, Ada is determined to be his replacement.When Bo is ready to buck Sylvester, he is nearly killed in a bomb placed in his car. As Ada had volunteered to be the lieutenant, Bo thinks that she is in with Sylvester.Along for the ride is Ralph Meeker, who plays the head of the police. He is as corrupt as they come. He even makes a play for Ada. Why didn't she try to unload him right there and then?What is amazing in all this is that Ada becomes very intelligent regarding the workings of government and legislation very, very quickly. She has her own ideas in mind to rid the state of Sylvester's bossism. She confronts certain ladies at a tea party and reminds them of their husbands ties to the state, thanks to the legislation on the books that allows them to do business with the state.Suddenly, in a scene change, Sylvester is shown in a wheelchair. What happened Syl? True though, you're as sly as ever.Bo is released from the hospital and in the capitol gallery views the showdown between Ada and Sylvester. Sylvester's old tricks will not prevail.Good for its depiction of corruption. Fairly good performances but storyline is so predictable.

swinginoldielover Apon viewing this film I felt a number of different emotions. I really didn't intend to watch this film at all. However, once I started I was quite anxious to find out how it ended.The plot for the movie was interesting. A tramp marries the man running for governor three weeks prior to the election day, and they proceed to clean-up corruption in politics, when he is elected. The first thing I thought was how hypocritical. He was elected by crooks and then decided he didn't like them. That, of course, made me think of Wilson, President Wilson. He did the same thing. So I dismissed that notion. If Wilson can do it, it's not too bad.Next as the film went on I began to wonder why they ever got married. Susan Hayward(redhead) and Dean Martin(lounge singer) didn't seem to be an ideal couple in my mind. I must say, they didn't look too odd next to each other. Their "marriage" was not a healthy one to say the least. They did work well in their roles. I enjoyed Susan's ruthless determination and Dean's clueless and laid back attitude. I think an already established acting couple or a couple that looks like they could have a relationship off stage would have been better. I felt like they weren't right together. Nonetheless, they did a good job.The final thing was the ending. It really bothered me. There was something missing. Like dialogue or a kiss or some form of interaction besides looking at each other. The scene was wonderful. I loved the whole Congress session. But it was like the writer gave up on ending the relationship between the main characters. He/She (I don't remember who wrote it) thought we didn't care what they did as long as they were together. That may be, but I need more than a hand shake to show that they are happy together.This is really a good film. I love Hayward. Her characters are so passionate and devoted. That really worked well. The "angry" scenes were stifled because Dean's not a "yeller." In this role it appears he lacks the drive to get angry. In all, Susan steals the show and lays every thing on the line to win our hearts and Dean's.