Hottoceame The Age of Commercialism

Intcatinfo A Masterpiece!

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

lastremainingname Cover (2007) exposes 'down-low' (married or not) men as the conflicted potential danger that they are, yet also portrays them with sympathy. For those previous reviews which criticized the film for being too melodramatic, they missed the point: it IS a dramatic subject and such admissions and revelations CAN be devastating to a marriage or partnership. This is, after all, a movie; the emotions are played up to drive home their intensity. Wherever love and lust mix, fireworks are bound to occur, and this happens throughout the film.The artistic trappings and qualities (directing, acting, etc.) are open to debate, but don't let any perceived shortcomings detract you from the important message the film carries. We are treated to a rarely-seen depiction of the 'down-low' lifestyle and its consequences, and from this premise alone, the movie stands out. There are some scenes which may be too fast-paced or confusing at first, but the same can be said of the majority of movies today. Hopefully the 'back' button on the remote can be applied well in such cases and new explanations gleaned. Overall, this is a very impactful and memorable movie, compact but packed with content extravagant in illustration and gravity.

Jucelle Romande Cover is a little known treat that is surprisingly suspenseful and enlightening. It tackles the highly pervasive yet equally controversial materials like homosexuality and "down-low" in the Black American community. Few movies have dared venture there and make a case for acceptance amongst Christians.When her husband gets promoted, Valerie Mass's life begins to fall apart. Aunjanue Ellis plays Valerie Mass, an unassuming "God-fearing" church woman, who relocates to a new city with her husband. Razaaq Adoti is Dutch, Valerie's husband. Dutch's social life goes on the fast lane. He soon befriends Ryan Chambers (Leon from the movie Capers), a known womanizer, and starts acting more aloof. Neglected by her husband, Valerie turns to a church prayer group where she meets a sickly woman. The truth she will uncover is worse than anything she could have imagined. When Ryan turns up dead on New Year's Eve, she becomes the most likely suspect.Aside for Vivica Fox and Leon, the cast is low on the mainstream acting radar. Nevertheless, it delivers decent performances. Black American movies are not without the religious idiosyncrasies but none of that detract from the serious subject matter or a solid plot.Producers Bill Duke and Kenneth Dixon teamed up to create a complex tale of faith and redemption. The plot is quite simple but, somehow, they manage to keep a tight leash on it, keeping you guessing until the very end.Leon delivers sex and edge without fail. Few actors in Hollywood command the screen the way this man can. Leon brings charisma and magneticism in every role he plays. Vivica Fox plays her "trademark hood" affectation, which I find annoying. Her role, essentially, brings nothing to this movie. This is a movie with a lot of twists. So, don't expect action.This is a new recipe for Black films and I look forward to seeing more like it. I definitely recommending renting the DVD and watching it on a girls' night-in.

dbborroughs Church going house wife is arrested and charged with murder. Things become complicated as her neat little life begins to unravel and when its clear the Assistant District Attorney prosecuting the case doesn't care if she's guilty since he's looking to win the up coming election. Weakest film directed by actor turned director Bill Duke. Feeling more like a Tyler Perry wannabe thriller then the realistic and often gritty films that Duke usually turns out, this film seems more intent on being about something other than the mystery at hand. The film has a weak script which has too many "dark secrets" that the good cast can't really turn into anything truly worth watching. It just misses...and whats worse you can see it going whizzing by...

Roland E. Zwick Bill Duke's "Cover" is like an urbanized, African-American version of "Brokeback Mountain" - only this time told from the viewpoint of the initially clueless spouse rather than the two male lovers. Aunjanue Ellis plays a deeply religious woman whose life and marriage fall apart when she discovers that her husband (Razaaq Adoti) is actually a closeted homosexual. This leads to a great deal of emotional trauma for both the wife and the husband - as well as to a patently absurd and wholly unnecessary murder subplot that's used to frame the story.There's no question that this is a well-meaning and well-intentioned film, but its attempt to deal honestly with a serious social issue all too often falls victim to slickery and overwrought melodramatics. Many a scene will have you rolling your eyes in incredulity and disbelief, even while conceding that some of the points the movie is making are indeed insightful and valid. And, commendably, the movie does give a fair hearing to each of its genuinely torn and conflicted characters. But an overall air of amateurishness - both in the performances (even from such acting stalwarts as Louis Gossett Jr. and "Amen"'s Clifton Davis) and in the direction - keeps it from having the impact it clearly wishes to have.All in all, a missed opportunity.