Warehouse 13

2009

Seasons & Episodes

  • 5
  • 4
  • 3
  • 2
  • 1
  • 0

7.6| 0h30m| TV-14| en
Synopsis

After saving the life of the President, two secret service agents - Myka Bering and Pete Lattimer - find themselves assigned to the top secret Warehouse 13. The Warehouse is a massive, top secret facility that houses dangerous and fantastical objects. Together, Pete and Myka along with fellow agents Claudia, Steve Jinks and Warehouse caretaker Artie, must recover artifacts from around the globe before they can cause catastrophic damage.

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Trailers & Clips

Reviews

AniInterview Sorry, this movie sucks
NekoHomey Purely Joyful Movie!
MoPoshy Absolutely brilliant
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
midnighteclipse Spoiler warning: I'll avoid discussing critical plot points, but I do talk about some unimportant plot details and characters that aren't introduced in the season 1 pilot. I also discuss a point on pacing that may be considered a spoiler if you are unfamiliar with the show.I avidly watched this show as it came out on Syfy a few years back, and I was completely enamored. However, I admit that I hold the things I love to a high standard.To start, the concept of the show is what really sells it: common objects associated with incredible people or events have science- meets-magic properties that cause mayhem in the world. Thus, it's up to a secret organization to collect these artifacts and store them away from the world. On top of that, the acting is beautiful and the characters are incredibly lovable. The show walks the line between mind-numbing and mentally stimulating, with a very fine balance.I feel the show has just a few big flaws. The most obvious one is that, around season 3, the studio clearly got a bit greedy for funding and the show starts dropping Prius ads into the scripting, all of which are blatantly obvious and very forced. It's cringe-worthy. By the last season, I kid you not, the Prius became a major plot point when it managed to survive lava. By that point I was ready for it to just end.My other problem is character development. This is the part that makes me wish the show had gone on a bit longer. While I absolutely adore the characters, the show has very quick pacing, and many of their problems are solved with just a few episodes, or ignored completely. Take Claudia, my personal favorite. She spent all of her teen years in psyche facilities, being told she was crazy when she really wasn't. One episode even implies she suffered less than human treatments such as electroshock therapy. In her introduction, she even has an air of insanity about her. Yet once she confirms that she isn't crazy and solves her big problem, all in the same introductory episode, she suddenly becomes a relatively "normal" (or as normal as you get in this show) hacker girl with few if any negative repercussions on her personality. Sorry, but I doubt a girl that's been tormented and told that's she's crazy for like seven of the most critical years of her life is going to come away without some deep scars, just because she found out she was right. Seriously, before she joins the team they even say that she checked -herself- back into a mental facility. Could more of her backstory been developed given more time? I'd like to think so, but at the rate of how things were going, probably not. All of that can be said for a lot of interpersonal character relations, too. Any frustrations, anger, or bitterness between characters is typically resolved within an episode or two, which can be attributed to the quick pace. For the most part, it seems about every season represents approximately a year of time, but only getting snapshots of maybe 13 days in a full year leaves a lot of in between time for characters to get to know each other, which I would love to get to see.Another part of the pacing issue is the season plot arcs. Every season seems to have a subplot with varying permeability in each episode. Most of the seasons seem to end on a cliff hanger or even a climax for the seasonal subplot, yet the first episode of the following season typically resolves the entire problem at once. It's like hiking up a mountain, trying to catch your breath at the top, and finishing by jumping off a sheer cliff on the other side. Brush yourself off, and it's time for another hike.Summary: I love this show, but the pacing is poor and it suffers from funding issues. Despite being super critical of it, I highly recommend the series and often go back to watch it again. It could potentially make for a great book series, given a better writer than whoever was writing the plot arcs.
loipoi99 I have to start by saying that I have been enjoying this show so far. I am not excited to see what will happen next but it has some good sci-fi elements. And so I get to season 3 finale and there's an artifact that is going to go nuclear in the warehouse with our heroes in it. In the last minute though H.G. comes up with a way to save the other 3 heroes by conjuring some kind of shield around them. Sadly she can't be protected by the shield as the mojo she worked on had to be started from outside the shield. So H.G. dies, warehouse gets fried but our heroes are saved. What?!?!?!?!? Why didn't she used that mojo to shield the artifact (and in that way the nuclear explosion, herself, the warehouse & the heroes?!??!??!? I was actually ready to fall asleep when watching this, but even then (with half a sleeping brain) it seemed to me so STUPID. And imagine that H.G. is supposed to be f@cking brilliant.. hmmm.. This is the worst season finale plot ever. Other than that the show is above mediocre in my opinion and especially if they got rid of both the character of Pit and the actor playing him McClintock who is terrible, really really terrible! Especially in the dramatic scenes where he is laughable. This is quite typical of American series where the supporting characters are very interesting (H.G., Mrs Frederik, Jinxie, the dog)and the lead characters are obnoxious, irritating, and NOT at all well written. As for the people comparing Warehouse 13 to Eureka, I have to say that Eureka was plain boring, I never got past season 2, mainly because the characters (esp the main ones) are deadly boring.
norberg1000 I had not much to do so I started watching this series and it was pretty good in the start. But it declined faster than burning magnesium, and after season 5 it felt as some characters just went extremely poor in acting, or the script ran out of silliness.Seriously, if you like the start watch it. But if you like to have a good ending, stop at the end of the 5th season. I stopped after seeing a few minutes in at the 6th. It was EXTREMELY horrible!I will just say "RIP" to Warehouse 13 from season 5.I hope it is dead and buried foreverAlea Acta est
Ben Hinman A show like warehouse 13 isn't really common, and when i say not common i mean rarely does a show with such mediocre story lines, ridiculously convenient plot twists, and absurd lore actually still manage to be entertaining. Its a show that stays afloat solely on the likability of the characters, which is the main selling point of the entire series.When i say this show is not even trying, i mean literally not even trying. Some random villain from history comes through a portal in time and sets someone on fire with, oh i don't know, the sweater of the guy who invented match sticks, and they randomly just have the ice pick used in some polar expedition to magically put out the flames. Thats basically an unexaggerated example of the plot for a single episode, and it wouldn't even be watchable if it wasn't for Pete's wisecracks, Artie's temper tantrums or Claudia just being, whats the best way to put this... Rad. Yes, this is a show that takes nothing seriously, which is sad when it results in watered down haphazard story lines, but pretty entertaining otherwise. The premise of the show is basically, certain people, (mostly famous historical figures, conveniently) can feel things so strongly they imbue objects with the properties of whatever it is they're passionate about / mad about / sad about / etc. The writers take this with certain liberties, and by certain liberties i mean randomly name dropping some famous person, making up an object they supposedly possessed and then using that to drive the plot for a brief moment before never again mentioning that artifact. Its alright for a while, but you start to question, oh you just conveniently had janet jacksons clothespin in your pocket which magically gives you the ability to dance just when you need to win a dance competition to get close to someone who's internal organs could fill up with sand, because i don't know, vengeance. You get the picture.