Clevercell Very disappointing...

Actuakers One of my all time favorites.

Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

eaglepub I appeared as an extra and was on location as a journalist covering "The Dain Curse". My involvement was during the segments of this film shot in Jim Thorpe, Pa. (Jim Thorpe was also one of the locations of the 1969 film "The Molly Maguires"). I reported the 'action' in the Emmaus Free Press newspaper where I was editor 1978-80 (the paper ceased publication int he 1990s). I recall the excellent attention to detail of the period costumes, automobiles, etc. The modern asphalted streets of Jim Thorpe were covered with gravel to mimic a 1920s rural town of the south. At the time, I interviewed the producer and spoke briefly with the director during a set change break; I did not get to interview James Coburn which was always a great disappointment to me. As an aside, I appear briefly in one of the street scenes wearing a snap- brim hat and a tweed jacket. The producer asked me to "jump in" and it was a real thrill. I still have a collection of black and white stills I took of the production work for the newspaper. Someday, they may be of interest to film/television historians.--Lou Varricchio

bigpurplebear-1 Someone, back in the misty reaches of 1977-78, had a pretty good idea: Take Dashiell Hammett's "The Dain Curse" and turn it into a TV mini-series "event." The novel itself, after all, had started out as a serialization in "Black Mask" magazine, and a legion of readers had faithfully followed its plot convolutions there, so why -- or so the reasoning must have gone -- shouldn't it work equally well on the installment plan by spreading a TV dramatization out over several nights?This, unfortunately, was the last good idea experienced by anybody in conjunction with the production.Any number of object lessons can -- and should be --drawn from what wound up being presented as "Dashiell Hammett's The Dain Curse." (Presumably, to differentiate it from "Joe Blow's The Dain Curse," an important distinction.) Object lesson #1: If you're going to slavishly follow a plot that has enough twists and turns and old fashioned red herrings to make "The Canterbury Tales" read like "Dick And Jane Floss Their Teeth," then you'd best make sure you've at least got a director and cast who can maintain a pace that will keep your audience riveted. Otherwise, you run the risk of numerous viewers snapping awake simultaneously during a commercial break and saying "For THIS we missed 'Three's Company?'"Similarly, if you're going to adhere to the plot (and its dialogue), it's generally a good idea to cast actors who can carry it off. The novel's short and fat, middle-aged (but extremely tough) protagonist happens to also be anonymous, all for a purpose; changing him into the tall and thin, dapper (but extremely sardonic) James Coburn and giving him a name like Hamilton Nash (sounds like Dashiell Hammett, get it? wink! wink!) may gain you a bit of star power, except that he hasn't a clue how to relate to his material.Equally to the point, if you decide to change the story's setting from San Francisco and the central California coast to New York City and some generic seashore locale, keep in mind that any number of Hammett partisans -- whose teeth are already set in terminal-grind mode by this point -- are going to expect you to have a very good reason for doing so.In fairness, it should be mentioned that all concerned appear to give it their best shot (Hector Elizondo, as small-town sheriff Ben Cotton, and Jason Miller, as Owen Fitzstephan, are both standouts) as this "event" lurches from situation to situation; unfortunately, best shots here have a tendency to fall short of the mark, rather like a trapeze artist who can never quite make that third midair somersault in time or a high-wire artist with chronic nosebleed. The end result is a traveling circus, gamely striking its tent and moving on but getting . . . you guessed it!

CatTales James Coburn makes a wonderfully playful detective, somewhere between Nick Charles (The Thin Man) and Sam Spade. Like the movies of those characters, this is a complex story: actually 3 smaller mysteries wrapped in a larger one, which creates an odd tempo in the film. Normally a movie ends when the mystery is solved, but this movie keeps going onto another mystery like a rollercoaster. The version I saw was the 144 minute Anchor Bay video, which must have been abridged. This might account for a few scenes which faded inexplicably into others. Aside from that, the movie was quite entertaining. Though I was relieved when the entire mystery was really solved, I wanted to keep watching that wise, older, chivalrous, not-too-world-weary to be heartbroken detective.

camiela This confusing story begins like a movie you came into after it began.The charactors all knew each other before, and make reference to things we don't see that appear to have something to do with all the strange goings on.It involves a weird cult, a girl who is a drug addict and who may have killed her husband, and the detectives efforts to get the girl off drugs.Mostly it's forgettable and sometimes laughable.The stupidest mistake here is that the cast includes Jean Simmons and they made very poor use of her talents. She only had four scenes and only spoke in two of them (in one scene she is tied up on an altar and is in danger of becoming a human sacrifice).The film could have been better if they had made the female lead older and used Simmons in the part instead of in the supporting role. Even that however, could not have made this less confusing...just more watchable!