Tedfoldol everything you have heard about this movie is true.

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

MartinHafer Currently, "Go For Sisters" has a surprisingly low overall rating of 6.1 on the Internet Movie Database (IMDb). While this sounds respectable, a 6.1 would generally indicate that the film is average at best*--and this film is far from average in every way. To me, it's a wonderful example of a movie that features really, really exceptional acting coming from some less than famous faces--faces that deserve to be getting more attention."Go For Sisters" is a film written and directed by John Sayles--a famous name in Hollywood. It's unusual because one of its producers is Leonard James Olmos (of "Miami Vice" fame)--who also is one of the stars of the film. He did a wonderful job in the film, however, I would hate for him to get all the glory. After all, LisaGay Hamilton and Yolanda Ross (hardly household names) were wonderful as the two female leads and I would LOVE to see more of them in the future. Sure, they may not look and sound like Hollywood's idea of stars, but they really did great jobs--particularly Hamilton. I love seeing 'real women' in films--women who are not the usual cookie cutter starlets but who seem like REAL people! And Hamilton and Ross sure seemed real.The film begins in a parole office. Bernice (Hamilton) is a parole officer who seems to know her stuff and is all business with her clients. However, her new assignment is a tough one--Fontayne (Ross) turns out to be someone Bernice grew up with and knew very well long ago. Now, years later, they are on the opposite sides of the fence. And, because it would not be appropriate to have an old acquaintance as a client, Bernice plans on transferring Fontayne to another officer. However, something comes up and Bernice decides, for once, to go against her better judgment. This is because her estranged son has just disappeared and she needs answers--especially since he might be dead or wanted for murder! She MUST know where he might be and what happened to him. And so she asks Fontayne for some help. After all, Fontayne's been around and might know some people who might know some people... Well, after a while, the two spend more time together and naturally become closer and start to talk about old times. And, it turns out that they were more than just casual acquaintances and now Fontayne seems like she's willing to help not just because Bernice is a parole officer but because perhaps she cares and is trying to put her life as a junkie behind her...perhaps.At this point, Bernice is definitely treading into dangerous territory working with a friend/parolee to locate her son. However, the trail gets even murkier more convoluted when the women soon find themselves in contact with an ex-cop (Olmos). This is a guy who was thrown off the force and they don't know whether or not they can trust him--but they don't seem to have much choice if they want to find the missing man. And, to make things worse, the trail soon heads out of the country--to the infamous city of Tijuana, Mexico--a place where law and order have all but vanished. What will happen next? And, most importantly, will Bernice and Yolanda come out of all this alive? And, just how far is Bernice willing to go to locate her son?I noticed that a few folks felt that the script was a bit far-fetched when they reviewed the film on IMDb. Perhaps it is a bit, but I found myself willing to believe it for several good reasons. As a retired social worker and psychotherapist (as well as school teacher), I used to work very closely with parole and probation officers. They are VERY human--some very professional, some very unprofessional and some a bit crazy! So, an officer bending rules is something I could easily believe. Also, as a parent, I could see a scared mother willing to risk everything to find her only son. But, most importantly, I could believe it because Bernice was such a believable character. Sayles did a nice job of writing the character and directing Hamilton--but Hamilton herself was just terrific in this leading role. While she has quite a few credits to her name, with acting like this, she deserves much more attention and opportunities. It also didn't hurt having Ross and Olmos supporting her--as the trio seemed very believable and the three really knew their craft. The bottom line is that too few film emphasize what I like in films-- great acting and well-written and believable characters. While this film doesn't have a fancy special effects or the glitz of many Hollywood films, it is well made and quite tense. It's a film I strongly recommend--even if the story might sound a bit hard to believe. I sure believed it and am thrilled that the film just came out this week with Netflix. Grab a copy.*IMDB scores are weighted a bit high--so I've noticed that a 6.1 is equal to about a 5.0 on many other scales.

lindsayw739 SPOILER ALERT The film opens with Bernice encountering a parolee with a plausible story to explain why she was consorting with criminals. Bernice doesn't buy the story, and sends her to a hearing, commenting "I listen to people sugarcoat their bullshit all day." Next, Bernice's former high school friend - Fontayne - shows up. Bernice tells her she has to assign her to another agent, but listens to Fontayne's story. While she suspects Fontayne's story may be BS, she decides to give her a break. Fontayne offers to help her out if she needs anything in the future, but Bernice looks at her dismissively.Later, the scenes cut to each woman at her home. Their modest apartments are shot in warm sepia and amber tones, but a picture is painted of two lonely women.Bernice learns that Rodney is suspected of being involved in human trafficking from Mexico. Though her son has been alienated from her since he returned from the Middle East, Bernice simply wants to find him and keep him safe; one of his partners in crime, Fuzzy, has just been found murdered. Bernice has to turn to Fontayne to begin investigating the world of criminals from the inside.Entwined within the story is Sayles' critical eye on injustice and poverty. This spirit infuses most of Sayles' films and his writings. An indie director, Sayles is best known for, I suspect, "The Brother from Another Planet" (1984) "Matewan" (1987)(one of my favorites), "Passion Fish" (1992, another female buddy film of sorts), and "Lone Star" (1996). He is also a prolific writer, my two favorites being "Union Dues" and "A Moment in the Sun." Fontayne agrees to help find Rodney. These women begin to switch roles, if you will. Bernice bends the law in order to find her kidnapped son. Meanwhile, Fontayne is appalled that Bernice is moving her back into the world of drug dealer and thugs. She is struggling to do the right thing. Bernice tries to assure her: "I will get you out of this clean. I promise." Freddy, meanwhile, weathered and burdened with macular degeneration, wants to feel important. Retirement has not served him well, though he seems to have a loving wife who is worried about his journey. He is Bernice's and Fontayne's entry to Tijuana, where the trio encounters an odd assortment of thugs, murderers, traffickers, and other dangers, all while searching for Rodney.This rich character study takes place in settings that brim with authenticity. The NA meeting rings true as people share their stories, as does the journey to Tijuana, capturing the colors, sounds, and rhythm of this border town. The scenes in the desert highlight the barren but beautiful nature of that locale.A glance at those who pay to cross the border under risky and even deadly conditions is done with empathy, not judgment. Small roles by Harold Perrineau as Wiley, Isaiah Washington as Vernell, and Hector Elizondo as Jorge, add to the richness of the characters in this film.In the end, as Bernice, Fontayne, and Freddy return to their lives in Southern California, there is a bit of hope. Bernice remarks to Fontayne, "I don't have that many friends," and they make plans for the evening.

cricket crockett . . . than writer\editor\director John Sayles's masterworks, THE SECRET OF ROAN INISH and LONE STAR. The former was an expose of quaint child rearing practices in Ireland, while the latter blew the whistle on the rampant in-breeding my state is known for. Though I only have viewed eight movies directed by Mr. Sayles, I doubt that every fan of his will rank GO FOR SISTERS among their Top Ten from the director of EIGHT MEN OUT. While some of Mr. Sayles movies have been narrowly focused on such topics as baseball, coal mining, or being stranded in the Alaskan wilderness, the spotlight is diffuse at best on the subject he is aiming at in GO FOR SISTERS. Is it latent lesbianism? The possibility of successful drug rehabilitation? Mother-Son bonds? Lack of jobs for ex-cons and ex-military? U.S. immigration policy? Is the viewer meant to decide which is worse, the Chinese mob or Mexican drug cartels? Is this an examination of American parole practices? An effort to promote bilingualism? One could argue it is all that and more. Decide for yourself.

JvH48 I saw this film at the Ghent (Belgium) film festival 2013, where it was part of the section American Independent. The persons in this film are certainly not the cross section of society, but each of them has recognizable features somewhere hidden inside. Main characters are the tough "no bullshit" parole officer Bernice on one hand, and her old-times schoolfriend who tries to stay clean Fontayne on the other hand, They meet each other again after 20 years on different sides of the law. These two roles are set out perfectly in the opening scenes of the film, and this is precisely what characterizes the rest of the film. The people we meet after Bernice and Fontayne team up to look for Bernice's son, are portrayed very well within one or two scenes when they enter the proceedings. It gives us ample time to identify ourselves with them, though neither looks like someone we want to be in real life. All have their problems plus a shady past, which is what makes them to what they are now, at the same time precisely what makes them fit in the story as it unfolds before our eyes.A third main character is former policeman "The Terminator" Freddy, disgraced and fired without pension, but pulling his weight in this quest, in spite of his severely diminished eye sight. Each of the three "mates" brings their own unique features and qualities, and their special knowledge how things work on either side of the law. The odd trio undertakes a quest which seems a lost cause from the outset. Nevertheless, they definitely make progress throughout the whole film, be it one step at a time, be it improbable how they succeed in dangerous situations. But still, we see how the story develops from very close by. We also see how it brings our main characters in situations they could not have survived without tons of luck, lack of fear and sheer determination. These situations combined with the persons they have to deal with, are precisely what makes this into a colorful and varied movie, in which we even see a few parts of Mexico.All in all, I enjoyed this film throughout its 123 minutes running time. The three main characters are portrayed very well, each with their own special features and abilities. And the people they meet, albeit in relatively short encounters, look like taken from real life, allowing us peeping into their ways-of-life as a bonus. It offers no solutions for real-life problems, it is mere entertainment, no more no less. Humor works effectively as icing on the cake. I could find no information about the budget, but it does not show either way.