Monsignor

1982 "Forgive me, Father for I have sinned. I have killed for my Country, I have stolen for my Church, I have loved a Woman, and I am a Priest."
5.1| 2h1m| R| en
Details

The vows of an ambitious young American priest are tested during World War II. Not only does Father John Flaherty get involved with the black market to raise money for the Vatican, he also falls in love with a young French nun.

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Reviews

Fluentiama Perfect cast and a good story
Executscan Expected more
Pacionsbo Absolutely Fantastic
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
neelsmail I had watched this movie when I was growing up. May be I was 20 or so. There are only few movies after which I would think "what the hell did I watch just now?". This is one of them. What impressed me most were two things: 1. Character of Christopher Reeve wants to experience everything without inhibition. And is prepared to face consequences. In a way he is crazy brave. 2. Someone asked in one of the question\answer site if they knew a movie in which character goes in gradual degradation. This movie came to my mind. No matter what happens in the end, the character is aware that he has lived his life to the fullest (in a sense in a immoral bad way but I don't think he cares much about rules laid down by some other man).One of my favorites.
Dcamplisson Dull and tiresome, this story should be fascinating. A corrupt priest, global shenanigans, love, lust, war. But the action seems to go on in a weird Vatican vacuum. when I first watched this years ago I assumed I'd napped and missed huge chunks. Large numbers of years seem to Elapse without explanation. Rome goes from war time to peacetime without anyone seeming to notice. The woodeness of reeves is reminiscent of one of those jokes where they show the sae face 100 times with different emotions under them. Beaujold is lost but still cute. Reeves apparently blamed the editors of the film, but although we don't know what they cut, what they left is expressionless. In love scenes, when angry, when stressed his demeanor remains the same. After two hours of this I feel I've done penance. do watch it, the scenery is nice as is Genevieve.
Ravenswing While I have some sympathy for the folks who cite this as a example of a "good bad" movie, to be honest, I don't buy it. So Reeve felt that a good movie was left behind on the cutting room floor? He'd have had more of a leg upon which to stand if he didn't turn in a performance on Prozac. Now granted, no one expected better of Bujold -- one of the most overrated actresses of the century -- but even by Reeve's low key standards, he turned in a sonnambulist's performance. About the only bit of genuine emotion coming from either of them was in the scene where she finds him "praying for a miracle," and her angry hissing "For US?" comes off as uncharacteristically genuine. Thirty seconds, however, a movie does not make.As far as the credibility of the plot, well, the immediate post-War time was a cowboy era, no doubt, and from the Banco Ambrosiano business on forward, we can't quite claim unwavering financial probity for the Church. Possibly in the hands of less sleepwalking actors this might have been a better flick.3/10.
lpersons-2 I had never heard of this movie but thought I would spend the 2 hours watching it. I was very disappointed. The acting, including Christopher Reeves was very disappointing. Many times throughout the movie the sound seemed impossible to hear clearly what was being said, so it made the movie hard to follow. I am surprised that the catholic church didn't object to this movie, it paints the catholic church and the Vatican in very poor light. The plot line left much to be desired as well. The entire movie did not fit well.... I believe there was suppose to be time lapses, but they are never explained and it leaves you scratching your head wondering what is going on. This movie is not worth the 2 hours to watch it.