Vicki

1953 "'She Had Everything a Man Could Ever Want And Lived the Way No Woman Ever Should!'"
6.5| 1h25m| NR| en
Details

A supermodel gets murdered. While investigating the case the story of a waitress turned glamor girl is revealed.

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Reviews

Micitype Pretty Good
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
gridoon2018 Richard Boone singlehandedly lifts this modest but engaging whodunit to a higher plane: from a regular "genre piece" to a psychological study on obsession, delusion and loneliness. The cop he plays (also a suspect) is creepy, disturbing, and ultimately pitiable. In addition, Jean Peters (the murder victim, seen only in flashbacks) is one of the sexiest actresses of her era. *** out of 4.
Robert J. Maxwell Imagine if Dana Andrews, the detective in "Laura", had been homely. Suppose he'd had a pock-marked face, a long pulpy nose, a raspy voice, and was utterly lacking in charm. And he fell in love with the supernally gorgeous-beyond-redemption Gene Tierney. Would she have paid him the least attention? Right.I understand this is a remake of "I Wake Up Screaming" but it tries very hard to resemble "Laura." Behind the opening credits, for instance, we see a large portrait of Jean Peters in the same pose that Tierney adopted for her portrait in "Laura." Like Tierney, Peters has a menial job. Then she runs into a man of some influences who takes a shine to her and squires her about town so she can meet patricians. She becomes a famous model and receives an invitation to go to Hollywood and, with any luck, some day leave in a cement square the imprint of her spaghetti shoes. Before she can do it, she's murdered.Richard Boone, in his menacing mode, insists on handling the case. Several men are immediately suspected. There is Elliott Reid as the promoter who discovers her behind the counter, in the Clifton Webb part, except that he's heterosexual. There is the drama critic, Max Showalter, who is obviously attracted to her. There is the flighty famous actor, Alexander D'Arcy in the Vincent Price part, who secretes a pen knife she once gave him. And there is Aaron Spelling as the loopy switchboard operator and factotum at Peters' hotel. He has a great face, with pronounced exopthalmia, but he can act only about as well as his daughter, Tori. You and I have as much in the way of acting skills, but we don't have their portfolio.That's about as much as "Vicki" owes to "Laura." The rest sets out on its own without going very far. Elliott Reid is a fine comic actor but really doesn't belong in dramatic roles. Even when crushed, he looks about to smile. Showalter and D'Arcy have small roles, and the former's is confusing. He's supposed to be a good friend of Reid's, yet when Reid is on the run from the police, Showalter pulls a gun on him with the remark that he just wanted to be the first to take Reid in.Jeanne Craine is the star. She's Peters' nice sister. Her job seems to consist of being browbeaten by the men around her, especially the nasty and brutish Richard Boone. She was positively magnetic as Gene Tierney's younger sister in "Leave Her to Heaven" but by the 1950s she seems to have lost interest in her career. She doesn't make a false move throughout the movie, nor an original one. The same, alas, can be said of Jean Peters' performance. She's supposed to be a striking beauty -- and she IS beautiful -- but she's unpleasant in some ways too, ambitious and self indulgent. Maybe that's okay though. People adore media images, whereas they must tangle mano a mano with real individuals.I saw it years ago and enjoyed it far more than I did this time around. It would have been an improvement if it had been shot on location in New York instead of on sound stages but this wasn't yet a common practice. It's a competent murder mystery with one genuinely pathetic figure -- Boone's -- but it's also pretty routine stuff.
moonspinner55 Billboard and print model is found dead in her apartment; the New York City police get busy interviewing suspects, though the lieutenant on the case has personal reasons for wanting to find the killer. Steve Fisher's novel "I Wake Up Screaming" (its original title uncredited here, perhaps because it was already filmed as such in 1941 with Betty Grable), gets a strictly minor-league treatment this time, with nearly every actor on-board over-compensating for the uncertain script with pushy performances. Jean Peters, who looks like Jessica Walter and talks tough like Susan Hayward, is an odd choice to play the doomed, would-be starlet; Peters isn't the wide-eyed innocent/hash-slinging waitress the plot suggests, instead coming on with both barrels loaded. As her sister, Jeanne Crain has more of the Cinderella quality Peters should be projecting, and hers is the only substantial acting job in the picture. Playing the gruff, snarling lieutenant, Richard Boone is way over-the-top, as is Aaron Spelling in an hysterical role as a wormy desk clerk. Just silly enough to be watchable, though it is never explained why glamorous Vicki is living in that dumpy apartment--nor how her photograph pre-death has managed to land on the cover of every single magazine at the newsstand. ** from ****
David (Handlinghandel) "I Wake Up Screaming" is a weird, gaudy, creepy movie. One might call it one of a kind. But it is, in fact, not: "Vicki" is a remake. There are some differences in the storyline but it's different primarily because of casting: It's creative and bizarre in the original and pretty generic in the remake.Carole Landis and Betty Grable have an authentically pulp look in "Wake." Jeanne Crain and Jean Peters look like sisters. They're both pretty but bland looking. Richard Boone is in the Laird Creger role. He's odd looking, to be sure. He refers to the man who brought the murdered girl from waitress to glamorous star as "pretty boy." He's prettier than Boone (who was a fine actor) but he's nothing special. His lack of color is at the heart of "Vicki's" failure.Alexander D'Arcy looks great as the actor who also had a thing for Vicki. It's amazing that well over ten years earlier he'd played Irene vocal coach in the sublime "The Awful Truth."Aaron Spelling (yes, THE Aaron Spelling) is effective and noirish as the whacked-out desk clerk at Vicki's apartment building. But when it comes to whacked-out, no one can top Elisha Cook, Jr., who played this role in the original.The main problem is that anyone who's seen "I Wake Up Screaming" will know exactly what is going to happen in "Vicki." If anyone reading this happens to want to watch "Vicki" but hasn't yet seen "wake" -- please, watch the first one first.Both have marvelously tawdry opening credits. "I Wake Up Screaming" has the better ones but "Vicki" is right in there. It's beautifully photographed by Milton Krasner.I can't even say it's disappointing. What it does it does well enough. Surpassing the original would have taken a miracle.