The Tattered Dress

1957 "The story of The Tattered Dress ... that exposed a town's hidden evil !"
6.5| 1h33m| NR| en
Details

After a wild night, wealthy Michael Reston's adulterous wife Charleen comes home with her ripe young body barely concealed by a dress in rags; murder results. Top defense lawyer J.G. Blane, whose own marriage exists in name only, arrives in Desert View, Nevada to find the townsfolk and politically powerful Sheriff Hoak distinctly hostile to the Restons. In due course, Blane discovers he's been "taken for a ride," and that quiet desert communities can be deadly...

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Universal International Pictures

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Reviews

UnowPriceless hyped garbage
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Richard Chatten 'The Tattered Dress' is the second of four programmers released by Universal in 1957 directed by Jack Arnold, who had started the year extremely auspiciously with 'The Incredible Shrinking Man'. 'The Tattered Dress' was the first of two films he made set in the deep south: the latter being 'Man in the Shadow', in which Jeff Chandler played the honest sheriff of a fictitious cow town called Spurline who crosses swords with a ruthless local ranch owner played by Orson Welles. In 'The Tattered Dress' it's the sheriff (played by Jack Carson) who's the heavy; and Chandler the lawyer from New York come to defend a wealthy local spiv for the murder of a popular local sports hero to whom his trashy wife had lately taken a shine. After a glorious opening sequence resembling a series of dime novel covers of the period, Chandler arrives in Desert View, Nevada; and the moment he steps off the train the unfriendly looks he gets tell us we're in 'Mississippi Burning' territory. Like most Hollywood films since time immemorial it takes a remarkably cynical view of lawyers and the law ("I could spend hours telling you of innocent men imprisoned and executed because of clumsy and uninspired defences"), but treats its often lurid subject matter in a rather lacklustre and talky fashion. Jeffrey Chandler isn't the most convincing of casting as a cynical and ruthless lawyer whose motto is "If you're guilty get James Gordon Blane" (it would have been perfect for Carson, actually); and most of the excellent supporting cast aren't really at their best, with the notable exception of Edward Andrews in a very small part and Gail Russell (whose vulnerable appearance is enhanced by the regrettable fact that she was in reality drinking herself to death at the time) as a pawn in a dastardly plot by crooked sheriff Jack Carson to cook Chandler's goose.Two nice uses by Arnold of the Cinemascope screen were the way Chandler's until now estranged wife Jeanne Crain signals that their conjugal relations are about to resume by pulling shut the curtains in his hotel suite; and the slight but perceptible little sigh of relief visible on the part of the court stenographer (played by Robert Haines) when Chandler's passionate summary to the jury finally ends.
Henchman_Number1 When hired gun New York lawyer James Blane (Jeff Chandler) is brought in to Desert View, Nevada to defend Michael Reston and his vampy wife Charleen (Phillip Reed & Elaine Stewart) on murder charges, he finds himself accused of jury tampering. Blane, a less than exemplary role model with a dubious past, must fight over local prejudice and the town's political power-broker Sheriff Nick Hoak (Jack Carson) to prove his innocence. With the help of his estranged wife Diane (Jeanne Crain)Blane works to unearth the town's secrets and unravel the crime. "The Tattered Dress" is one of the many medium budget releases cranked out to fill growing demand in the 1950's created by the expansion of the drive-in movie. Universal International Pictures was a major player in that space. Universal International was able to assemble casts of slightly off the A-list and presumed over-the-hill stars into some very good movies. "The Tattered Dress" is one of those. The cast of this movie is excellent. After watching a few movies with Elaine Stewart it's hard to understand why she never quite made that transition to major stardom. She had a screen presence as did Gail Russell who carries her part off to perfection in one her last big screen appearances. Since this movie shows up in Film Noir titles it will get criticism from purist Noir Fans, which is unfair to this movie. By 1957 visually classic Film Noir Movie was a thing of the past. "The Tattered Dress" is a 1950's style, slightly salacious, crime melodrama. The style of this movie lies somewhere between The Postman Rings Twice and Peyton Place. Taken for what it is, "The Tattered Dress" is 93 minutes of decent entertainment.
bkoganbing The Tattered Dress is a very under rated film that I wish would be broadcast more often. I saw it many times during the sixties and seventies and haven't seen it for years. But the performances do stand out.The one who stands out the most is Jack Carson. This is no doubt his best screen dramatic performance. Carson usually was cast as amiable blow hard types who usually meant well, but could be very dense. In The Tattered Dress as the mean sadistic sheriff he really should have been nominated for Best Supporting Actor in this one.Jeff Chandler plays a high price defense attorney who's come to Carson's town to defend a married couple accused of a murder that has generated national headlines. Chandler is usually well paid for his services and this is no exception. While there Chandler makes the acquaintance of Carson. Carson's a local celebrity himself, his former gridiron exploits locally helped him first get elected sheriff. However Chandler's a real national celebrity and Carson fawns all over him.What happens though is that Carson gives Chandler a confidence that when the trial comes, Chandler uses to impeach Carson's testimony and make him a figure of ridicule on the stand. Because of that his clients get acquitted.Carson exacts his revenge by framing Chandler on a jury tampering charge and uses every avenue to close any loopholes Chandler might find as his own defense attorney. The Tattered Dress is one of Jeff Chandler's best films, but as good as he is, Jack Carson gives us his career performance. He's an incredible study of pure evil in power. A person totally unable to deal with others professionally. Chandler was an attorney advocating for his clients, admittedly not a pair of the noblest creatures on earth, but in the final analysis was just doing his job. Carson can't separate that out. I've known some and worked for some people like that in real life. Bad when they get into positions of authority.Elaine Stewart and Philip Reed are Chandler's wealthy clients who take a powder on him when he gets in a jackpot. Jeanne Crain is Chandler's estranged wife who still stands by him and Gail Russell in one of her last film roles is the woman who accuses Chandler of jury tampering. They all fill their roles nicely, but a special mention should go to George Tobias, a comedian who Chandler got off on a murder charge himself, but at the cost of his career. He serves as a gopher/confidante to Chandler and has a tragic end.I truly wish The Tattered Dress was out on VHS or DVD. It's a terrific story that is well acted and written. Absolutely a must see for fans of Jeff Chandler and Jack Carson.
Sleepy-17 The first 20 minutes are quite vivid and garish, and Elaine Stewart is lovely and electrifying as the well-married tramp. Later it bogs down in pompous courtroom scenes that magnify Jeff Chandler's tendency toward two-note delivery. Note: The review in TV Guide slams Jack Arnold, implying that he's a poor director and that the "Incredible Shrinking Man" was a poorly-directed film. (!?!) Hey! Please study your film history! Take it from someone who thinks that 50's pop culture is important, that it is reflected in almost everything we think, do, and watch today, from the cars that we drive to the presidents that we elect! Jack Arnold was a master, and the films (and TV shows) that he directed have been a major influence.