Ulee's Gold

1997
7| 1h52m| R| en
Details

Third-generation Florida beekeeper Ulee Jackson may have gotten out of Vietnam alive, but he left a part of himself behind. Now he methodically tends his bees, carefully provides for his two grandchildren and keeps his emotions at bay. But when a long-buried secret threatens Ulee's business and family, he is forced to break through his emotional walls and confront the terror of his wounded spirit.

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Reviews

Scanialara You won't be disappointed!
Unlimitedia Sick Product of a Sick System
GrimPrecise I'll tell you why so serious
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Michael Brown I have seen this movie many times, and it gets better each time. The scene when a hive is destroyed and Ulee recovers it is the scene that exposes the parallel themes of the film: keeping his family together, and the bees producing (credited in the end titles). The story has incredible tension, but the film seems almost relaxed; no dramatic music, no fast camera action, but a calm sense of reality. This feeling is accentuated by the beautiful photography. The natural lighting in the grocery store parking lot, and the slightly out-of-focus shot of nurse Hope at the truck with groceries are two shots that just knock me out. The last scene at the prison chokes me up even thinking about it. But with all the pain and trouble, the reward is---honey, Tupelo honey.
gpeevers Ulee (Peter Fonda) is a beekeeper who produces some of the finest honey available, Tupelo Gold.While there is some very interesting material on beekeeping, this is essentially a good story about a somewhat dysfunctional family. Ulee is a widower raising his two granddaughters on his own while his son is in prison and his daughter-in-law has run off.The cast includes Patricia Richardson (Home Improvement) as a Nurse that lives next door and a potential love interest for Ulee. While Ulee's eldest daughter is played by Jessica Biel in one of her first film roles , I really appreciated the depiction of a character acting heroically in the face of adversity without resorting to the violence that is so common in many Hollywood pictures.The film was written, directed, edited and shot by Victor Nunez on a very limited budget, but I did not find any such limitations at all obvious in the execution.Features an Oscar nominated performance from Peter Fonda, who won numerous awards for the role including a Golden Globe.
cmvoger Among other attractions, this film gives Peter Fonda the best role he's had in years. I would wish him a few more opportunities like that one, in short order. The best of luck to him. The workday that Ulee spends with his younger granddaughter, his explanations to her about beekeeping, help the audience understand what's going on. And the granddaughter's lectures to the doped-out mother draw a parallel between the integrity of the hive and the mother's re-entry into the family. Also, this movie has a lot of common sense about action sequences. When Ulee was attacked by the two vicious punks, things would have gone horribly wrong if he had turned into Steven Segal and started kicking people through the walls, turning it into an action epic. It would have ripped the fabric of a very realistic story. He outsmarts them instead. He traps the more vicious of the men behind a door and holds his weight against it, while he talks the less stupid one into calming down. Believable. And the same for the resolution at the end. Not a Hollywood feel-good, "everything's OK now" fadeout. But the psychos are incarcerated, Ulee's son has reason to feel optimistic about parole, and the family members are talking to each other. The daughter-in-law may even stay dried out.A very good film, deserving of the widest possible distributioncm
shua41 Since this film is from a regional independent director, typically it will tend to stride away from Hollywood norms. Allow me to quote the author of CInema of Outsiders-- Emanuel Levy, "Highbrow critics continue to complain about Nunez's restrained, unexciting film approach, and, indeed, its easy to overlook the qualities of Ulee's Gold in today's over-hyped market... Ulee's work is silent, repetitive, and undramatic, and so is the film." So, perhaps the reason that this film seems slow is because Nunez purposefully directed it that way. A good taste of regional independent cinema.