Dotsthavesp I wanted to but couldn't!

CommentsXp Best movie ever!

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Pierre Radulescu A tiny poor village of a few hundreds, surrounded by rocky cliffs. Goats and olive trees, as everywhere in the region. The Black Sea can be seen from the cliffs, having the changing color of the sky, gray when it's windy, blue when it's sunny. Poverty of the place continuing in the majesty of the landscape, village life mastered by the moods of nature. The five times of prayer, midnight, morning, noon, afternoon, evening, are just brief moments to realize that you are at the mercy of what time brings.This is Kozlu, the birthplace of Turkish director Reha Erdem, and Bes Vakit (Times and Winds, made in 2006) is about this village and these cliffs, about the moods of weather and the times of prayer, and about these people.It is a movie full of love for this universe while devoid of any sentimentalism. The magnificent surroundings, the cliffs and the sea in close distance, pictured with awe, the poor village pictured with love, you feel this tenderness flowing from the screen; where the movie becomes unsentimental is when picturing the moods of people. They are his people, the guys of his village, the director is one of them, it is his universe. It is here love and lucidity. From the elders to the young, they are too challenged by these times and winds, to find space for kindness to one another. The elders are authoritative to the point of arbitrariness, the children grow up feeling the unfairness of the elders, hating them, childishly wishing their death. Three children of some eleven, twelve years are the main characters of this movie. On the threshold of puberty, a coming of age through frustration and resentment, balanced eventually by the miracles of nature they are witnessing. The unexpected coming and going of storms and winds will slowly teach them about the relativity of everything. The animal mating will be an abrupt lesson about the ultimate simplicity of love. The birth of a baby will show them the beauty of life despite all odds. The approaching of death of the father will make the boy suddenly and painfully realize what fear means, the terrible fear of loosing his father, how stupid his hate has been, his wish to see him dead.

EchoMaRinE To begin with, I must say I was impressed with the cinematography. Turkish cinema is really going in a good direction. In general, I liked the movie as it is but the content did not satisfy so much. During the whole movie, you are exposed to very nice scenery that really reflects the Turkish rural life. The acting was professionally done as well. So the base components of the movie were quite good. The only missing part was a story. I mean it. You can start watching at any time and you wouldn't feel like you missed something. May be the story was so deep that my poor soul couldn't get it but I really asked myself what was this whole thing about, after the movie. I don't want to ruin the reputation of the movie but scenery without content should not be praised that much.

gradyharp BAS VAKIT (TIME AND WINDS) is less a narrative film than a suspended contemplation on the cycle of life, the passage of time, and the persistence of family traits. It is a work from Turkey of rare beauty visually, musically, and natural grandeur. Writer/director Reha Erdem is a poet as well as an accomplished filmmaker. Three young children are approaching the torrents of adolescence, each carrying emotional scars and family histories that will forever alter the way they reach adulthood. Omer (Ozkan Ozen) is the son of the local imam who climbs the minaret five times a day to chant the call to prayer: Omer's younger, smarter brother is favored by the father and Omer copes with the loathing for his father by planning his death. Yakup (Ali Bey Kayali), Omer's closest friend, has a crush on his teacher (Selma Ergeç) but is deeply disillusioned when he spies on his own father (whom he has always defended against his grandfather's abuse) attempting to court his teacher. Yildiz (Elit Iscan) is a girl under-appreciated by her mother and is stunned to overhear her parents coupling. The three children attempt to engage in a normal childhood, reacting tot he beauty of the natural surroundings of their poor little village to the point of learning animal husbandry first hand! They befriend another young orphan Davut (Tarik Sonmez), the town shepherd, when he sustains physical abuse from his guardian. The sensitivity of the children's reflections of their parents' maladaptive behavior creates a bond that sustains their daily trials. There is not a lot of narrative here, but the sensory pleasures of the film are immense. Divided into sections labeled Night, Evening, Afternoon, Noon and Morning, the film follows the marriage of the calls to worship that clock the lives of these people with the atmospheric cinematography by Florent Herry and embellished by the sumptuous musical score by Arvo Pärt. It is a long film (just short of two hours) that takes its time to unfold the mysteries of coming of age and it is a film that will haunt the viewer long after the credits have ceased. In Turkish with English subtitles. Grady Harp

Joblowski This film is surprisingly balanced in many ways. It manages to have quirky, humorous characters who are still pretty real and relatable. It manages to have a young star who is likable yet also has some evil thoughts. It's beautiful and slow, but not heavy and profound.All in all, a very worthy film. However there were a few awkward, overdone scenes that broke the spell for me. In particular, those with a father trying to make his good for nothing sons be useful. One makes do, but the other is both lazy and dumb. These characters never felt real....or even interesting.Also, a few moments were just a little too telegraphed; a little too obvious. When a girl is running with a little baby down a steep road, for instance...hmmm, I wonder what might happen?It depicts rural, small town life near the Turkish coast and, accordingly, moves at a pretty slow pace. Might be a bit slow for some, but should be enjoyable nonetheless. The current rating is over 9 points. Way too high, in my opinion, but this film is still a good time.