Hellen I like the storyline of this show,it attract me so much

Claysaba Excellent, Without a doubt!!

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

marcslope Marion Davies was a winsome, whimsical, and very pretty comedienne, with a slyly subversive personality not unlike Carole Lombard's. But her mentor and manager William Randolph Hearst preferred to see her as a clothes horse, in stuffy period romances. And so we have this sleepy costume epic, from a flop play by the author of "Naughty Marietta," where she's a Baltimore society heiress, with hair of a color no 1805 society heiress ever knew, who keeps smiling gallantly while her heart is breaking. It's a Norma Shearer sort of part, and Marion's noble suffering is equally uninvolving. She looks glum and too old for the role, and her romantic interest, Dick Powell as Napoleon's brother (!), looks equally unhappy. Claude Rains is an asset as the Emperor, as are Edward Everett Horton, Charlie Ruggles, and Arthur Treacher as her three other suitors (though the screenwriters might have come up with better dialog for them). But mostly it's Marion being noble--acting condescendingly nice to the slave labor, going from haughty to starry-eyed over Powell in record time, shedding glycerine tears, and advancing to an unlikely, logic-defying happy ending. Frank Borzage directs with his typical moonlight and magnolias, but even he doesn't seem to believe it, and Marion seems to be wishing she were in a screwball comedy.

SumBuddy-3 I must preface by saying I'm a big Marion Davies fan, but this was the least appealing of her films that I've seen. Worth watching, just to see Claude Rains playing Napoleon-he pulls it off beautifully. Dick Powell is okay, but he and Davies together looks stiff and miles apart in age and demeanor. Simply bad casting, as Davies looks much older than Powell, but more sadly,seems to move awkwardly in the past and given her, which detracts from the idea they can be romantic together. This spoils Rains performance,and even the great character actors Edward Everett Horton & Arthur Treacher are wasted in characters that seem to be contrived, just to fill in time. Miss Page Glory is a much better film, and really shows Davies at her best. Too bad about this film, but skip it.

writers_reign In some ways this resembles Billy Wilder's The Emperor Waltz; period setting, well-known crooner in the lead, light on songs and a general awkward feel. People like Dick Powell, Arthur Treacher, Charlie Butterworth and Edward Everett Horton just don't 'do' tights and it takes a while to get over this. Claude Rains played both Napolean and Julius Caesar in his distinguished career and he does tend to steal the film, putty nose and all. Marion Davies is probably known today, if at all, solely as the mistress of William Randolph Hearst who was pilloried in Citizen Kane but she shows herself as a more than adequate actress. Frank Borzage began his career around 1913 and turned out several fine movies including Three Comrades and The Mortal Storm and he manages to extract several laughs along the way in what is essentially a large screen soap.

Ron Oliver With their HEARTS DIVIDED by international politics, can a pretty American girl and the brother of the great Napoleon ever find true happiness?This good-natured romance film has been rather harshly criticized as being bad history, which it is, instead of being appreciated for its simple aim to provide some escapist amusement in the form of a lavish movie starring Marion Davies. In this it succeeds. William Randolph Hearst, Davies' powerful lover, saw to that, and what Hearst wanted he generally got. Although the plot is exceedingly silly at times, the film is still a pleasant entertainment.At 39, Davies was too old for the part (and older than her costar by seven years), but Hearst liked seeing her in the crinoline & lace roles, and she had little control of the matter. However, as was her custom, Marion charms the viewer with her buoyant spirits, willingness to please and genuine acting skills. She's more than able to hold her own with a talented supporting cast and appears quite happy to be in the arms of young Dick Powell. For his part, Powell needs do little more than exude boyish charm and sing a few times to cover his acting requirements quite nicely.As Napoleon, the great Claude Rains steals every scene he's in by very quietly underplaying his acting and only hinting at the tremendous power his character wields. Fascinating to watch even under heavy makeup, Rains makes a quality contribution to the film.The movie's humor is largely handled by a trio of excellent character actors. Droll Arthur Treacher, suspicious Edward Everett Horton & grumpy Charles Ruggles play Marion's erstwhile suitors. Constantly trying to upstage each other, their dialogue provides plenty of chuckles.Even in minor casting the film excels. Dignified Henry Stephenson and sharp-tongued Clara Blandick play Marion's father and aunt. Walter Kingsford & diminutive Etienne Girardot play the French officials assigned to keep an eye on Mr. Powell. Halliwell Hobbes lends gravity to his small role as Napoleon's Second Consul. Beulah Bondi brightens her single scene as the Bonaparte boys' kindhearted mother. And the magnificent Hall Johnson Choir appears to lift its voice in song for a few moments.Time has not dealt kindly with Marion Davies. Almost forgotten today, when remembered at all it is usually as a sort of footnote to history or object of scandal. Her life certainly was colorful, and as chatelaine of America's most amazing private estate she did circulate amidst powerful circles. But to remember her as the bimbo blonde mistress of the country's mightiest media baron is patently unfair.While much of the blame can go to Orson Welles' spoof of Davies in CITIZEN KANE (which he was to admit he regretted towards the end of his life) it must be stated emphatically that Marion was not a no-talent actress with few friends & even fewer brains, whose career was destroyed by her stammer leaving her to spend lonely years in great, hulking empty castles.In reality, Davies was a bright, vivacious lady who charmed & captivated such diverse guests as George Bernard Shaw & Winston Churchill throughout her 33-year liaison with Hearst. Adored by her friends and a fierce cadre of fans, Davies was renowned for her tireless generosity and charitable good works. Her speech impediment never affected her screen acting and her undeniable talent was evident to any who were willing to assess her performances honesty and look past the scandal.Davies had to have been embarrassed by the Hearst empire's relentless pushing of her career. She knew this left her open to ridicule & mockery, doubtless contributing to her scarcely concealed alcoholism. But she eventually relinquished her film pursuits in order to care for the aging Hearst, and after his death in 1951 she showed herself to be an astute businesswoman during the remaining ten years of her life.It is only now, with the passage of much time & the restoration of her old movies, that it is becoming easier to acknowledge the contributions & cinematic expertise of Marion Davies.****************************Jérôme Bonaparte (1784-1860) was only 16 when he entered the service of Napoleon as a member of the Consular Guard. After being wounded in a duel he transferred to the French Navy. Leaving his ship in the West Indies, he entered the United States, (Jérôme was not involved in the sale of the Louisiana Purchase to America) where he fell in love with Elizabeth Patterson of Baltimore, Maryland. They were married on Christmas Eve, 1803. After returning to Europe with his wife in 1805, it was discovered that Napoleon had annulled the marriage and forbade Elizabeth to enter any of his domains. This decision was absolutely determinate. Elizabeth was returned to America and Jérôme was married to Princess Catherine of Württemberg and subsequently proclaimed King of Westphalia in 1807, which included a wide territory east of the Rhine in addition to the former province of Westphalia. He abdicated in 1813 when Napoleon's powers began to decline, but he continued to serve as a loyal officer fighting for his brother until the Battle of Waterloo brought total defeat in 1815. Jérôme then retired into self-exile and did not return to France until 1847, when he entered the service of his nephew Napoleon III, the son of his brother Louis. Jérôme would eventually serve as Governor of the Invalides, Marshal of France & President of the Senate.