The Walking Hills

1949 "10 WENT IN...7 CAME OUT...as the Walking Hills guarded their treasure!"
6.5| 1h18m| NR| en
Details

A study in greed in which treasure hunters seek a shipment of gold buried in Death Valley.

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Reviews

Mjeteconer Just perfect...
Matialth Good concept, poorly executed.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Reedmalloy The reviews that have thus far been written here about "The Walking Hills" (except for a few clunkers) do it justice. It is a compact piece of good film-making and quality entertainment. The quality of the acting makes the subsequent plot twists believable without hitting you over the head in their revelations.Not much is said about Alan Le May's script, however. He is little remembered today except possibly as the writer whose novel ''The Searchers" was turned into John Ford's great western. I grew up reading everything he wrote and found Le May a skilled story-teller who always remembered that the story was the whole point of it all.Le May crafted subtly complex stories about frontier Texas (despite being from Indiana) before Larry McMurtry was even born. His westerns are an easy-reading blend of his own knowledge of human nature, Louis L'Amour's (whom he preceded) formula romance, and a Hemingway style prose. His characters were given names and personalities that ring absolutely true, and he treats readers as adults capable of putting two-and-two together themselves. The only writer I ever found to rival him in creating an elusive combination of complexity and subtlety in a sagebrush saga is Frank X. Tolbert, much of whose work reads like Le May's.Such is the case with "The Walking Hills". Le May fleshes out his plot with details, but just enough to elucidate motivations while keeping the story moving. He never goes too far or too often, and as others noted, some of the character "back-stories" (such as Johnny's and Cleve's) tell just enough to give them a purpose while others (those of Chalk, Old Willy, and Josh) are left to the imagination of the viewer. Le May didn't throw a detail into the plot that wasn't wrapped up by the end, and in the natural course of events. Pretty good stuff.As a side-note to reviewer "bkoganbing", Ella Raines' husband was ROBIN Olds, a legendary character himself, and he never flew jets in Korea, much less became an ace there. In fact Ella went behind his back and used her friendship with people of influence to keep him out of that war, which may have played a part in their eventual separation when he went on to become an icon in the Vietnam War.
vitaleralphlouis It doesn't take $175 million to make a good movie. Hollywood just squandered $175 million on a stupid comedy called Evan Almighty, which garnered scant public attention. I doubt that John Sturges and Columbia Pictures spend as much as $175 THOUSAND making The Walking Hills; but people are still searching for it on eBay some 60 years later.Sand dunes are "walking hills" as my family found out in North Carolina when I was 8 years old and we found our motel room at Nags Head 90% buried under the sand, following a gentle storm.Eight men playing poker in a bar's back room meet a young guy who accidentally blurts out a king sized clue on the whereabouts of a gold carrying wagon train that legend says disappeared in the desert a hundred years earlier. Eight men and one woman (Ella Raines) band together and quietly head out into the desert --- just 8 miles from town --- looking for the gold. The men will battle Mother Nature and each other seeking the gold --- in a story which is relentlessly compelling. Find this movie and watch it.
phadrs We have been seeing this on the TV Westerns channel. It's a very film noir western. Beside the always sturdy and moral Randolph Scott, there were two special delights. Ella Raines is my long favorite among the older actresses, with her bright eyes and rather sarcastic manner always seeming to be laughing at some private joke. I feel a personal connection to her in that she was born a month after my father and followed him by a month in death. She first captured my fascination in "The Suspect" with Charles Laughton and then in "The Strange Affair of Uncle Harry" with George Sanders. Josh White is the really special feature here. How often do you find such wonderfully played Delta Blues inexplicably inserted into the plot of a 1949 western? It's not a truly great movie but still a must-see because it is so ahead of it's time. "Bad Day at Black Rock" meets "O Brother Where Art Thou."
JimB-4 John Sturges, later to direct The Magnificent Seven and Bad Day at Black Rock, does extremely well with this little sleeper about modern day westerners hunting for a lost gold caravan in the California desert. William Bishop isn't bad as the honest murder fugitive, and John Ireland and Arthur Kennedy are strong as usual as a couple of not-very-ethical types. Randolph Scott gets to play some interesting notes here as a horse rancher caught up in the hunt, and the supporting parts are all well played. The sandstorm in the last act is really terrifically exciting, and speaking as one who's filmed during a sandstorm, it's hard to believe the stars put up with filming such a long sequence in those conditions. My hat's off to them and to Sturges for a fine little movie, written by Alan Le May (of The Searchers and The Unforgiven fame).