Micitype Pretty Good

Actuakers One of my all time favorites.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Sandy Petersen My favorite director of all time is Mario Bava. As such, I have a guilty admiration for the movies of his less-talented son, Lamberto. Lamberto has a pretty leaden eye when it comes to film-making, and really he has only a couple of quality films on his resume.The Torturer is his attempt to make a torture-horror type movie, and he does so in a pretty straightforward fashion. An insane villain tricks women into coming to his deserted studio for "acting tryouts" and then he gets them to climb inside scary boxes and such, and then he tortures them to death.The torture is a little gory, but it's actually less impressive than the kind of stuff we used to see in the 60s, with films such as the Coffin Joe series. The cheesecake isn't bad (if there's one thing Italian films do right, it's having attractive women), but you don't really see anything X-rated. And not enough of the R-rated, if you're a fan.The plot does manage to thicken a little in the last 20 minutes of the film, and some interesting action takes place. Bava, presumably to save money, set most of the film in one single set which looks suspiciously like a normal movie studio. Bava almost always makes one horrible misstep somewhere in each of his movies. In this one, it is the conceit that the demented killer stays hidden from view for most of the movie - he's just a voice over a speaker. And there is no reason for this - his identity is not a secret - he's just a madman. But it removes any chance for the characters to interact.The Italian cinema has decayed mightily since its glory days in the 1970s. I respect Bava for trying to bring it back even with this no-budget exploitation trash. So for that reason, if no other, I recommend the movie.

The_Void Good old Lamberto Bava - he may not have the film-making talent of his father, but you can always count on him to come up with something sleazy and violent! That's exactly what he's done here, as although The Torturer is pretty crap really, it's graphic and violent enough to please fans of this sort of stuff (people like me, then). In true Italian style, The Torturer would appear to be Lamberto's way of cashing on the successful snuff-themed films of late, which includes the likes of Saw. It would seem that he didn't really have time to come up with a viable plot in his rush to rip these successful films off, and the result is a more than somewhat lacking thriller. The film focuses on a casting director, who gets beautiful but dumb as two short planks girls down to his studio for their auditions. The auditions he gives aren't exactly orthodox, although the girls don't seem to mind much until he starts to brutally torture them! We then focus on one slightly smarter girl who gets wind of what is going on.The cinematography is glossy, but the film very much feels like it was made for television (except for all the blood and gore). This low quality feel goes on throughout the film, and while this same thing has often gone on to make several seventies films more of a blast; somehow the same just doesn't apply to most modern day films. The torture scenes are fairly good, however, and without doubt the most realistic thing about the film. Most of it feels fairly standard, but there is a sequence involving a nipple piercing that is bound to make some viewers squirm! Lamberto Bava seems to have an eye for the ladies, however, and the film isn't exactly short on buxom women for the slaughter! The actresses auditioned by the casting director are extremely nice to look at, and this bodes well with the ghoulish torture sequences! Most of the film is nothing to write home about (at all), but one thing that stood out for me was the music played while the torture is going on - Bava proves that heavy rock can sometimes be just right! Overall, I can't recommend this film really - but it's not too bad, and it's likely to entertain anyone with a will to track it down.

Vomitron_G After 14 (!) years of hanging around quietly on TV-sets and directing things unknown to the masses, Lamberto Bava finally shows some signs of life again by returning to familiar horror-territory. Yay! Only... it's damn sad to see it's only an unimaginative twitch and a pathetic attempt to ride the successful wave of torture-horror à la SAW and HOSTEL and the recent outbreak of fake-snuff related horror-flicks.Cinematographically speaking, Lamberto Bava sure tries to do his best with the very low budget this movie had. Seemingly shot on video, the movie shows us examples of original and even captivating framing (like the one shot were you see a dead girl's body laying in the mud on the foreground when Elena Bouryka is pulling electrical wires out of the ground in the background) and Bava also used a lot of contemporary editing-tricks to make it all look a bit more modern and slick. The lighting wasn't bad at all, really, but the few daylight scenes looked awful.Now as far as the story goes: It's retarded. They might have gotten away with a "plot" like this during the 70's, but having to sit through something like this these days, simply is an insult. The women are all such stupid and dumb characters you just want to hit them in the head with a blunt object yourself and get it over with. They're just too dumb to realize what they are getting themselves into, while any person with at least the braincells of a frog would realize that they should get themselves out of the situation they have gotten themselves mixed up in. I really scratched my head numerous times.The scriptwriters (including Bava) didn't even try on this one. They tried to disguise this torture-movie as some sort of Nu-Giallo movie, but they failed to insert any kind of red herring and you just know right away who's doing the killing. It can be only one person, really. And then there's this totally pointless and ridiculous sub-plot about 'traumatized mommy' babbling nonsense and a kiddies song with the lyrics "this door stays locked" (or something like that). It doesn't even lead to anything. And what about a hero who saves his girl, then walks by a female victim who's still alive and tied to a cross, simply ignores her, leaves her in pain, walks outside the building, closes the door, holds his girl and says "I'm glad it's all over now"??? I think "OMG" would be slightly appropriate... And what about the previous scene where our hero pulls his girl out of the water after she had drowned like 30 minutes ago... and then after 5 minutes of violin-music she opens her eyes again...??? Come on, please... I rolled my eyes on that one.I have to admit Elena Bouryka is quite pleasing on the eyes as the leading lady... even for a skinny blonde bimbo, ehrr... I mean: Lady. And she can even act a bit... but only when she does NOT speak and looks scared or is investigating things. Seriously, her high-pitched, squeaky (dubbed, probably...?) voice had me convinced she was born in the wrong era. She should have been an actress back when they were still making silent movies... Well, yeah, I'm being a bit harsh on the lady probably. She's still young and I'd like to hear her talk once with her real voice (preferably with a sexy Italian accent), instead of this dubbed one. The dubbing was quite good in this film, actually. But really, it should be in this day and age.So were the several gruesome and bloody make-up effects. Good and numerous enough to please any gore-hound or torture-fan. And that brings us to the only point this movie has to make: coming up with as many inventive ways to torture attractive women to death and try to get them all to take their clothes off in front of the camera. And that's all this movie is about. It's pretty sick, yes. It has a lot of beautiful women showing skin, yes. I even liked it for that. But it's a very bad film, children.

Coventry Even though "The Torturer" certainly doesn't qualify as a great horror movie, I would still like to use this opportunity to state: Thank you for doing it again, Mr. Bava! Thank you for demonstrating to us that the Italian horror industry is not yet dead, despite the severe lack of genre outings during the past two decades. Thank you for showing that 'Grand Guignol' make-up effects still exist in Italy and - most of all - thank you for continuing to exploit popular horror themes. During the 70's and 80's, the Italian horror & cult industry became notorious because they gratuitously imitated films that were extremely popular overseas. The Italians blatantly copied the basic story ideas of these films and simply added a whole lot of extra gore and sleaze, which worked just fine for me as well as for many other fans of the genre. Lamberto Bava's "comeback" movie (nearly 15 years after "Body Puzzle") still thrives on the same principle. "The Torturer" cashes in on the contemporary hype of sadistic torture movies, like "Saw" and Eli Roth's "Hostel". The film somewhat neglects logic and story building and puts the emphasis on sadistic and shocking images of mutilation, sexual aggression and purely relentless agony. Bava's venture opens marvelously, with very cruel images of a scarcely dressed and tied-up girl being submitted to vile torture by an unidentifiable person whilst adrenalin-rushing music bursts through the speakers. The faint-hearted as well as people with a weak stomach will already have difficulties enduring this footage and the movie only just started. The actual plot is, understandably, quite skimpy and the events aren't very likely to happen in real life. The gorgeous young actress Ginette auditions for the lead role in the first long feature film of the controversial artist Alex Sherba and she's almost immediately submitted to a long series of harassing questions and indecent proposals. Alex quickly turns out to be a mentally unstable and potentially dangerous man, and when she finds an earring belonging to a missing friend of hers, Ginette even suspects that he might be a killer and starts her very own private investigation. Meanwhile, the torturing of other poor girls cheerfully continues in the dungeon of Alex' parental house. The plot is quite stupid, but it's praiseworthy how Bava tries to implement typical Giallo-elements (like the childhood traumas and the twisted ending) and several scenes DO contain a fair amount of good suspense. Unfortunately, it's a little slow in places and the grand finale is sadly too idiotic and embarrassing for words. Also, the wannabe actresses that end up gruesomely tortured are just a tad bit too naive and dumb to be believable. I don't care how desperately you want to make it in the movie-industry, if your audition is with a perverted guy whom you can't see, talks through a voice-adapter and demands you to assume awkward positions ... you just get the hell out of there. And if you stay, don't be surprised when you end up dead in a spiked chest. They are exceptionally beautiful and sexy, however, and they're definitely not the worst actresses I've ever seen. Especially leading lady Elena Bouryka is truly ravishing and if she stars in a couple of more films, she might even become a good actress.