Artivels Undescribable Perfection

Hottoceame The Age of Commercialism

SnoReptilePlenty Memorable, crazy movie

Mjeteconer Just perfect...

edwagreen Terrible how the talents of Paul Newman and Joanne Woodward were wasted in this nonsensical film.Without the space complication, this could have easily been a film in the 1930s with Jimmy Stewart or Cary Grant playing up against Myrna Loy or Jean Arthur.Joan Collins is her usual temptress in trying to break up a marriage and Jack Carson is the idiotic captain along with the more rational Gale Gordon in this farce.The July 4 Grace (Woodward) plans for the town are disastrous which best describes the film. The parting of Carson to the moon at the end is equally ridiculous.The film proves that civic responsibility and breaking up a marriage don't really together.

SimonJack A couple of reviewers noted that they felt sorry for Paul Newman's character in "Rally 'Round the Flag, Boys." I had the same sense at times. Newman's Harry Bannerman is a picture of sympathy much of the time. One can imagine Rock Hudson, Fred MacMurray or Cary Grant in that role. None of them would be likely to garner our sympathy. And they shouldn't. They would have us laughing at the predicament they were in and how they handled it. Sure, they would be just as innocent as Newman is. But they would have played the role for the comedy, where Newman's character can't seem to do that. But it may not be all his failing. I suspect it was a combination miscue involving screen writing, acting and directing. I think Newman is capable of comedy – he later shows a knack for some simple and sophisticated humor ("The Sting," "Slap Shot," and in the Western crime and biopic, "Butch Cassidy and the Sundance Kid"). But – as at least one other reviewer noted, he's not suited for the farcical. For that matter, neither is Joanne Woodward. A couple others said they didn't like her character. I think it would have been fine -- if she had made it funny. Woodward was an excellent dramatic actress. She won an Oscar for "The Three Faces of Eve," and received three more nominations. But her comedic abilities were limited to the witty and wry dialog type – nothing with mayhem and farce. Other reviewers talked about the humor in the novel by Max Shulman that this movie is based on, and the absence of so many good and witty lines in the film.Jack Carson helped pick the film up some as an incompetent Army officer, Captain Hoxie. Carson was a first-rate supporting actor who often had considerable roles in movies. His film persona reminds me of Bud Abbott – a straight man who always seems serious, and whom others can play off with such great humor. Carson was an intelligent actor who knew he wasn't going to get male leads. He played his characters to the hilt. Carson died of cancer at age 52. Had he lived longer, he might have garnered an Oscar – for a comedy or dramatic supporting role. Other fine supporting actors earned greater recognition for their talents in their later years. Examples are Hume Cronyn and Harry Morgan.This film has a couple of very funny scenes, but nothing more. Others have noted the silliness of the plot toward the end. I don't have a problem with that – comedy is comedy, of whatever degree of foolishness, farce, fantasy and silliness. But, it really should be funny. Regrettably, "Rally 'Round the Flag, Boys" doesn't have what it takes. Newman and Woodward were at the peak of their careers and popularity at the time, so the studio (20th Century Fox) probably thought they could do no wrong. Maybe fan appeal would be enough. The film had a considerable budget for 1958, at nearly $1.9 million. It made money but it didn't set the world on fire back then either. The box office take was reported at $3.4 million.

theowinthrop I find that occasionally I recall the time I first watched a film with better clarity than the film itself. I wish this was one of them. RALLY 'ROUND THE FLAG, BOYS! apparently came from a very funny book by Max Shulman, but that I'd expect. From what I've read in the other comments the novel's framework seems to have been kept, but Shulman's witty barbs thrown out. This is frequently the case with Hollywood treatments of good books (i.e.: even if you liked Robert Redford's version of THE GREAT GATSBY, it and the previous one with Alan Ladd can't match Fitzgerald's terrific novel). I first saw this film (I've seen it two times, strangely enough) when it was shown about 1962 or 1963 on Saturday NIGHT AT THE MOVIES on television. Paul Newman was at the then height of his early film career as one of the best of the "Young Turk" breed of actors with Brando and Clift. But while doing well with dramas (SOMEBODY UP THERE LIKES ME, THE YOUNG PHILADELPHIANS, CAT ON A HOT TIN ROOF, HUD, THE HUSTLER, HOMBRE) he failed to register any real success as a comic actor. In the long run it did not matter (it was just the choice of material). Films like BUTCH CASSIDY AND THE SUNDANCE KID, THE STING, THE HUDSUCKER PROXY, SLAP SHOT) all eventually showed he did have a mastery of comedy - but not bedroom farce. Leave that to his contemporary Rock Hudson. Actually I think Newman's first successful comic part (he was not the star of the whole film) was as the second doomed husband (the painter) in Shirley MacLaine's WHAT A WAY TO GO.RALLY, 'ROUND THE FLAG, BOYS! like his other early doomed comedy, A NEW KIND OF LOVE, co-starred his wife Joanne Woodward. Both appeared together (to better advantage) in the more dramatic THE LONG HOT SUMMER, which did have some normal comic sections that Newman did well with Woodward and Orson Welles and Tony Franciosa. But that film blended comedy and drama, and the comic sections emphasized the conniving spirit of Newman's character Ben. Here he is a business executive returning to Putnam's Landing, Connecticut daily from his job in Manhattan. While such a position is not impossible to see Newman in, it is not handled as a similar situation was for Rock Hudson in his last Doris Day romp, SEND ME NO FLOWERS. Hudson's business executive went home with next-door-neighbor Tony Randall, and manages to depress the ebullient Randall with dire personal news. With Newman one imagines he just reads the New York Times on the way home. Woodward is there of course (as Doris was for Rock), but while one sees the sparks of personal chemistry between them, they don't translate to the humor that just sparkled between Doris and Rock on screen.The plots in the movie are three: the trouble of the community regarding a new military base (connected, as it turns out, to the space program) being built near their town; the rocky personal relationship between married Paul and Joanne - especially as local rich witch (what else would she be?) Joan Collins thrown in; and the romance of young Tuesday Wells with Dwayne Hickman, who finds the competition rising - as do his fellow civilian teenage jocks - from the local military looking for relaxation on weekends. Joanne becomes the leading, anti-base spokesperson. She is confronted by base commander Gale Gordon, and his assistant Jack Carson. Given this set-up the viewer knows who is more likely to win.Of the scenes I recall best, Collins and Carson did the most with material. Collins, of course, is an attractive woman (and here she was fantastic to look at), and one shot I recall when she and her target Newman are drinking and dancing together is of them bumping (possibly on purpose by her) derrières. She certainly brought spice into her scenes. Carson did what he could. Only a year before he gave one of his most dramatic performances in THE TARNISHED ANGELS with Hudson, Dorothy Malone, and Robert Stack, and in 1958 he would do yeoman work as Newman's bitter brother Goober in CAT ON A HOT TIN ROOF, but the material there (Faulkner's PYLON and Tennessee Williams' CAT) helped him. Here he is a put-upon middle man taking orders barked out by Gordon and trying to restrain angry impulses of his own towards the townspeople. Yet he did do well, especially in two sequences which were relatively simple: the Thanksgiving pageant (where he keeps slipping on a wet rock supposedly representing Plymouth Rock), and the final shot where he is outsmarted by somebody who shouldn't have outsmarted him. The Thanksgiving pageant has it's moments, with Hickman (as an Indian) leading his fellow "Indians" onto the oncoming "Pilgrims" (the soldiers from the base). And there is also the apparently unheralded capsizing of "the Mayflower", all to the amazement of pageant coordinator and narrator Woodward. Unfortunately even this suffers from comparison to other films. Think of the Thanksgiving pageant in ADDAMS FAMILY VALUES where Wednesday releases tensions at her school by giving the actors playing the Pilgrims a "grim" view of what happened to the Native Americans in the U.S. due to the arrival of the Europeans. She was far more eloquent, and one sympathized with the point of view (even if descended from those Europeans). Somehow that seemed more relevant for consideration in such a situation than whether quiet Putnam's Landing should accept the missile base next to it.So, for the sake of the comic (and sexy) bits I liked, I will give this film a "6" rather than anything higher. Without those it would have been lower.

bigpurplebear Max Shulman was an absolutely brilliant comic writer/satirist ("The Many Loves of Dobie Gillis," "Anybody Got a Match?", etc.). In the mid-50s he published "Rally 'Round The Flag, Boys!" taking on everything from Madison Avenue, the New Haven Railroad, the U.S. Air Force to the space race in a hilarious farce that shows how seemingly unconnected lives, priorities and events can converge to produce a disaster of epic proportions. Even little league gets a drubbing at his hands.This movie took the title and many of the book's characters. For some reason, the writers and producers chose to discard everything else.Newman could have been GREAT as Harry Bannerman, harried Peter Pan-type account exec facing the prospect of fatherhood and settling down. Unfortunately, the script sabotaged him. Joanne Woodward is relegated to standing around looking hastled and confused-- probably trying to decide exactly how she's going to kill her agent for getting her into this dog. Veterans like Gale Gordon, Jack Carson and Murvyn Vye are similarly wasted.The only cast member who doesn't disappoint, strangely enough, is Tuesday Weld as Comfort Goodpasture . . . but then, her character didn't have much to do in the book either, come to think of it.This is what happens when Hollywood bends over backwards to avoid offending anyone . . . after having purchased the rights to a book that's guaranteed to offend just about everyone.There is a character named Hoffa in this film. Oscar, not James. Probably the best thing that could be done with this turkey of a movie would be to take the master copy, seal it up in an empty bottle of "Newman's Own," and bury it about six feet under Hoffa. James, not Oscar.