The Jayhawkers!

1959 "Against the background of a turbulent era when Civil War was a flaming cloud on history's horizon . . A TREMENDOUS MOTION PICTURE!"
6.3| 1h40m| NR| en
Details

Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.

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Lovesusti The Worst Film Ever
GamerTab That was an excellent one.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Robert J. Maxwell It takes place in Kansas a few years before the Civil War began in 1861, and it outlines the attempt of the nattily dressed Jeff Chandler to change Kansas from a territory to his own empire, town by town. The routine goes like this. Chandler sends his band of masked men into town dressed as "Redlegs" to hurrah the place and break windows and commit pillage and outrage the local gals. Then he and his men later ride into town as themselves, the "Jayhawkers", and promise to protect the good folk, who will have nothing more to fear from the Redlegs. When the Mafia do this, it's called extortion.Who were the Jayhawkers, you ask, and well you might. They were supposedly free-staters as opposed to the pro-slavery faction. The Redlegs were a violent splinter group of the Jayhawkers. But these are just names. In fact, Kansas was a mess. The war between slavery and freedom deteriorated into a series of bloody raids back and forth -- one of them led by John Brown. So it's not necessary to try to figure out who Chandler represented historically. He's a fiction. Besides, who wants to remember all those slang names -- Jayhawkers, Redlegs, Border Ruffians (eg., Jesse James), Carpetbaggers, and Copperheads? You can forget all of that. This is the story of a man whose reach exceeded his grasp.According to this tale, though, Chandler might have made it if it hadn't been for Fess Parker as the Army's undercover agent who finally undoes Chandler. Parker is the main character. It's too bad because his is a complex role. He has to change from hating Chandler, to admiring and protecting him, to betraying him. And he simply mopes his way through the part, not convincing for a second.Chandler's role is, if anything, even more complex, a little like Wolf Larson in "The Sea Wolf" but without the sadism. He's delicately brutal -- about others, about himself, and about life in general -- and not devoid of brotherly feelings towards the secret traitor in their midst. (If that's what those sentiments represent; and let's have no remarks about homoeroticism.) Chandler is very suave. He teaches Parker to read the classics. "Ya done taught me about fellers like that Frenchman Alexander." Chandler smiles condescendingly as if speaking to a kindergartener, "He was a Greek." (Well, almost; he was Macedonian.) Chandler drinks only wine, and only GOOD wine. You get the picture. When Jeff Chandler finally establishes his empire, his idea of governance is simple. There will be peace. I decide what "peace" means. Anybody who disobeys in the slightest will be summarily shot. He will unquestionably govern his empire from Chandler City, in Chandler County, in the Republic of Chandlerstan.Jeff Chandler handles this complicated and ambiguous role as best he can. It's easy to imagine lesser actors in the role. Fess Parker, for one. But Chandler always seems to carry a tentative, wounded quality around with him. His smiles don't seem real. And his proclamations sound earnest, passionate, but neither confident nor boastful. There's little of Little Caesar in his Little Napoleon.The photography and locations will suffice and the musical score has been lauded. Elmer Bernstein probably heard it before scoring "The Magnificent Seven."
David_Brown This film is one of the more underrated and seldom seen western classics around. A big reason is that is was done by Paramount, who with the exception of the films of Gary Cooper and later John Wayne, rarely did westerns. Beyond that, Paramount has no regard for their post 1949 films (The earlier films are owned by Universal). Basically, except "The Godfather", "Star Trek", and a few others, you will not even find 70s and 80s films like "Top Gun" on TV, or even remastered for DVD. I think "The Jayhawkers!" is outstanding, but it is a film that requires thought to understand why. Jeff Chandler's Luke Darcy is a character based on William Clarke Quantrill (1837-1865)who was the leader of a bunch of Confederates raiders during the Civil War (In his bunch were Frank & Jesse James). But this character goes far beyond what Quantrill was. He was a very charismatic individual who can seduce people into doing whatever he wanted: Sort of like Napoleon was. Jeanne Dubois (Nicole Maurey), mentioned that during the film (Something that Cam Bleeker (Fess Parker) and most Americans would not understand). Which is why having a Frenchwoman in the film was important (Not just as a love interest). It also explains why Bleeker's wife threw herself at Darcy, before she died, Lordan (Henry Silva) was almost like a puppy dog at his feet, and Bleeker was reluctant to turn him over to the Army (Despite knowing to a large extent, he was responsible for his wife's death). Spoilers ahead: The way that Bleeker was supposed to handle Darcy was turn him over to be hanged, but instead (After beating him up in a fight) had him fight in a duel in a bar (Which of course, Bleeker won), and carried his body out. When soldiers wanted to drag him, Bleeker said carry him. Bleeker then surrendered to the Army, and the Col. said: "I don't know why, you did things the way you did, and I don't know why I am letting you go, but somehow, I think we are both right." (At the beginning of the film, Bleeker broke out of prison, and after being caught, at his ranch that was purchased by Jeanne and fer family (She has a boy and a girl), was offered his freedom for Darcy's capture). So at the very end, Bleeker and Jeanne who by then fell in love will be free to go back to the ranch and live happily ever after. Basically these were very complex characters, nothing cardboard about them. The best were Darcy who really liked Bleeker and Jeanne (Perhaps because he respected them (Bleeker for being a Raider who broke out of prison, and Jeanne for her strength and honor)), despite being someone who wanted to be a dictator), and Jeanne. Jeanne is my favorite. She is a strong character, with a positive moral compass, who survived as a woman with no husband, and two kids, and is the only reason why Bleeker did not turn out bad. This is a film that should be seen more often (Maybe on the Western Channel or Turner Classic Movies), and perhaps it will be more appreciated for the classic it is.
alexandre michel liberman (tmwest) You can already feel the trouble with this film when you see the cast, and realize that the good guy is Fess Parker, the lesser known actor, and the bad guy is Jeff Chandler. In attempting to give a more complex character to Chandler, the film fails and what we get is nonsense. It is a shame because the film starts well, you think you are going to see an unusual and violent exciting western, which it could have been if Chandler's character would be better defined. After all he is basically Quantrill, and we have seen better portrayals of Quantrill in many B westerns. I would not blame Chandler's performance, which is good, but the script and the direction.
bkoganbing The Jayhawkers maybe unique in the annals of screen history in that as a film with a Civil War era plot it makes absolutely no mention of slavery. Nor are there any black people in this cast.What we have here in ante-bellum Kansas is the story of Luke Darcy who envisions himself as starting some kind of fascistic territorial republic in the struggle for Kansas's loyalty. Jeff Chandler plays Darcy and he is a fascinatingly evil man with a great deal of charisma. To bring him down military governor Herbert Rudley uses ex-renegade raider Fess Parker. Parker and Chandler have a history and it involves Parker's late wife who Chandler ran off with and abandoned. Parker's got ample reason to just shoot him down like a dog, but Rudley wants him alive to stand trial. Complicating things further is Nicole Maurey and her two kids who Parker's fallen for and then Chandler takes an interest when he sees her. The story does get a bit silly at times, but the players are all doing their best. Henry Silva plays one of Chandler's raiders who has an incredible jealousy of Parker and a barely disguised gay crush on Chandler. Jerome Moross wrote the music score and it's lively and quickens the pace of this film. Fans of the Wagon Train series will recognize parts of the score as Wagon Train's theme. The story of Kansas before the Civil War, usually with John Brown as the protagonist has supplied the cinema with a whole range of films. The Jayhawkers with the charismatic, fascistic, but wholly fictitious Luke Darcy is far from the best one ever done.