The Sword and the Dragon

1956 "Eye-Filling Spectacle! Man Against Monsters! The Largest Cast Ever Used in a Motion Picture! A cast of 106,000! 11,000 horses!"
5.6| 1h31m| en
Details

Paralyzed since birth, Ilya can only watch helplessly as his village is plundered by barbarians. But when a mysterious traveler arrives with a magic elixir that restores him to full health, Ilya begins an adventure to protect the village and the royal family from harm.

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Also starring Shukur Burkhanov

Reviews

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Logan By the time the dramatic fireworks start popping off, each one feels earned.
hte-trasme "Ilya Muromets" looks gorgeous. It's beautifully shot -- such that many scenes almost look more like spectacular paintings rather than shots from a live action film -- and lavishly produced and costumed. One can tell that there was no expense spared on the extensive location shooting, swarming armies, et cetera, and visually this all pays off. Unfortunately, that's mostly all of what this film as going for it, and ninety minutes of scenic decoration eventually becomes too much. The story is based on a very old Russian folk tale, but it seems to me that the writer of its adaptation didn't pay a lot of attention to what would make it into an entertaining film. We end up with a spectacle that is largely plot less for much of its running time, revolving around the hero effortlessly doing some casual superhuman trick, then getting lauded for it by everyone. We get the message that people are supposed to like him a lot, but we don't feel it ourselves. We move past being quite so episodic about halfway through as get some story, but the villains are too cackling and over the top to seem a threat, and the heroes are still presented devoid enough of character, revealing dialogue, or involving story that I didn't find it involving. We jump far ahead in time at various points, but nobody seems to change much, so we end up with a film trying to tell what should be a lot and weighty story that in fact carries none of the impact it should. Then we have a few plot howler moments as well, such as the long-lost son immediately changing his national allegiance and vowing to fight for it as soon as somebody new claims to be his dad. It deserves commendation for fantastic photography and production, but unfortunately the humorlessly uninvolving story keeps it from being very entertaining, so I can't say it didn't deserve the Mystery Science Theater 3000 treatment that it ended up receiving.
William Gruendler First things first: Get ahold of a good recording of Rheinhold Gliere's 1908-11 Op.42 - his Third Symphony - "Ilya Muromets".... Take a long drive in the most spectacular countryside you can find and make it a LONG drive as the symphony is 85 minutes LONG! In the grand tradition, then, of master Russian composers, Gliere' (think Bruckner or Mahler with Wagnerian overtones in a strong Russian accent!) created a complex and moving masterpiece of visual splendor. Google Gliere' and see what I mean; this masterwork is greatly beloved worldwide. You and the little kids must see this epic film of the bylini, or MYTH of Ilya Muromets. If you get the DVD, I suggest watching it with the symphony in your headphones and the remote in your hand. You will be able, with creative effort and grand delight, to 'orchestrate' the movie to the music, and vice-versa! It will thrill you even more to be such an interactive participant. In what for this writer is an indelible childhood memory: standing in a LONG line outside the Lowes Theater on Grand Avenue in St. Louis, Missouri - after drooling over the TV commercials for weeks- then being totally enthralled by Ptushko's theatrics and cinematic wonders on the Big Screen! But to top it off, dear Daddy took us home and cranked up the old SCOTT HI FI, put the 1956 Columbia recording of the #3 in B Minor by the Philaelphia Orchestra with Eugene Ormandy (see the review at AMAZON by Avrohom Leichtling of Botstein's version with the LSO) and we acted it out all over again! What a stirring memory even now as I type these words! SO....Get this movie and see it with a couple of six and seven year old boys and pretend right along with them!
wforstchen Just sit back and assume you are going to see something so strange that you'll either flee to reruns of Beastmaster, or fall in love with an enchanting film unlike anything you've ever seen. Its an old Soviet production from the mid fifties, filled with overacting in the best traditions of social realist acting, and that indeed is part of the charm. But it is so much more, a child like wonder land of wind demons, magic swords, squirrels beating on mushrooms like bongo drums, and some of the best darn villians ever created. I first saw this in a theater when I was a kid and fell in love with the tale, so much so that it actually impacted my life in a major way. I wound up in a library, a ten year old wanting to read about Russian history, folktales, and above all else, the Mongols, who are the bad guys in the film. Well, I now spend my summers in Mongolia working on archaeological digs, have wandered around Russia doing the same, and though I teach American history on the college level, this film triggered a life long love of the exotic world of old Rus and the "Tugar," i.e. Mongol Hordes. . .along with the science fiction novels I write in which a Mongol like Horde are the major antagonists. For that alone I'm grateful to the weird genius of Ptushko, the director of this and several other equally strange movies. When I ran a college film series as a student I ordered this one up for what I guess you could call a "stoner's night," the old routine of strange cartoons, "Reefer Madness," and such. Everyone went nuts over "The Sword and the Dragon," and said it was the best of the night! Some of my favorite moments, the tower of human bodies, the great dancing girl routine, the 1000 lb envoy, the dancing squirrel, the wind demon, and the beautiful entry scene in the the court of Prince Vander. . .a moment as beautiful as any put on film and one of a couple of songs that are in Russian. So, go ahead and call it goofy. . .it might haunt your nightmares, you might just freak, call me a nut and turn it off in ten minutes. . .or you might get haunted by the film and watch it again and again. "Bravo Ilya Murometz!"
Raymond Tucker I really love the quirky nature of these Russian fairy tale films. Nutzoid english dubbing only enhances the warp factor (The US version entitled 'The Sword and the Dragon' even has Mike Wallace as a narrator) The characters are often quite bizarre (The makeup job on the wind demon is just too much, and I'm in love with the sword slinging dancing girl near the end of the film) Top it off with nifty puppetry (the dragon seems to clearly have been the inspiration for Japan's Ghidrah) makes this a true gem of kidvid madness!! I can't wait for the letterboxed Russian restoration which is scheduled to appear on DVD the end of 2001!!!