Stometer
Save your money for something good and enjoyable
Moustroll
Good movie but grossly overrated
mhk11
On the whole, this production of "The Merry Wives of Windsor" is admirable. It contains nearly all of Shakespeare's lines (including a few insertions from the Quarto version); it includes some excellent performances; the staging is generally deft, and the atmosphere of the play is warmly engaging; and the sets are pleasing to the eye.Prunella Scales and Judy Davis as Mistresses Page and Ford (respectively) are especially good, but nearly all the other members of the cast -- ranging from Richard Griffiths as Falstaff to Elizabeth Spriggs as Mistress Quickly -- are also highly commendable. The one exception, surprisingly, is Ben Kingsley as Ford. To be sure, anyone playing the role of Ford has to go over the top occasionally. However, Kingsley is annoyingly histrionic in the pejorative sense of the term; his high-strung mannerisms and his falsetto utterances become quite tiresome. His performance is not unalloyedly woeful, but it is well below the level of the other performances.A few of the other reviewers on this site have criticized Richard Griffiths for his portrayal of Falstaff, but Griffiths aptly captures the nature of Falstaff in "Merry Wives" -- a play that presents Falstaff as a somewhat less shrewd character than the Falstaff of the Henry IV plays. Moreover, the girth of Griffiths made him more suitable for the role than was Anthony Quayle in the BBC's Henry IV productions (though Quayle's excellent acting compensated for his physical unsuitability).Apart from Ben Kingsley's performance, the main objectionable feature of this otherwise admirable production is that a few scenes and smaller portions of the play are rearranged. The rearrangements aren't damaging, but they strike me as pointless. (Much the same can be said about the handful of small excisions of Shakespeare's lines.) All in all, I can recommend this production heartily to anyone who wants to experience the charms of Shakespeare's play.ADDENDUM: Having now watched this production three more times, I feel that my remarks about Ben Kingsley's performance are too strongly negative. Most of his acting is in fact very good -- as one would expect from such a virtuoso Shakespearean thespian. Only at a few brief junctures does he become annoyingly histrionic with his high-pitched utterances or excessive gesticulations. I'll leave my original remarks unmodified, to indicate how someone might respond to Kingsley's performance after only a few viewings. However, my assessment of that performance is now significantly more favorable.
nqure
I enjoyed this 1982 BBC version, part of the BBC series of adaptations of the entire Shakespearean canon, a prototype for the modern farce. I think if you just take the play on face value, a hastily written work (prose rather than verse), its intention to entertain, displacing Falstaff from the History plays to a comic setting, then I found it watchable. There's no substitute for seeing the plays performed which is what this version does, bringing out the word play and comedy (puns,like when Brooks arrives, offering free booze to Falstaff, who quips, 'Such Brooks are welcome to me, that o'erflows with liquor').I actually found Ben Kingsley's performance entertaining, Ford's jealous rage is supposed to be comically over the top as both he & Falstaff become the butt of the wives' comic mischief, but for different reasons. I didn't think it detracted from the play (You want OTT from Ben Kingsley? See him as the villain in 'Sexy Beast)'. The portrayal of Falstaff is problematic but that is not Richard Griffiths' fault. This is because we have seen a flawed human being in the Henry IV plays, the cause of wit and of wit in others, the father figure, who Hal seeks in flight from his own father & responsibilities, the braggart soldier yet a man who is also self-aware, the bad man we all know and love. Here in 'The Merry Wives of Windsor', he is caricatured as a lecherous old fool, who tends to use words in an exhibitionist manner.I enjoyed all the performances, Alan Bennett a delight as Shallow, the playful wives, Judy Davis conveying the dignity and depth of Mrs Ford, the wife whose husband is consumed with jealousy & I liked the late Elizabeth Spriggs as Mistress Quickly, as well as Ron Cook as 'Simple. It was also interesting to find out that the house, its interior, was based on that of Shakespeare's own son-in-law.It was amusing watching Shakespeare send up 'comedy accents', such as Dr Caius and Sir Hugh Evans, but I find it strange that Dr Caius's performance is the one many reviewers think stands out. Yes, it's very good, the Dr's mannerisms, the duel, his irascibility but it is comedy rooted in a stereotype,like the English RAF officer masquerading as the badly spoken French policeman in 'Allo, allo'. I think I find the relationship between Frank Ford & his long-suffering wife more interesting.I gave this a 7 star rating (7.5 would be fairer) as I watched it with a 20 minute break but that's how one would watch a theatrical production with an interval. I thought it didn't pall at three hours.*Fans of 'Withnail & I': Richard Griffiths went on to play Uncle Monty, but Ralph Brown, who played Danny, the drug dealer, has a minor role in 'The Merry Wives...' as one of the servants assigned to carry Falstaff away in the laundry basket.
TheLittleSongbird
I am not sure whether I'd go as far to say that this performance is a treasure, but I also don't think it is that bad either. It does have things that I think could have been done better, for example I do agree that the pacing was very slack at times and that as much as I like him Ben Kingsley was very neurotic and all over the place as Ford. The direction is inconsistent, the scenes with Mistress Page, with Mistress Ford and with Mistress Quickly are great and Falstaff also has some fine moments, but I found Ford's overdone and for some reason the denouncement doesn't quite come off. However, visually it is very sumptuous, with the sets and costumes lushly coloured and true to period. Shakespeare's dialogue still has sparkle and wit, and on the most part the performances are good with the women on a higher level of consistency than the men. Judy Davis is a dignified and humorous Mistress Ford, and Prunella Scales is the same as Mistress Page and even more so. Elizabeth Spriggs' Mistress Quickly is wonderfully conniving. Richard Griffiths acquits himself very well, witty and robust yet noble and vulnerable, while in support with the men while Tenniel Evans is likable it is Michael Bryant's very funny Dr Caius that stands out. In conclusion, a decent production that is well performed on the whole and sumptuous to look at, though the pacing and some of the staging could have been better. 7/10 Bethany Cox
excalibur1308
Falstaff reminds me of a Civil Servant from the Ministry of Agriculture and Fisheries three weeks before his retirement date !There is a British TV series called 'Pie in the Sky' staring Richard Griffiths. It's about a fat chef who does occasional detective work. He is very similar to the character Griffiths portrays in the Merry Wives of Windsor, Sir John Falstaff. He finally found his forte, eating all the pies. However he does have a rather impressive CV. Sir John Falstaff should be more like a Robert Newton of Treasure Island fame rather than a pastry cook.If you have ever heard the audio version with Anthony Quale as Falstaff and Dennis Hordern as Master Ford you will understand what a facile, badly directed and totally incorrect version this is.Just because it has the letters BBC behind it does not always mean there is quality.What I found irritating was the Somerset accents for most of the Principle characters. Windsor is a short barge ride up the Thames from Richmond Palace. Windsor Castle can be seen from Heathrow Airport, so why the West Country "ooo--arr" lads ? Perhaps the director was from Bristol ?The costumes look so new and clean, whilst the moneyed members of the cast might look like this the others remind me of a lucky tramp who has just had free apparel from Savile Row.Where is Falstaff growling for his quart of Sack ? Where is the lust and roguery of the fat pudding ?Master Ford/Brook should not be portrayed as the limp character he is. Where's the anger of the cuckold?Where's the 'she mercury' of Mistress Quickly.Nym and Pistol have credibility.Judy Davis and Prunella Scales play Mistresses Page and Ford well enough, even with some humour.It's as if the director was directing the Merry Wives yet thinking the context of a completely different play.No, humour, no direction, no acting and no good. This is supposed to be a comedy but the cast act as if someone has made an inappropriate joke at a wedding! Mis-cast,misdirected and occasionally over acted. Why does Ben Kingsley act as if he is playing the part of Master Slender ? Frank-ly not Master Ford.And how sped you ?Very ill favourably Master Director, Very ill favourably.Bring me a quart of Sack to get over this dead fish lying on a wet fish shop's slab.The comments of "Deadly Dull" from Chicago has it spot on !
