The King Is Alive

2001 "As the sand shifts... madness nears."
6.3| 1h50m| R| en
Details

Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.

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Reviews

Ensofter Overrated and overhyped
Crwthod A lot more amusing than I thought it would be.
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Dana An old-fashioned movie made with new-fashioned finesse.
valis1949 Somewhere along the line this strange and moody exercise in acting slipped from bathos into pathos. Individual performances saved the rather strained plot line from becoming a complete washout, and, although the mid-section tended to drag, THE KING IS ALIVE evolves into a moving and poignant film. At face value, a disparate group of tourist stranded in the Namibian desert who decide to stage Shakespeare's King Lear to take their mind off of their dilemma sounds more like farce than drama. This film demonstrates how Dogme 95 avant-garde film making can elevate an absurd or ridiculous premise to something which might be considered a work of art.
Adam0001 A original and quite disturbing look at human psychology in a terrene rather different from what we are used to. It is rare that one can go ahead and call a film genius but in this instance it is not difficult. I have never seen a film which in such a simple manor built very strong character development, but this is what leads me to the location. Simple, visually stunning and to think about there seclusion from reality leaves you with only them. Which is why they are developed so well. They are raw and real to life each going through there own trials and tribulations.The basis story is while a bus is driving through the desert with tourists, it takes a very inconvenient wrong turn. they end up deep in the desert. Watching them fall deep into hell if fascinating. The conclusion to this film is extremely powerful and without any doubt will stay memorable for a long time. Seeing how powerful the desert is against us is excellent and seeing King Lear being recited within is quite unbelievable. In conclusion the deserts power and symbolism which was taken for granted is more powerful than our education and lifestyles.Kristian Levring directed this project fantastically and even though Dogme95' ended around 6 years ago I would like to see him take more stylistic choices.
Jimpansy The movie is being televised as I write.I simply forgot how horrible an experience I had watching it in the cinema.The whole idea of the movie is flawed. The fact that intelligent Europeans and Americans stranded in the desert forget all concept of morals and civilization within a couple of days is laughable. The madness of Lord of the flies was longer in the making.Details that annoy are plenty. One is the single African god-like character that mysteriously survives the horrible climate and have done so for ages without losing his mind and he seems to have no supply-problems either. Ridiculous. So too is the rescue attempt from the tour guide, an Indiana Jones look-alike, whose rescue attempt ends in tragedy and death a 5 minute walk from the hut. Then there's the choice of Lear, imposed onto the group by a guru-like joke of an artist. He reminded me of my hippie high school art teacher.The worst thing though is Levrings choice of Lear. Obviously is an intellectual brain-fart. How that ever was going to be an pass-time is never clear to me.Positives are few and far between. It's a beautiful movie, but that's never important.High school intellectualism. Weird for the sake of weird. It's a complete waste of time unless you like thrashing useless art movies.
shipherd I was inspired to write this because the other review was so dismissive of the film. The set-up may be contrived, but I found Levring's film compelling, visually inventive, richly atmospheric, and often surprising. The relationships among the characters drew me in and the performances were gripping. All told, the film provides an inspiring example of the Dogma approach to filmmaking that ventures beyond the formulaic Hollywood mold. Props to Levring and the actors!