The Man with Bogart's Face

1980 "The face may be familiar. The mystery is brand new."
6.2| 1h46m| PG| en
Details

In this send-up of the Humphrey Bogart detective films of the 1940s, a man idolizes Bogart so much that he has his features altered to look exactly like him and then opens up a detective agency under the name Sam Marlow.

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Reviews

Lovesusti The Worst Film Ever
BootDigest Such a frustrating disappointment
Actuakers One of my all time favorites.
ShangLuda Admirable film.
bluefez99 This movie is a very enjoyable homage to the Bogart and other detective films of old. Robert Sacchi nails it as Bogie and Michelle Phillips is a truly timeless beauty as Gena Anastas. However, the most noteworthy portion of this film involves the longest belly dancing scene ever produced in a Hollywood film. One well-known professional instructor commented that nothing else in cinema comes close for dance excitement. The scene, which ends up being an important part of the plot, occurs in a lushly beautiful Middle Eastern nightclub and is by all accounts mesmerizing. The pulsating music, the swirling veils and ringing finger cymbals, free-flowing undulations and beautiful costumes - and a surprise twist involving the seductive Sybil Danning - build tension and excitement until the very end. The three talented and beautiful professional nightclub dancers are led by exotic brunette beauty Kamala Almanzar, one of the US' leading belly dancers since the mid-1970s. She was hand-picked by famed Armenian musician Guy Chookoorian to travel with his orchestra on the road. Guy's ensemble is the live band that the dancers perform to in the scene. If you watch the trailer on this site, you will see a glimpse of Kamala (playing the finger cymbals behind Sybil Danning). If you're not yet a fan of belly dancing, you will be after watching this movie, and if you're an aficionado, it holds up very well after repeated viewing.
vice69 Making this short and to the point. This movie was great! I loved it! I actually picked this up at a Hollywood Video for 3 bucks on VHS and watched it about 5 times in the last couple weeks. I'm a big Bogart fan and I just latched onto this movie. I thought the song was funny and now have it as a ring tone on my phone. Robert Sacchi is great and pulls off a good Bogart. His nose is a little big, his voice is a Bogart-Columbo mix, and he does a few things that are awkward but otherwise, he was fantastic and this film was wonderful. No one can be a perfect Bogart but he was great. Remember, Sam Marlow is a fan of Bogart and isn't going to do everything he did. He mentions a lot of other movies and does some things that were never part of the real Bogart's character's. But, it's so funny and hilarious and has a great cast, including some beautiful women. Watch it and have fun!
trlrtrax Sacchi is the best Bogart impersonator ever... dry and droll as Sam Marlowe. The music from award winning composer George Duning [From Here To Eternity, Picnic, The World of Suzie Wong], the cinematography of perfect locations [including the famous Ambassador Hotel] are all right on target as famous tv director Robert Day [Kojak, Streets of San Francisco, The Avengers] guides the most endearing group of well-known character actors through a spoof of every dark detective film every made. See this if you loved all the old serious flicks and have a sense of humor... this one is a hoot.
DrSatan The Man with Bogart's Face sets it self up to mine the viewers nostalgia for the late 30's-late 40's film era. It fails miserably for several reasons. First, Sacchi, while looking reasonably like Bogart and even speaking like him on occassion and using his mannerisms, completely lacks any of Bogart's charisma or acting ability. This is really apparent whenever Sacchi is not clearly imitating a scene from one of Bogart's films. Second, the film does not have the first rate character actors Bogart was able to work with. There are no Peter Lorre's or Sydney Greenstreet's in this one, folks. Sure we are treated to performances by Victor Buaeno, Olivia Hussey and George Raft amongst others, but they just aren't of the same caliber (or aren't given enough screen time or are miscast). Third, the attempts at "modern" humor all fall through. All of the underwear jokes, having Marlowe almost *never* remove that damn hat and trench coat (even though Bogart would have), etc. just aren't funny and really pull down this film. Fourth, I've never heard a goofier theme song this side of Mitchell. Finally, the film's false reverence for Bogart (and other classic actors work) is truly irritating. Bogart almost *never* played a straight hero, on those occasions he was a hero. He played complicated characters. This movie makes Bogart out to be a trigger-happy, moralistic do-gooder. While this may have been true about some film characters, Bogart's characters rarely fit that bill. It's movies like this that make people unexposed to the cinema of the past think that all of it is hokey, "good guy beats the bad guys and gets the girl" crap with low production values.