Solemplex
To me, this movie is perfection.
Matialth
Good concept, poorly executed.
StyleSk8r
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Philip Cowan
This film was apparently panned by the critics on its release and it did not do well commercially. However, it is still worth a look and I think it has aged quite well, compared to many films of its time.George C Scott is always worth watching, even when he is not at his best, and perhaps this is not his most memorable performance.Despite the screenplay focussing on a bunch of gangsters, Scott's character (Harry Garmes) is still sympathetic, with his own moral standards and, if somewhat bleak, personality.It is clear from the beginning that Harry Garmes is doomed — the very name of the film gives that away — but you are rooting for him, despite his destiny. He is an old man, and the end is near, but he is not going down without a fight. Maybe it is just my age, but I rather relate to that.By far the best part of the whole project is the near-forgotten Jerry Goldsmith theme music. A beautiful and haunting piece that will remain with you long after the film has been forgotten.
Henryhill51
The plot is simple: an aging criminal getaway driver stumbles out of semi-retirement for one last job and ends up getting more than he bargained for. It's the stuff film noir writers have dreamed up for years. But in Richard Fleischer's "The Last Run", released in 1971 and starring George C. Scott, it feels refreshingly original and brash.A troubled production from the start, "The Last Run" barreled through several directors (including John Huston) before Fleischer came on board. It probably wouldn't have been quite as successful without the star status of Scott... an interestingly low budget choice for an actor spring boarding off his home run performance in the blockbuster "Patton" a year earlier. And it is Scott who gives the film its grizzled pessimism... portraying his character Harry Garmes as a guy who understands the consequences of a lifetime on the fringes. He doesn't wink at the audience and for that, "The Last Run" is a seriously overlooked film that ranks with "The Outfit" and "Prime Cut" as three no-nonsense early 70's examples of the crime picture done amazingly right.
Cueball_Col
I caught this George C Scott vehicle on TCM last night and thought I'd venture forth with a few thoughts about it. The title pretty much covers the the central plot here, you've got George C Scott as an ex-getaway drive who has spent the last nine years trying his hand at retirement in a Portugese fishing village. The first 15 minutes of the film are very economic in the way they set up what is to come and lay out all the necessary background information on this character without it coming over as clunky exposition. His house betrays a life spent not always in solitude, and a visit to a grave tells of a previous tragedy. A post coital conversation with a local hooker allows Scott to demonstrate his intelligence, charm and dissatisfaction with his current lot that has led him to accept this 'one last job'.The job in question is to ferry to France an escaped convict (Tony Musante) and his girlfriend (Trish Van Devere, later to become Mrs Scott in real life). Cinematic convention tells us that we're not going to be in for a smooth ride. Prior to leaving for the job Scott's character all but tells us that he doesn't expect to come back and wouldn't be altogether fussed if that were the case. It's the last hurrah of a forgotten man, the battle cry of a warrior finding his voice again. Apart from some well shot and staged chase sequences that show the skill of our protagonist, Scott is the main reason to be watching this (see the first look of joy on his face in the entire film as he gets back to doing what he does best). He's a man of integrity and pride but also the ultimate weakness of compassion and love that at once reignites his passion for life whilst putting it in danger.I wouldn't be altogether surprised if the makers of The Transporter expressed a fondness for this film, as it certainly shares certain baser elements with the later Statham-starrer, but is certainly less one dimensional. As far as performances go this is the Scott show and his supporting act is unfortunately rather less than stellar. I'd recommend it, especially for Scott fans and those that enjoy a good car chase that doesn't feel the need to flip upside down underneath a crane. 7/10
Keith Williams (Keith-35)
Last Run tells the story of a retired get-away driver who come to think of retirement as slow death. And so takes one last job.He retired to Portugal, bought a house and a boat, to live happily ever after. But it doesn't work out that way. His 3 year old son died, his new wife left for another lover, he rented his boat to a real fisherman on realising he's a hopeless fisherman; he leads a lonely life.He takes a job nine years later to prove to himself that he's still capable, that he's not dead. He wishes more than ever to do the job well; and he does.This movie touches on the meaning of death and what it takes to be alive. Its a personal journey an sums up middle aged life.I particularly liked the use of the car. It was filmed beautifully with authentic sound and driving: no special effects, just an honest representation as the last love in his life. It was refreshing to see the driver fighting the live rear axle as he negotiated mountainous bends at speed. Now there's something missing from modern movies.
