Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

merklekranz For something completely different in a Charles Bronson movie, I recommend "Messenge of Death". Gone is a lot of mindless action, being replaced by an intriguing story line involving Mormons, greed, and a "who done it?" Having a good supporting cast, including Daniel Benzali (pre chrome dome), Laurence Luckinbill, and Trish Van Devere helps. Seems someone in Bronson's circle of rich and influential friends instigated a Mormon feud by slaughtering a family including children. As Bronson pieces together a conspiracy to acquire water rights from the Mormons, the movie holds interest. It is only the rushed conclusion that disappoints, leaving plenty of unanswered questions regarding motivation for all the killing?. - MERK

Bolesroor As a fan of Charles Bronson it pains me to have witnessed the disaster that is "Messenger Of Death," a "movie" so insipid and poorly-made that all existing prints should be destroyed for the good of mankind.The movie seems to have been shot in seven days, with turgid acting, embarrassing direction, and a laughable script. The soundtrack works overtime trying to add dramatic tension to scenes of Bronson making small-talk, which makes up the bulk of the movie. No beats, no highs or lows, no plot, no characters, no action sequences, no suspense, no comedy, no adventure, nobody can do the BOOGALOO like I do! (Sorry, I got sidetracked.)In conclusion, avoid this movie at all costs. It is a steaming pile of rhinoceros dung with no redeeming value whatsoever. You've been warned.GRADE: F

legendaryunderdog Director J. Lee Thompson used Charles Bronson more than any other actor in his eighties movies (Ten to Midnight, Cabo Blanco, Death Wish 4, Murphys Law) and this was his second to last outing with Bronson (the last being Kinjite:Forbidden Subjects). Charles Bronson plays Garrett Smith, a reporter who is very curious as to why a family of Mormons (women and children) were all shot to death in a rural farmhouse. He finds a sketch of an angel on a piece of paper that is taped to the wall where one of the victims bodies had laid against. From here, Bronson goes from source to source to try to unravel whatever mystery he has bounded himself in. For those who prefer the 'Paul Kersey/Death Wish' Charles Bronson, you might wanna look elsewhere for a movie, this is a Bronson action character of a different type. He seems to be a very laidback individual and he doesn't really possess that knack of persistently annoying people like most reporters do, but Bronson as usual makes the character work. The plot is very strong, the mystery of the movie definitely kept me guessing until the very, very end of the movie and then BANG! it's all over... I miss Cannon films...

Coventry Try and beat THIS for an opening sequence! Images of women amiably chatting and young children peacefully playing in the morning sun get barbarically interrupted when suddenly a shady figure holding a shotgun comes driving up to the house. Without speaking one word, the man unhesitatingly butchers the women (one pregnant one) before turning towards the children and shooting them too. The latter killings occur off screen but the footage is nonetheless shocking considering the madman's emotionless modus operandi. This bit of content represents the promising beginning of a compelling and highly suspenseful – albeit flawed – thriller starring the almighty Charles Bronson in an unconventional (at least, for him) role. Charlie depicts a journalist of the Denver newspaper who sinks his teeth into the circumstances surrounding the tragic massacre and stumbles upon a story bigger than he bargained for. The murders initially appear to be a dramatic consequence of a long-running vendetta between a separated family of Mormons, but our courageous reporter gradually uncovers a convoluted and inhumanly cruel conspiracy which concerns – of course – eminent politicians and wealthy businessmen. I honestly expected to find a slightly higher rating and more positive-toned reviews for "Messenger of Death" around here to be honest. Admittedly the evolution of the storyline is rather predictable and the eventual settlement is too tame, but the film definitely maintains a high tempo and a good number of sequences are very tense and literally action-packed. Charles Bronson tries his hardest to come across as a plausible journalist, but there are definitely some problems regarding his character. Bronson isn't exactly known as the most talkative actor in Hollywood; a trademark that usually fits his regular roles of mercenaries ("The Mechanic", "Violent City") and tormented avengers (the "Death Wish" franchise) very well. But even here his number of speeches and dialogs are kept to an absolute minimum, which isn't normal when you're a reporter. Moreover, in spite of his 'normal' job and life-style, he still wipes the floor with professional hit men and stunt-drives his way out of an assassination attempt! Since when do Denver journalists receive training in martial arts and defensive driving? The remote Colorado filming locations, as well as the largely unfamiliar traditions of Mormon families, add up to the ominous atmosphere but still director J. Lee Thompson ("Cape Fear", "The Guns of Navarone") doesn't use up the full potential of these terrific. "Messenger of Death" is an interesting film, to say the least, and it deserves a bit more appreciation from Bronson fanatics as well as fans of suspense films in general.