maarck6
Storywise, this is a two tiered tale. The first dealing with Rod Steiger as a (very) mad scientist who is performing unholy genetic experiments with humans who have been kidnapped from automobile accidents, turning them into mad half-people half-something else (watch the movie and find out what). Meanwhile, John is a young doctor who is informed by his girlfriend that his mother has just come out of a three year coma after a heart attack.Unfortunately, she is also a mad scientist, but, having found her conscious, wants her son to go out to her house and destroy all her research and notes. Steiger, of course, takes umbrage to this, and wants to put the skids on this destruction. To help him, he plants Melissa, who is a spy, in John's camp.John takes Melissa, his girlfriend, and some friends up to his mom's house, and it is here that strange things start happening, including a dog's bloody death and a woman being attacked by a creature possessed watermelon (!), and the pacing starts to pick up from there to a truly exciting climax.This is an old-fashioned monster romp, full of icky monsters, monster attacks, a mad scientists, mad scientists experiments, people running amok in panic, cute babes, and a solid pacing. There's suspense and humor, although this film never devolves into comedy. The special effects are totally icky, but in a fun way. The story is full of plot holes to be sure, something that comes from a script that was written by five people, including Stephen Carpenter (who created Grimm), Joseph Stefano (Psycho), and Earl Ghaffari (music editor for such movies as Frozen, Zootopia, and Wreck-It Ralph). But it also moves at a quick pace, and all seem to be having a wacky time making it. Including the cast, which includes such journeymen actors like Kim Hunter, Rod Steiger, who just chews up the scenery, Talia Balsam, Peter Frechette (Profiler), and the yummy Amanda Pays (Max Headroom, and both versions of The Flash) as the subversive Melissa.The best way to describe this movie is as if Frankenstein and The Island of Doctor Moreau were written by H. P. Lovecraft and filmed by a less coked out Stuart Gordon. No nudity, no real gore, good make-up, so it's fun for everybody and don't forget to bring the kids.
deckard456
"Son you must stop the experiments I have started!!" Too bad nobody said this too whoever green lighted this project!! I was almost literally dragged to this movie by a friend of mine for a midnight showing when we were in high-school. Now, a midnight movie in high-school on a Friday night, you are not expecting much, but c'mon!! And upon seeing it again years later I sill stand by my original opinion of it. Great special effects but so what!! Quite possibly one of the worst movies ever made. Unless you enjoy blood and guts and seeing some Hollywood vets (Steiger & Hunter) make fools of themselves for a buck. YUCK!!!
lost-in-limbo
After three years in a coma, Amanda Hollins awakens and tells her son, John. To destroy her life experiments and any information found in her secluded old house. He heads there with his girlfriend, some work colleagues and one of his mother's admirers. They eventually discover more then what they bargain for, as some of his mother's genetic engineered creations run amok.I thought I've seen this one before, but I was wrong. This modest combination of 50's sci-fi / horror goes onto deliver a undervalued oddity, with a tip-top ensemble cast and sure-handling from dual directors Jeffrey Obrow and Stephen Carpenter. Suspense is lacking because the minimal story is just too typical and shredded with loopholes, but it's the surprisingly efficient make-up effects, which are over-the-top and horrifically creative that makes for a pleasurable treat. The excessive use of this icky business in some wicked (and at times silly) set pieces is the film's only real imaginative bone. A quick tempo, builds up after a slow opening and the shocks are well placed for maximum effect. Be it a laugh or a gasp. The material mostly plays it with a straight face, with slight slabs of humour and Rod Steiger's small meaty turn. The composed performances (with Steiger being the exception) are reasonably good from the cast. David Allen Brooks is likable in his steadfast delivery and the ravishing Amanda Pays shines in her shifty portrayal. Talia Balsam gives hearty support and Peter Frechette diverts. The classy Kim Hunter also gets some minor scenes as Amanda Hollins. Obrow and Carpenter's directorial style is systematically sturdy without an ounce of any visual flourishes. The look of the film generates a gloomy air, mainly due to Steven Carpenter's murky photography and dim lighting. David Newman's moody, understated music score is fairly unnoticeable.
Backlash007
The Kindred is just a monster movie-no more, no less. While not being Rod Steiger's finest moment (or wig), it does offer up a slim bit of originality. Steiger plays a mad scientist (what other kind are there?) who is searching for a genetically altered monster, Anthony. Also searching for Anthony are a group of 20-something medical students and one of them could be related him; Hence the title. Then it becomes a formulaic slasher movie with the kids being attacked one by one. It's pretty much downhill from there. The scenes in Steiger's lab are the eeriest and the movie should have spent more time there. The climax stands out and the acting is not bad considering two Academy Award winning "screen legends" were conned into starring in it.
