Hellen I like the storyline of this show,it attract me so much

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Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Reno Rangan This film is kind of honours Sam Elliott for his real life achievement. Anyway, he was phenomenal. The film was realistic, so most of the parts were slow moving. This is about an aging film actor, who has not worked on any projects recently. So desperate to get one, but sad news brings a speed breaker to his life. Now confused him, does not know how to approach the rest of the life. He starts with his family to fix the past mistake. The remaining tale focused on his other things.It was Sam Elliott's major role in decades. This should be watched for him considering his real life as an actor. It will be a good film for those who have seen his old films, particularly westerns. The actor who did not just survived because of his iconic mustache and golden voice, but have given fine performances too. This was a too simple film. It do has emotions, but not appealing enough. I might slightly rated it low, but the film is good, at least for once watching.6/10

lavatch This film was a lovely tribute to veteran actor Sam Elliott. The screenplay provide a thoughtful overview of his career and even offered insights into the nature of heroism. The overall concept of Sam Elliott playing the aging actor in Westerns Lee Hayden, but really playing himself, was a smooth and polished achievement.There was a creative approach to the scripting with snappy lines of dialogue. The metaphor of "one ounce of the devil's lettuce" was a great description of marijuana. There was also an imaginative description of a fictional television series called "Cattle Drive," with Lee's sidekick, who was at one point written out of script, but is now Lee's best friend.Another nice touch was in the character of Charlotte, the young woman who becomes Lee's girlfriend. Their banter was snappy, and she provided him with great support in quoting her favorite poet, Edna St. Vincent Millay. Millay was responsible for coining the phrase, "burning a candle at both ends." And the lengthy citation from her poem "Dirge Without Music," including such phrases as "time out of mind" and "I am not resigned," were inspirational.There were several odd choices in the film, including Charlotte's insensitive stand-up routine that poked fun at Lee. This monologue seemed completely out of character for Charlotte. Also, the failed audition of Lee seemed difficult to believe, especially after Lee had performed it so effectively for his actor friend. Additionally, the character of Lee's daughter was not very credible, due to her callous nature. When she finally came shell, it was far too late in the film to be effective.For those viewers who are able to locate a DVD copy of the the film, there is commentary track with both director Brett Haley and the star Sam Elliott. At one point, Elliott volunteered that he is often approached by fans who ask him to record a voice message on their phones. There is no doubt that the voice of Sam Elliott is his most distinctive trait as a performer.The highlight of the film was Lee's "acceptance speech" for a lifetime achievement award. In the speech, he acknowledged an ordinary fan for her quiet heroism. The speech was moving and resonated with great sincerity. Thoreau wrote that people lead "lives of quiet desperation." But they also lead lives of quiet heroism that are often overlooked. The film offered a warm message about how in, the words of Lee Haden, "we're all just grains of sand," but ones that can leave an eternal imprint.

Mark Turner How can anyone not like Sam Elliott? Looking back at the films he's done (forget about TV series there are too many to list) and remembering him in movies like FROGS, THE SHADOW RIDERS, MASK, ROADHOUSE, PRANCER, TOMBSTONE, THE BIG LEBOWSKI and more I kept thinking what an amazing career the man has had. In addition to that he's been with the love of his life, Katherine Ross, for 39 years now, ever since they met on the film THE LEGACY. Known for his good looks, wiry frame and classic moustache he's never won an Oscar but that's never stopped him from giving great performances.THE HERO may be his best yet and if it isn't nominated for an Oscar I'll be disappointed. Elliott stars as Lee Hayden, a character actor at the end of his game, hitting 70 years of age, relegated to voice overs in commercials and known mostly for a TV western he made decades ago called THE HERO. He now spends most of his time sitting and watching old movies with his friend and dealer Jeremy (Nick Offerman) while they get stoned. Divorced, distant from his daughter and beaten by Hollywood that's all about to change.To begin with Lee has just been diagnosed with pancreatic cancer. Bad news but then he meets Charlotte Dylan (Laura Prepon) at Jeremy's house and the two hit it off. When he learns he is being presented with a lifetime achievement award, he invites Charlotte to be his guest when his daughter turns him down. A little stoned at the award he gives his acceptance speech, stating that he is not the only hero there, that all of them are heroes in their own way. An online video of the speech makes him a viral sensation and suddenly offers come his way.But how does one deal with sudden fame thrust upon them at age 70? Lee has no clue what going viral means even but Charlotte helps him through it. A moment with Charlotte on stage makes him face the reality of where he is in life right now at this moment. With so many bridges burned in his past, will he be able to make up for lost time? And will he have the time to do so? The story may seem simple and in truth it is, but it's a center post on which to layer the meat of the movie. That is the performance by first off Elliott and then by his co-stars. This role was written with Elliott in mind and it's not a dissection of his own life as he grows older but gives a picture of what most actors reaching this age go through. No one hires you but people still remember your face, at least the older ones do.Offerman has been mostly associated with the comedy series PARKS AND RECREATION but he's displayed some acting chops in movies lately that will change that forever. Prepon has left behind the girl next door so many recall her as in the series THAT 70'S SHOW and grown into a mature actress with more depth than that series prepared us for. Why she's not getting more noticeable roles is beyond me. The May-December romance between her and Elliott allows her room to show what she can do and she does it well.The movie never received a wide release when it came to theaters and I think locally it played at a Cinema Center rather than the usual theater. That's sad. With so many bad movies hitting the screens (and more often than not several at the same time in a multiplex) you would think a public looking for options would have enjoyed discovering this one. Thankfully that will happen with its release on DVD.This movie will not only make you recall all of those wonderful Sam Elliott films of the past and have you running for your collection to watch them all again, it will make you think back to other stars who have gone the route of Lee in this film but in real life. Consider stars not too much from the distant past who seem to have disappeared, receive little credit or who are forgotten. Is it too much to take a moment and remember the enjoyment they provided for us all? Elliott is one of those, who fortunately never left us to retire. Would that more stars had that opportunity as well. Perhaps this movie will provide the impetus for that to happen.

DeuceWild_77 If "The Hero" was released before both "The Wrestler" and "Crazy Heart" it could have been more poignant and well-received, but by now, this kind of plot became tired and cliché ridden. Like Mickey Rourke (not much like Jeff Bridges), the trajectory of the lead character mirrors the real life & career of the great (& criminally underused) character actor, Sam Elliott, one of the last truly manly actors in Hollywood, which offered brilliant turns as the supporting performer in a bunch of well-known & nowadays classic or cult movies such as "Butch Cassidy and the Sundance Kid"; "The Sacketts"; "Mask"; "Road House"; "Rush"; "Tombstone"; "Gettysburg"; "The Big Lebowski"; "We Were Soldiers" among lots of others. His distinctive rugged cowboy looks, sporting a thick mustache and a peculiar, deep & resonant voice, made him being typecast in the cowboy or biker roles, but his sturdy & masculine presence, sweating charisma, always highlighted him above the main cast (especially as Gar in "Mask" or Wade Garrett, Patrick Swayze's mentor in "Road House"). Here, Sam Elliott had finally the chance to fully embrace a lead character, playing a 'washed-out' western movie star, doing voice-overs to survive while looking for work in a Movie Industry that no longer recognizes him as a bankable actor. Elliott's understated, but powerful performance of bringing this tragic character to life, was a 'tour de force' delivering & the last 'hurrah" from a purist old cowboy trapped in a modern world he can't (and don't want to) understand. The movie itself drags on too much for its own good and could have been more meaningful, if a better screenplay was written (or revised), distancing itself a little more from "The Wrestler" stereotype. The supporting players are all there for Elliott, delivering genuine performances from Laura Prepon to Elliott's real life wife and frequent co-star, Katharine Ross ("The Graduate"; "Butch Cassidy and the Sundance Kid"; "The Stepford Wives"). A morbid fact is that the pancreatic cancer which the lead character is suffering was the same that, unfortunately, killed Elliott's younger friend and early co-star, Patrick Swayze. Verdict: Even if it wasn't all that original, it's a movie that deserves to be seen and in a perfect world, Sam Elliott should be nominated for the Best Actor in a Leading Role award, it's one of the best (& committed) performances i've seen this year.