Rijndri Load of rubbish!!

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

JohnHowardReid Erich Von Stroheim (Dr Andre Crespi), Harriet Russell (Mrs Estelle Ross), Dwight Frye (Dr Thomas), Paul Guilfoyle (Dr Arnold), John Bohn (Dr Ross), Geraldine Kay (Miss Rexford), Jeanne Kelly (Miss Gordon), Patsy Berlin (Jeanne Ross), Joe Verdi (expectant father), Dean Raymond (minister).Director: JOHN H. AUER. Screenplay: John H. Auer. Story: John H. Auer, suggested by the short story, "The Premature Burial", by Edgar Allan Poe, as adapted by Lewis Graham and Edwin Olmstead. Photography: Larry Williams. Film editor: Leonard Wheeler. Art director: William Saulter. Make-up: Fred Ryle. Music director: Milton Schwartzwald. Production supervisor: W.J. O'Connor. Sound recording: Clarence R. Wall. RCA Victor Sound System. Associate producer: Herb Hayman. Producer: John H. Auer. A JHA Production. Executive producer: Max Hoffman. Copyright 16 October 1935 jointly by Liberty Pictures Corporation and Republic Pictures Corporation. Filmed at the old Biograph Studios in New York. U.S. release through Republic: 21 October 1935. New York opening at the Rialto: 12 January 1936. 7 reels. 66 minutes.SYNOPSIS: Famous surgeon has a score to settle with his rival.COMMENT: John H. Auer was certainly one of Republic's more imaginative directors, and here, in his initial venture for that studio (the film was actually purchased by the Herbert J. Yates combine after it was completed for Max Hoffman's Liberty Pictures), he displays an even greater inventiveness in creating an effectively eerie atmosphere and some wonderfully sinister effects on a minuscule budget. His biggest expense was no doubt the hiring of Erich Von Stroheim for the title role. And Von Stroheim's services were certainly worth the money. The "Von" gives a captivatingly charismatic performance, using all the props and bits of business at his command to give extra power to his portrait. Whether bawling out an associate or evilly planning the demise of his rival, Von Stroheim is always in control. So much so, in fact, that the rest of the players, with the sole exception of Dwight Frye, have little chance to impress. Never mind, it's "the man you love to hate" who attracted picture- goers and the other actors were well aware of that fact. Thus Crespi is Von Stroheim's movie. And Auer's.

Michael_Elliott Crime of Dr. Crespi, The (1935) ** (out of 4) Ultra low-budget film based on Edgar Allan Poe's 'The Premature Burial' has Dr. Crespi (Erich von Stroheim) giving an enemy a serum that paralyzes the body so that he can torture him by burying him alive. I've heard a lot about this film over the years but just now caught up with it. The films 63-minute running time goes very fast, which is a big plus but the director doesn't do anything from the opening credits to the closing ones. The big "secret" that the enemy isn't really dead doesn't go anywhere and the ending is all too predictable. Von Stroheim must have really been down on his luck to do a film like this. I'm not sure what's up with his incredibly over the top performance but the director gives him a close up whenever he goes into one of his fits. Dwight Frye, of Dracula and Frankenstein fame, plays the hero, which is pretty hard to believe as he too goes over the top.

Mike-764 Famed surgeon Andre Crespi is called on the perform a life saving operation on Dr. Stephen Ross, a man who won the heart of the woman (Estelle) that Crespi had fallen for. Crespi manages to perform a successful operation, but during the recuperation, he gives a drug to Ross that gives him the appearance of death. When Ross is pronounced "dead", Dr. Thomas (a staff member at Crespi's hospital) suspects Crespi of killing Ross, but Crespi overwhelms Thomas, and locks him in a closet while Crespi attends the funeral and burial, with Ross still alive. Not sure of what Crespi did, Thomas and colleague Dr. Arnold dig up Ross' body for an autopsy, but when Ross "comes back from the dead", what will happen next? Intriguing film based on Poe's "Premature Burial" with a very sly, mad performance by Von Stroheim and very well done subdued performances by the rest of the cast. The film was shot in the Bronx, so production values are not the peak of excellence, but even the direction could have been better with many close-ups and shots of the actors that are a few seconds too long. A score to the film would have helped, and the romantic subplots w/ the doctors & nurses (2 of them) detract from the main story, but the story is enough to help this B movie. Rating, 6.

BaronBl00d Wow! What a great performance by Erich Von Stroheim as a doctor who tries to get revenge on the man that took his girl away. Von Stroheim once again plays an overly obsessed man in a range of quiet meekness in one moment and tyrannical rage in another. His character of a lonely, frustrated man filled with nothing but hate at the loss of losing the girl he loved to another man is frightening and sympathetic at the same time. This film is very creaky, has little action, and almost no musical background, yet Von Stroheim's performance carries the film on his shoulders and delivers the goods. Some great scenes in the film show Von Stroheim's range as an actor from his thumping of a pencil for an half hour and finally snapping it to his corpse beside manner where he tells his captured prey his wicked, diabolical intentions. Dr. Crespi somehow makes his hated enemy appear dead but in reality leaves him alive only to be buried alive. The glee in Dr. Crespi's face glows and really turns what could have been a horrible film into a quite enjoyable one. Add to the fun the presence of Dwight Frye(who has a scene digging up a grave) and you have a wonderful horror picture from the heyday of horror. Above all, this film shows us just how good this man was at acting, and it shows us the loss we have that he was not utilized more.