Temptress Moon

1996 "What the heart hides, the moon reveals."
6.7| 2h10m| en
Details

Set in the decadent 1920s, Temptress Moon tells the very complicated story of a wealthy family living on the outskirts of Shanghai. Their youngest daughter, Ruyi, is brought up as a servant to her opium-addicted father and brother. Meanwhile, her brother-in-law Zhongliang has a successful, if illegal, career seducing and blackmailing married women in the city. When he comes to Ruyi's home the two fall in love, and trouble ensues.

Director

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Shanghai Film Studios

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Also starring Kevin Lin

Reviews

Claysaba Excellent, Without a doubt!!
Edison Witt The first must-see film of the year.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
AThames This was an interesting movie. This is a tale of tragic romance, where the male character is an emotional wreck (due to him being a slave for his sister and her husband, who also forces him to have a little experience with incest), and the female character is living her day in an opium cloud. The acting from the main actors is top notch, namely Leslie Cheung and Li Gong, who always seem to deliver in every movie I have seen them in (Li Gong struggles a bit in her English speaking roles, and it does take something away from her performance in those movies, I must admit). Li Gong usually plays an intelligent character, but here she is an opium addict, so it is definitely different seeing her looking all confused and dumbfounded all the time. The cinematography was spectacular, as it usually is when Christopher Doyle is in charge. The lighting and camera angles reminded me a little of David Lynch, and I believe it was done this way in order for you to see the world like you had smoked opium, just like the characters. You should see the movie for the acting, cinematography and camera work alone.The main critique of the movie seems to be that it is very hard to follow the plot and figure out who is who. I agree with this. It gets established 40 min or so into the movie, but you could be tempted to turn off the movie before that because it is so confusing. But once it gets established who is who, and what they want, the plot becomes a lot better, and I became very involved in the movie.
senortuffy This was a fabulous movie, instantly making it onto my list of favorites. There was so much going on between the three main characters along with the background of China emerging as a modern nation. The tragic ending brought real tears to my eyes.The story revolves around the household of the Pang family, a very wealthy and traditional clan that lives in the countryside and has remained untouched by the rise of modern society in Shanghai during the 1920's. *** SPOILERS ***Yu Xiuyi is married to the son of the clan elder, Pang An, a cruel opium addict. One day, she sends for her much younger brother, Yu Zhongliang (Leslie Cheung), to come live on the Pang estate and tend to her husband's opium needs while he completes his studies. His playmates become his sister-in-law, Pang Ruyi (Li Gong), and her cousin, Pang Duanwu (Kevin Lin). Zhongliang is turned into a servant and humiliated by his master and his sister. He leaves for Shanghai and hooks up with a crime family there. He seduces married women and the gang extorts money from their husbands. He's a playboy without a heart.Back at the Pang estate, An suffers some sort of brain damage from his opium use, so when the elder dies, his younger sister, Ruyi, is chosen to rule the clan. She chooses her cousin, Duanwu, to act as her counselor, much to the chagrin of the clan elders who see both of them as inexperienced and not traditional enough.Zhongliang's boss sends him back to the Pang estate to seduce Ruyi so that they can extort money from the clan, but when he returns, he soon falls in love with her. Complicating matters, Duanwu, the ever loyal cousin, also is in love with Ruyi.Zhongliang is torn between loyalty to his crime boss, who has become a father figure to him, and his newfound emotions toward Ruyi. Ruyi had despaired of never finding a suitable husband - the marriage arranged for her years ago had been broken when the family found out she was an opium addict like her older brother. The love she and Zhongliang find for each other is liberating for each.Zhongliang begins to feel guilty - members of his gang are pressuring him to set up the extortion. He came back to the Pang estate to exact revenge for what An and his sister did to him years ago, but he's in love with Ruyi and can't go through with his plan. So he leaves and returns to Shanghai, where his understanding boss lets him off the hook, sort of.He is ordered to go through with the extortion of a married women he's been having an affair with, a woman he really loves. The gang boss sends for Ruyi so that she can witness Zhongliang's seduction and betrayal of this woman, hoping this will ruin the love between the two and return Zhongliang to his former cynical self. But the woman kills herself in despair and Zhongliang is destroyed by his guilt.Ruyi returns to the country and is met at her estate by the man whose family spurned their betrothal years ago. He is now a modern, self-sufficient businessman in Shanghai, and after the two get along well, they both decide to get married - he's transitioned to modern life and doesn't care anymore what his family thinks of Ruyi.But Zhongliang returns. Ruyi had thrown herself at him in Shanghai despite finding out what he was really like, and he had been afraid to tell her how he felt, but now he wants to reclaim her. Ruyi tells him she no longer loves him.Zhongliang's sister, jealous and bitter about her isolation and reduction to second class status within the clan, nags him into putting arsenic into Ruyi's opium, something he did years ago to An as part of his revenge. Too late, he regrets his actions and tries to stop her from smoking the poison. She's rendered a vegetable just like her older brother was.As Zhongliang's about to return to Shanghai in deep sorrow, Duanwu guns him down on the pier. And Duanwu, no longer meek and subservient but cruel and decisive, now becomes the head of the clan while Ruyi is carried comatose into the ancestral hall to witness the ceremony.*********The story is terrific and the acting superb. I've seen several of Li Gong's films and this is her best part of all. She portrays innocence and betrayal with great beauty and skill. Leslie Cheung is also terrific in the role of Zhongliang, really the main figure in the film. His character has such depth and complexity, and the actor does a great job of letting the viewer see the pathos within him as he's torn between revenge and love.The cinematography is spectacular. The scenes in the countryside surrounding events in the Pang estate are filmed with a fuzzy aura to them, almost putting events into a dreamlike state. Shanghai, on the other hand, is shot cleanly with defined edges. Christopher Doyle, an Australian, also did the cinematography on several other Chinese films as well as recent entries like "Rabbit-Proof Fence" and "The Quiet American"", another film with stunning visuals.For English speaking cinema fans, don't let the subtitles intimidate you. This is a great film, a beautiful film about a tragic love story, and one you really should see.
graycat-1 This film reassembles the director and stars of Farewell My Concubine. Unfortunately, Kaige Chen over estimates his abilities as a screen writer. Farewell was base on a novel by Lillian Lee; Kaige Chen, Kei Shu, and Anyi Wang provide little of the historical sweep of the earlier film for Temptress. BTW, the Temptress of the title is not played by Li Gong, but Leslie Cheung, which should give some idea of how wrong-headed this production is.
smallchief What you can say about this movie is that it was not directed by Zhang Yimou who did (if I'm not mistaken) Raise the Red Lantern and Ju Dou which were excellent movies. This is similar -- but inferior -- to Zhang's work. Gong Li, the lead actress, is less sensual than usual, the story is convoluted and complicated, the ending is exactly like that of every other movie I've seen in which Gong Li is the lead, and the story strains credibility. The lead male character, Zhong, is sort of a Chinese Tom Cruise. The women all love him, despite the fact that he's a louse. He suffers horribly because they suffer because of their love for him. Nobody suffers as much as Gong Li. Tragic ending predictable. The photography was good. That's about all.